In The Glass Menagerie the Wingfield family saturates themselves in their toxic relationships with one another and has trapped them within their broken home. Clearly, each individual within the family is trying to create their own escape from their family responsibility. Tom, Laura, and Amanda are all facing different adversity while trying to escape their reality. Throughout the play each of these characters are forcefully trying to live a life that they are not equipped to live. The play exemplifies how each of the characters damaged self is not only from their broke home, but, also from their unfulfilled hopes and dreams. Some would assume that this is unacceptable but, they are coming from a broken home, which creates their entrapment to be inevitable. The actions of the Wingfield family are acceptable because their broken home makes them trap themselves in their family responsibilities.
Nevertheless, the internal struggle within Tom becomes apparent as he begins to resort to drinking in order to cope with his toxic relationship with his mother and his hatred for working at the factory. Throughout the play it is palpable that he hates his home life and especially the inability to use his instincts and strengths at the warehouse.
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Tom loses his job and continues living miserably and abandons his family just like his father. When Laura’s favorite glass unicorn breaks it symbolizes her dream of finding true love is no longer attainable. When Laura is talking to Jim and mentions that “Glass breaks so easily. No matter how careful you are” (Gardner 940), she is actually using the glass unicorn to resemble her families fragile state. This state leads the Wingfield family down their inevitable fate of all their hopes and dreams being crushed. These unfulfilled dreams put Amanda, Tom, and Laura back into their vicious cycle of
The Glass Menagerie is a play written by Tennessee Williams. It involves a mother, Amanda, and her two children, Tom and Laura. They are faced with many problems throughout the play. Some of these problems involve: Amanda, the mother, only wants to see her kids succeed and do well for themselves. How does her drive for success lead the book?
The Glass Menagerie is a play about the memories of a young man named Tom Wingfield. Tom dreams of escaping his complicated and completely dependent family. Tennessee Williams uses symbolism to emphasize Tom’s yearning to leave. The first symbol of this the fire escape which serves as a bridge to reality from the illusive wo...
Because of him working in the warehouse and having to put his dreams on hold, it seems to make him bitter and rude to his mother. His mother puts a lot of pressure on him with working and making the money to pay the bills. Also his mother is always getting mad when he goes out. In the play Tom snaps at his mother one night after she’s nags him about going out, some of the stuff he said wasn’t necessary, but we all say things we don’t mean when we are upset. His mother does work by trying to sell magazines, but during this time period the Great Depression was going on so it was hard on everyone with money.
Tom Wingfield is a determined young man. He has decided against everyone else in his family's wishes that he wants to leave the dismal life of a factory job, to pursue a chance in the Merchant Marines. He realizes that he would be running off like his father and this is probably the only thing that kept him from leaving this long. Amanda, Tom's mother, deep down knows the day is coming that Tom will leave. She says "But not till there's someone to take your place." She wants Laura, if not herself to be taken care of. At that moment in the play Tom is the breadwinner in the family and up to this point Tom is the underpriviledged child that wants to move on. He wants to pursue his dream, a more adventurous life. Tom was a likable character until we find out he didn't pay the electric bill with the intended money. When Jim is over and he says "I paid my dues this month, instead of the light bill". At this point, Tom becomes a more selfish character. There is less sympathy given in his direction. In fact, this is probably where we feel a little more sorry for Amanda.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
The third and final reason Tom is unhappy and wants to leave, is due to his dreams being put on hold to support his family. Tom envisions a life of adventure, something of which he feels his life is meaningless without. After his father leaves, though not his obligation, Tom takes over the role as the man of the house. Tom feels that he is now responsible for taking care of his mother and sister. Even though Amanda and Laura need him, Tom decides anyway to leave them in search of his own adventures. Tom does not necessarily want to be unlike his father, he thinks of his wanting leave as a gene of sorts, a destiny, something he is supposed to do. When Tom’s coworker, Jim, is invited to dinner, Tom even confides in Jim that Tom is “like my [his] father” and that he is “the
Tom supports his family despite his unhappiness of his world. He tries to please Amanda by being the sole supporter, but only gets rewarded by Amanda's constant nagging and suspicion. Eventually Tom finds himself more like his father as he seeks adventure in the movies and hangs out on the fire escape he avoids suffocation, and desperately seeks the life he always desired; the life of adventure.
