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Archetypes analysis
Archetypes analysis
The significance of symbols in Indigenous Religion
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To understand a specific archetype, one must first understand what a Jungian archetype is. The two questions that are the most important to understand are the what and the where. What is an archetype and where do archetypes come from. First for the what, Jung believed that all humans possess a "preconscious psychic disposition that enables a (man) to react in a human manner." These prospectives for creation are defined when they enter the conscious mind as images. The archetype may emerge in the mind in many ways and forms. An archetype can also be defined as a mythic structure, coming down from myth and inserting itself into literature. The archetype only exists if the situation calls for it, and we are not conscience of it until it has already happened. According to The Critical Tradition: Classic Texts and Contemporary Trends, Jung's hypothesis was that direct influence was unnecessary, that the similar mythologies were merely differing manifestations of structures deep in the human unconscious. These structures Jung termed archetypes; they manifest themselves not only in myth and in dreams but in the finished art of cultures like our own in the form of symbols. (504-505) Now, for the next question, where do archetypes come from? Jung believed that human beings were born with these models which makeup our imagination and make it categorically human. Jung believed that these archetypes were derived from the collective unconscious through which, "the spirit of the whole human species manifests itself" (Richter 504). Richter goes on to say that we "understand it's existence through our profound response to universal symbols that appear both in dreams and in our waking lives." (504). Also important in defining a single a... ... middle of paper ... .... 2003. Appalachian State University. 1 Dec. 2004. < www.acs.appstate.edu/~davisct/nt/jung.html>. Dunn, Peter N. "Irony as Structure in the Drama," Bulletin of Hispanic Studies 61 (1984): 317-325. Fonda, Marc. Fonda's Jung Notes: A Summary of Jung's Psychology. 8 December 1996. 31 November 2004. < www.magma.ca/~mfonda/jung03.html>. Jung, Carl The Archetypes and the Collective Unconscious Princeton: Princeton UP, 1975 Oakes, Elizabeth. "Polonius, the Man Behind the Arras: A Jungian Study." New Essays on Hamlet. Ed. Mark Thornton Burnett and John Manning. Hamlet Collection 1. New York: AMS, 1994. 103-16. Progoff, Ira Jung's Psychology and its Social Meaning New York: Dialogue House Library 1985 The Critical Tradition: Classic Texts and Contemporary Trends. Ed. David H. Richter. 2nd ed. Boston: Bedford/St Martin's, 1998.
The different archetypes are the shadow, the mandala, the great mother, the transformation, the hero, the spiritual father, and the trickster. All archetypes were drawn from a part of what makes us human and hidden in our subconscious. Many of the characters in the film often play more than one character. An example of this would be Ben Kenobi seems to play the archetype of Luke’s father, then he also plays the archetype as an old, wise man.
An archetype, as defined by Literary Terms, is an idea, symbol, pattern, or character type that appears repeatedly in stories from cultures worldwide, symbolizing something universal in the human experience. There are three types of archetypes: symbolic, character, and situational. In her memoir, The Glass Castle, Jeannette Walls employs each archetype to capture her difficult life growing up due to her father's alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel's theme of perseverance. The central theme of the novel is perseverance, as Jeannette and her siblings worked hard and never gave up, managing to build a better life for themselves.
