Search for Innocence in American Modernism
American Literature from its very beginning has been centered around a theme of innocence. The Puritans wrote about abandoning the corruption of Europe to find innocence in a new world. The Romantics saw innocence and power in nature and often wrote of escaping from civilization to return to nature. After the Civil War, however, the innocence of the nation is challenged. The Realists focused on the loss of innocence and in Naturalist works innocence is mostly gone. During these periods of American Literature it seems almost as if a hole was being dug, a sort of emptying of innocence, and after World War I the Modernists called this hole the wasteland Many Modernist works focus on society lost in the wasteland, but they hint at a way out. The path out of the wasteland is through a return to innocence. This is evident in the Modernist works of The wasteland by T. S. Eliot, "Directive" by Robert Frost, "Babylon Revisited" by F. Scott Fitzgerald, and "Hills Like White Elephants" by Earnest Hemingway as will be shown in an analysis of the inhabitants of the wasteland and their search for innocence, the role of children and pregnancy in the wasteland, and the symbolism of water and rebirth.
But before I go on, I believe that I should first clarify what I mean by "a return to innocence." First, there is some confusion between innocence and ignorance. They are often used interchangeably. Because a person is innocent, it does not mean that he or she is unaware of reality. Innocence is almost like a different type of view. A child and an adult may interpret a single thing entirely differently, but this does not mean that the adult knows more about that thing. Innocence is open ...
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...ed society and only through the return of innocence can there be hope of anything better.
Works Cited
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Fitzgerald, F. Scott. "Babylon Revisited." In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1471-1485.
Frost, Robert. "Directive." In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209.
Hemingway, Ernest. "Hills Like White Elephants." In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1471-1485.
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Analyzing innocence has always been a difficult task, not only due to it’s rapid reevaluation in the face of changing societal values, but also due to the highly private and personal nature of the concept. The differences between how people prioritize different types of innocence - childhood desires, intellectual naivety, sexual purity, criminal guilt, etc. - continually obscures the definition of innocence. This can make it difficult for people to sympathize with others’ loss of purity, simply because their definition of that loss will always be dissimilar to the originally expressed idea. Innocence can never truly be adequately described, simply because another will never be able to precisely decipher the other’s words. It is this challenge, the challenge of verbally depicting the isolationism of the corruption of innocence, that Tim O’Brien attempts to endeavour in his fictionalized memoir, The
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George Mikan who was one of the NBA’s first great center. The Minneoplis Lakers soon after
Fitzgerald, F. Scott. “Babylon Revisited”. Short Fiction: Classic and Contemporary. 6th ed. Ed. Charles Bohner and Lyman Grant. Upper Saddle River, NJ: Prentice Hall, 2006.
Both “ Young Goodman Brown” and “ The Most Dangerous Game” have themes of a loss of innocence, yet each store employs a different way of getting there. The exact meaning of this loss of innocence also differs in each story. In “ Young Goodman Brown”, written by Nathaniel Hawthorne, shows us a man that loses his innocent view of the world. By the end he is a man with now hope and no faith. In “ The Most Dangerous Game”, written by Richard Connell, we watch as a man falls from a powerful hunter into a savage murderer.
The Los Angeles Franchise has a long and rich history through different leagues and states. The franchise began with the purchase of a disbanded team in 1947, the Detroit Gems, of the then National Basketball League or NBL. Ben Berger and Morris Chalfen purchased the team for $15,000. The new team was moved and began playing in Minneapolis, Minnesota, and was named the Minneapolis Lakers in honor of the state’s nickname, “Land of 10,000 Lakers”. The Lakers won the 1948 NBL championship before joining the rival Basketball Association of America (BAA), which would later become the National Basketball Association (NBA). After the teams’ financial struggle, they relocated to Los Angeles before the 1960-1961 season. The team then acquired another MVP player in Kareem Abdul-Jabbar, but even with his talent, they were unable to make the finals in the late 1970’s.
Before there was the Oklahoma City Thunder, there was the Seattle Supersonics. There’s a fact for you! The Seattle Supersonics was founded in 1967. They were active from 1967-2008. The Supersonics have one title under their belt; they won a championship in 1979 led by Hall of Famer Dennis “DJ” Johnson and Gus Williams. They defeated the Washington Bullets 4 games to 1.
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Innocence is usually associated with youth and ignorance. The loss of one’s innocence is associated with the evils of the world. However, the term “innocence” can be interpreted in a variety of ways. Similarly, the loss of one’s innocence can be interpreted in more than one way, and, depending on the interpretation, it may happen numerous times. The loss of innocence is culture specific and involves something that society holds sacrosanct. It is also bounded by different religious beliefs. Still, no matter which culture or religion is at hand, there is always more than one way to lose one’s innocence, and every member of that particular culture or religion experiences a loss of innocence at least once in their lives. In addition, the individual’s loss of innocence will impair him or her emotionally and/or physically.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
Innocence in Billy Budd There is much to be said about innocence. If one is with innocence than one can do no wrong. But that is not all to be said. Innocence is not always a good thing. It could make one naive or blind to certain evils.
Baker, Sheridan. "Hemingway?s Two-Hearted River." The Short Stories of Ernest Hemingway: Critical Essays. Ed. Jackson, J. Benson. Durham: Duke UP, 1975. 158.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.