In The Glass Menagerie, Tennessee Williams uses the roles of the members of the Wingfield family to highlight the controlling theme of illusion versus reality. The family as a whole is enveloped in mirage; the lives of the characters do not exist outside of their apartment and they have basically isolated themselves from the rest of the world. Even their apartment is a direct reflection of the past as stories are often recalled from the mother's teenage years at Blue Mountain, and a portrait of the man that previously left the family still hangs on the wall as if his existence is proven by the presence of the image. The most unusual factor of their world is that it appears as timeless. Amanda lives only in the past while Tom lives only in the future and Laura lives in her collection of glass animals, her favorite being the unicorn, which does not exist. Ordinary development and transformation cannot take place in a timeless atmosphere such as the apartment. The whole family resists change and is unwilling to accept alteration. Not only is the entire family a representation of illusion versus reality, each of the characters uses fantasy as a means of escaping the severity of their own separate world of reality. Each has an individual fantasy world to which they retreat when the existing world is too much for them to handle. Each character has a different way of dealing with life when it seems to take control of them, and they all become so completely absorbed in these fantasies that they become stuck in the past.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
Tom is a character many people in this generation can relate to. Although the play was written many years ago Tom is just like any other millennial from this day and age. He basically hates his job because it’s not fun. He can’t cope with the fact that he has to pick up all the slack his father left behind. He even seems to think that running away will fix everything. All of these things are very common in society today.
For Laura, it represents what she will never be able to do, because of her severe social anxiety and physical disability. Tom sees the escape as a choice, he freely uses it to come in and out of the apartment and it is up to him to choose to escape, his mother, Amanda, will not freely give him the opportunity to. The fire escape plays a major role within the plot of The Glass Menagerie and is symbolic to the characters within the novel.
Laura has a physical handicap with one leg being shorter than the other. With this handicap Laura was picked on and led to having high anxiety and stress. The anxiety and stress led to her not going to business college as stated when Amanda went to Laura’s class and talked to Laura’s teacher. To escape from the stress, Laura has a collection of glass sculptures. This is stated in the scene information of Scene II with “She [Laura] is washing and polishing her collection of glass” (Williams 1251). In Scene III when Tom and Amanda are fighting Tom through his jacket and broke a sculpture “With an outraged groan he [Tom] tears the coat off again, splitting the shoulders of it and hurls it across the room. It strikes against the shelf of Laura’s glass collection, there is a tinkle of shattering glass. Laura cries out as if wounded” (Williams 1257). Laura has one piece in her collection that wasn’t broken till later and means the most to her and that is the unicorn, Laura states this with “I shouldn’t be partial, but he is my favorite one” (Williams 1282). The unicorn represents her because the unicorn is different from a normal horse just like how she is different from other women, she then allows her gentleman caller Jim O’Connor to hold the unicorn and saying “Go on, I trust you with him”
Amanda loves her children and tries her best to make sure they do not follow her path to downfall. Unfortunately, while she is trying to push her children toward her ideals of success, she is also pushing them away. Amanda Wingfield is a kind woman stuck in the wrong place and time; she is trying to make her children’s life perfect while attempting to get a re-do on her love life with Laura and forcing Tom to fill the role that her husband abandoned. Amanda Wingfield was never meant to be in the situation that she finds herself in.
The role of abandonment in The Glass Menagerie can best be described as the plot element that underlies the overall tone of despondence in the play because it emphasizes the continuous cycle of destruction and hardship that the Wingfield family experiences; indeed, abandonment in the play is a reiterative element that strips the excesses from the three main characters in the play and leaves them in their barest forms, united by a sorrowful reality and clutching each other through the ever-present need to sink into a self-constructed oblivion. The first, and perhaps the most notable and most frequently discussed, example of abandonment in the play would be that of Amanda Wingfield’s husband’s abandonment of his family; he left them at an unspecified time in the past because “he fell in love with long distances,” and evidently forsook any obligations and emotional affiliations that he may have had with his wife and offspring (Williams 5). Having been abandoned by a man who was both husband and father affected Amanda, Tom, and Laura in that it established many of their familial dynamics...