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T.S Eliot’s poem, The Waste Land, is written in the mood of society after World War I. By using these allusions, The Waste Land reflects on mythical, historical, and literary events. The poem displays the deep disillusionment felt during this time period. In the after math of the great war, in an industrialized society that lacks the traditional structure of authority and belief, in the soil that may not be conductive to new growth (Lewis). Eliot used various allusions that connected to the time period and the effect of the war on society in his poem. Aided by Eliot’s own notes and comments, scholars have been able to identify allusions to: the Book of Common Prayer, Geoffrey Chaucer, Charles-Louis Philippe, James Thomas, Guillaume Appollinaire, Countess Marie Larsich, Wyndham Lewis, nine books of the Bible, John Donne, Alfred Lord Tennyson, Richard Wagner, Sappho, Catullus, Lord Byron, Joseph Campbell, Aldous Huxley, J.G. Frazer, Jessie L. Weston, W.B. Yeats, Shakespeare, Walter Pater, Charles Baudelair, Dente, Ezra Pound, James Joyce, and John Webster—all within the first section of 72 lines, about one allusion every two lines (Lewis). Using various allusions, Eliot was able to connect to the fact that he lived in a modern day waste land as a result of the destruction caused by World War I. Eliot used the allusions to show that death brings new beginnings and change, and love still flourishes.
The first line of the poem, “April is the cruelest month, breeding,” is an allusion to Geoffrey Chaucer’s poem, Canterbury Tales. Chaucer’s poem also begins with a statement about April; referring to Aprils “sweet showers.” In the month of April it rains causing flowers t bloom in the month of May. This can be connected to reproduction or...
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...ies that there is no sign of life insight. The cock is only surrounded by barrenness and death, the cock is in a way signing off the fallen. The biblical reference of the cock comes from the section Matthew in the bible. This is about the day Jesus was crucified, a cock crowed as he was denied by one of his disciples.
Overall Eliot’s allusions used in his poem The Waste Land all had purpose and related to something deeper. Wither it is love or the creation of life Eliot was able to make several connection to the reader and other writings. Eliot wrote his poem to announce to the world the devastation of the First World War. Eliot made references to biblical, mythical or and other forms of literary. Eliot used them to his advantage to show the social break down of the US after WWI. The Waste Land is truly a testament to T.S. Eliot and his modernistic style of writing.
When read for the first time, The Waste Land appears to be a concoction of sorts, a disjointed poem. Lines are written in different languages, narrators change, and the scenes seem disconnected, except for the repeated references to the desert and death. When read over again, however, the pieces become coherent. The Waste Land is categorized as a poem, but exhibited visually, it appears to be a literary collage. And when standing back and viewing the collage from afar, a common theme soon emerges. Eliot collects aspects from different cultures or what he calls cultural memories. These assembled memories depict a lifeless world, in which the barrenness of these scenes speak of a wasted condition. He concentrates on women, including examples of violence committed against them and the women's subsequent lack of response to this violence, to show how apathetic the world is. But The Waste Land is not a social commentary on the plight of women. Rather, the women's non-reaction to the violence against them becomes a metaphor for the impotence of the human race to respond to pain. Violence recurs throughout time, and as Eliot points to in his essay "Tradition and Individual Talent" in the epigraph, we can break this cycle of violence and move ahead only by learning from the past and applying this knowledge to the present.
Kimberly Tsau, for example, follows De Quincey's lead in her analysis of T. S. Eliot's The Waste Land, suggesting that among the violence, apathy, and disjointedness of the poem is a call to face and learn from suffering. Her essay, "Hanging in a Jar," examines how Eliot collects a variety of "cultural memories," cutting and pasting them together to form a collection that is both terrifying and edifying.
Eliot, T.S. The wasteland. In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1447-1463.
...oth of T.S Eliot poems were influenced by Modernism times, through Disillusionment which is overcame by Restoration.
In T.S. Eliot’s Poem, The Waste Land, modernism is strewn across every page. In the time period it was composed, The Waste Land was a very unique poem that displayed many modern characteristics. Here, the concept behind modernism was to show the rejection away from society. Eliot was living during the period where the traditional norms of the 1800’s were cast aside and writers wrote more realistic and how life really was. The poem breaks traditional form by not having customary stanzas and lines; not to mention the random spurts of foreign language. Unlike the typical poems of its time, it did not use excessive imagery to paint a picture or rhyming. Eliot sought out a new type of poetry that used individual fragments to create a sense of desolation that he thought the world was suffering...
Eliot's Themes of Death and Futility in the Poem Remind Your Self of The Hollow Men. One of the major themes explored by Eliot in the Hollow Men is that of death and the futility of life. Eliot portrays life, war, royalty, religion and. death as futile in the poem.