“The archetype is probably Jung’s most difficult concept. Archetypes are inherited predispositions to respond to the world in certain ways. They are primordial images, representations of the instinctual energies of the collective unconscious” (Frager). The archetypes in Jung’s analysis are the shadow, anima, animus and self. Beginning with the shadow, this to be a person of the same sex but possessing different traits. The Wicked Witch represents the shadow, the dark or unconscious part of the personality that the conscious ego tries to ignore. Along with the witch, her heinous flying monkeys could be categorized into this archetype. The Wicked Witch of the West is a dark, controlling presence who seeks to dominate and control. Any person seen throughout the world could be symbolized by the witch as a foreboding character and one who thought all was right with their plan of action, hence a universal
An archetype is a universal symbol. It is also a term from the criticism that accepts Jung’s idea of recurring patterns of situation, character, or symbol existing universally and instinctively in the collective unconscious of man. Archetypes come in three categories: images (symbols), characters, and situations. Feelings are provoked about a certain subject by archetypes. The use of the images of water, sunsets, and circles set the scene of the movie. Characters, including the temptress, the devil figure, and the trickster, contribute to the movie’s conflicts that the hero must overcome in order to reach his dream. However, to reach his dream, the hero must also go through many situations such as, the fall, dealing with the unhealable wound, and the task. By using archetypes in the movie, the viewer can obtain more than just the plot and better understand the true theme of the movie: to never give up on dreams.
Shakespeare, William. "Hamlet." Madden, Frank. Exploring Literature. 4th ed. New York: Pearson Longman, 2009. Print 539-663
Hamlet (The New Folger Library Shakespeare). Simon & Schuster; New Folger Edition, 2003.
Psychoanalyst Carl Jung suggested all humanity is innately programmed with a set of primordial images as a collective unconscious. These primordial images, which he called archetypes, are buried deep in the subconscious until a triggering event brings them to the forefront. Artists, writers, musicians and p...
"The Archetypes and the Collected Unconscious."The Collected Works of C.G. Jung. 2nd ed. Ed. Carl G. Jung. London: Routledge, 1990. 393-417.
Furthermore, Campbell explained such patterns by using Carl Jung's theory of the collective unconscious, which he was strongly influenced with. Psychological organs that developed through the evolution, is the idea Jung gave of archetypes (Jung 81). To him they are recurring patterns, images and ideas which all humans inherited in their unconsciousness (Volgar 23). In addition, Campbell described his theory as a reoccurring cycle of pattern consisting of three phases: Departure, Initiation and Return, which he calls The Monomyth (Campbell 28), a deep inner journey of transformation that every hero must go through in order to grow (Voytilla vii).
Jung agrees with Freud and his thought process of the structural constructs, he disagrees with there only being three parts of the unconscious mind. Jung’s structural construct of the psyche is more in-depth than Freud’s. Jung uses the similar basic construct of Freud and agreeing with the differences in the types of consciousness in the mind. Jung uses the ‘shadow’ instead of the id which is the unknown concepts of one’s personality and the unknown choices that we make based upon good and evil side of everyone. In other words, our shadow which resides in our unconscious mind are the ‘skeletons in our closet’ which can be described as the unwanted and the rejected thoughts that we have by our ego and our
In the Jungian analysis of a character, there are three archetypes that must be considered. Carl Jung believed that the three archetypes that made up a person are the shadow, the anima or animus, and the persona (Dobie 64). In “Reading the Brothers Grimm to Jenny,” the narrator first introduces readers to Jenny’s shadow and animus. Jung saw the shadow as a human’s “darker side,” and the “part of ourselves we would prefer not to confront” (Dobie 64). Whereas the animus or anima is the “the life force within an individual,” and “life itself and the
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help advance the story.
Discovering the meaning and significance of the archetypes in one’s dreams and the dreams themselves were a sort of process that helped lead the individual towards a God. The suffering and process of analyzing the dreams and manifestations of the archetypes was crucial to resolving one’s entire unconscious and thus being at peace with oneself. When this peace was achieved, it allowed the individual to further their religious experience. Jung believed that all humans had a natural religious function and the expression of their unconscious through archetypes and dreams was crucial.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
Some examples of archetypes are, the wounded child, the victim, the villain, the rebel, the savior, finding redemption, death, and the happy ending. Now that there is an understanding of what an archetype is, we can look at four different archetypes in The Bell Jar. The first archetype in The Bell Jar, is the character of Doreen, who would be seen as the bad girl. She is very easy, not very smart but very pretty, she relates well to the character of Helen of Troy who embodied all of the things she had before. The second example is the character of Esther, she can be seen as the victim and as the heroine.