William Williams' "Spring and All" The Modernist era of poetry, like all reactionary movements, was directed, influenced, and determined by the events preceding it. The gradual shift away from the romanticized writing of the Victorian Era served as a litmus test for the values, and the shape of poetry to come. Adopting this same idea, William Carlos Williams concentrated his poetry in redirecting the course of Modernist writing, continuing a break from the past in more ways than he saw being done, particularly by T.S. Eliot, an American-born poet living abroad. Eliot’s monumental poem, The Waste Land, was a historically rooted, worldly conscious work that was brought about by the effects of World War One. The implementation of literary allusions versus imagination was one point that Williams attacked Eliot over, but was Williams completely in stride with his own guidelines?
In his poem "The Waste Land," T.S. Eliot employs a water motif, which represents both death and rebirth. This ties in with the religious motif, as well as the individual themes of the sections and the theme of the poem as a whole, that modern man is in a wasteland, and must be reborn.
...In "The Waste Land," Eliot delivers an indictment against the self-serving, irresponsibility of modern society, but not without giving us, particularly the youth a message of hope at the end of the Thames River. And in "Ash Wednesday," Eliot finally describes an example of the small, graceful images God gives us as oases in the Waste Land of modern culture. Eliot constantly refers back, in unconsciously, to his childhood responsibilities of the missionary in an unholy world. It is only through close, diligent reading of his poetry that we can come to understand his faithful message of hope.
There are a number of these images in the works. Many of Picasso's are fairly evident the burning man in the right corner for example or the severed head on the bottom. These show the devastation of the world, as we know it. Eliot has recurring images not unlike these in The Waste Land. Eliot continually refers to the unnatural lack of water in the wasteland or the meaningless broken sex in the society of his day.
...script version of "Gerontion," the old man is abandoned by nature, leaving him in his barren state. There is no hope for these characters to find meaning through nature because it is a force that is completely out of their control. However, by substituting "History" for "Nature" in "Gerontion," Eliot gives an element of hope to an otherwise dismal poem. By recognizing the old man's failure to perceive history in the "living" sense, the reader also recognizes that the perception of history lies in the individual. Unlike nature, man has a controlling influence in history. As long as this is understood, anyone, including the old man, can find belonging in the living sense of history in order to establish meaning in their present world.
The Wasteland is a poem Eliot wrote after his divorce with his wife Vivienne Haighwood. Critics say the title of the poem, the wasteland, comes from his thoughts on his marriage. This poem is considered to be “one of the most difficult poems in a difficult literary period”. The Wasteland is a poem that is said to be of his most influential work. At first glance, critics considered the poem to be too modern but then opinions changed as they realized the poem reflected Eliot’s disillusionment with the moral decay of World War I in Europe. T.S. Eliot in The Wasteland combines theme, style, and symbolism to explore life and death.
Different speakers in "The Waste Land" mirror the disjointedness of modern experience by presenting different viewpoints that the reader is forced to put together for himself. This is similar to the disassociation in modern life in that life has ceased to be a unified whole: various aspects of 20th-century life -- various academic disciplines, theory and practice, Church and State, and Eliot's "disassociation of sensibilities," or separation of heart and mind -- have become separated from each other, and a person who lives in this time period is forced to shore these fragments against his or her ruins, to borrow Eliot's phrase, to see a picture of an integrated whole.
On the most superficial level, the verbal fragments in The Waste Land emphasize the fragmented condition of the world the poem describes. Partly because it was written in the aftermath of World War I, at a time when Europeans’ sense of security as well as the land itself was in shambles, the poem conveys a sense of disillusionment, confusion, and even despair. The poem’s disjointed structure expresses these emotions better than the rigidity and clarity of more orthodox writing. This is evinced by the following from the section "The Burial of the Dead":
Modernism in T. S. Eliot's "The Wasteland" Modernism has been defined as a rejection of traditional 19th-century norms, whereby artists, architects, poets and thinkers either altered or abandoned earlier conventions in an attempt to re-envision a society in flux. In literature this included a progression from objectivist optimism to cynical relativism expressed through fragmented free verse containing complex, and often contradictory, allusions, multiple points of view and other poetic devices that broke from the forms in Victorian and Romantic writing, as can be seen in T.S. Eliot's "The Waste Land" (Levanson). The varied perspectives or lack of a central, continuous speaker uproots "The Waste Land" from previous forms of poetry; however, it is not simply for the sake of being avant-garde, but to espouse the modernist philosophy, which posits the absence of an Absolute and requires the interpretation of juxtaposed, irreconcilable points of view in order to find meaning. The first stanza illustrates this point. Within the first seven lines, the reader is presented with a "normal" poem that conforms to an ordered rhyme and meter.