In this book of Albert Camus, “The Myth of Sisyphus”, He discussed a discrepancy that dreads the mind of conscious beings since time immemorial: “What could possibly be the answer to the meaning of life when the world itself bespeak not of a question.” According to Camus, there is, but one, important philosophical problem, and that is suicide. One seen reason behind is, is that life is utterly meaningless. People, from the outset are given two options: To commit suicide or to live and, possibly, die for a meaningful cause. Camus posits that we spent all our lives under the spirit of habit and a small portion of it under the spirit of reflection. We are all living in a cycle of action and that is our habits, but in one point in this cycle we will begin to question our reason for …show more content…
In this way, one cannot live the best life, but can live their lives to the fullest. This is where we arrive to the three consequences of Absurdity: Revolt talks about condemning meaningless world and awareness of the finality of death. Freedom, having a course of action to which direction you are going to, and taking each moment of life as it strikes you. Passion is awareness of every passing moment and relishing it. Camus showcased to his readers the 4 examples of an Absurd Life. He begins with The Seducer, who lives his life in pursuit of evanescent passion. The one next in line is The Actor, who always assumes new roles, he has an awareness of his act and knows that it is all for the “show”. Camus's third example is The Conqueror, who is engaged deeply in political arena and knows no true victory but only temporary ones. This is a type of an Absurd Man who favors action than contemplation. The last one on the list is the artist, who interprets the world in hundreds of colors, and plethora of ways but showing not even the slightest of hope in his
The protagonist, Meursault, was interesting character. His ideas and beliefs seem to point to a time when there is no hope to be had. Although he is able to accept the fact that everyone dies and in so doing realizes that you can live better. He lives a controlled life in which he takes responsibility for all of his actions. This is a direct reflect of Camus personal beliefs about absurdism.
In the essay The Myth of Sisyphus, Albert Camus attempts to give answers to some tough questions. He wants to know if life is worth living or how we can make it worth living, as well as whether or not it is possible to live with certainty. To him, the absurd man realizes that life is absurd after his expectations are repeatedly contradicted and he realizes the world is an unreasonable place that cannot be explained. These unreasonable expectations of certainty ultimately cause many absurd men to think that life is not worth living when they are faced with what they feel is a hopeless situation. Camus offers an alternative to the problem the absurd man faces and it is not suicide or “Philosophical suicide”. Other philosophers commit philosophical suicide by suggesting that there is enough evidence, whatever it maybe, that one should survive on hope alone or make some leap. But Camus thinks that if a person is honest and truthful to themselves that they know they are nothing more than “a stranger” in this world. So how does one live a life worth living when faced with absurdity?
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
When learning about Humes one of the most interesting parts of his philosophical theory was suicide. He blatantly attacks others’ views, that we have a job and duty to God, to live and in turn to not kill ourselves. He tries to challenge the rationality of suicide and unfortunately does not come to a complete conclusion. Many even criticize is his attempts at destroying the duty theory. One must consider as if stepping into Hume’s thoughts, one must ask several questions. Does suicide make sense? If so, is there ever a rational time to commit suicide? And if there can be a rational time, is life worth living in the first place? Why is it such a controversial topic? When considering these questions one must step back and view the opinion at
In his works, The Stranger (The Outsider) and Myth of Sisyphus, Camus addresses the consciousness of Meursault and Sisyphus through their fate.
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
“Suicide is a major public health issue; it takes the life of over a million people a year.” (“Suicide Widely”) Suicide is a growing epidemic that has very negative effects and views against it. Suicide is immoral because it is said to taint your soul. Numerous side effects from it can help you understand why it is wrong. Families and friendships are torn apart by the destructive acts. Understandably, people considering killing themselves aren’t immoral because at that point you’re able to go get help and tell someone how you’re feeling. I hope to encourage more awareness for this issue to save more lives and encourage more communication.
I will discuss the novel, the Outsider by Albert Camus and the relationship between Absurdism and the elements of death, freedom and physical gratification. Absurdism is the most prominent motif expressed in Camus novel, in order to successfully understand its full meaning and prominence throughout the novel; we must firstly understand the motif of absurdism and its relationships with other prominent themes within the novel. The themes that relate most strongly with the concept of absurdism within the novel are death; this plays a central role throughout the novel in relation to absurdism as Camus shows us the conflicting and arbitrary treatment of death within society. A treatment, that leads to the confusion of Meursault’s actions and which ultimately reveals the nature of the absurd prevalent within the novel. Freedom; Camus shows the relationship between absurdism and freedom within the novel as dependant variables, dependant on one another as through absurdism, freedom is achieved and through freedom alone the absurd may be realised. And the physical; Camus displays the relatio...
However, he provides an alternative more substantial solution in such a way that does not let the universe triumph. What one must do to overcome this absurdity to is to be scornful of the fact that the universe has created such an individual with the ability to contemplate on his or her own existence. Suicide is an option that takes the easy route out of this absurdity, implicating the difficulty of life is too much to handle. Camus acknowledges his conscious and revolts, or becomes scornful of that fact, and refuses the option of suicide. By choosing to embrace the absurdity of the meaningless of one’s own existence, then freedom to create your own meaning and purpose is
An absurdist tends to discover meaning despite living in a meaningless world and are unable to fully accept and understand that every life ultimately ends. Depending on a person’s ethics and morals, some indications can be made on how someone’s life may transpire with each differing and playing a role. These people often partake in unethical and immoral actions, aware of it or not, in order to achieve some type of meaning in their absurdist life. In the novel The Fall, by Albert Camus is about an Absurdist man who used to be a judge penitent in Paris before he moves to Amsterdam. While living in Paris, Clamence lives a life full of lies as he views himself superior, as he tends to help the least fortunate. In reality, his motives are flawed
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The trial is used to portray the jury’s attempt to place a proper verdict on Meursault as mankind’s attempt to find order in an irrational universe. Camus believed these attempts were absurd, because there is no real truth in the world. The entire trial is then just an example of absurdity.
In ancient history suicide was condemned to be a morally wrong sin. Plato claimed that suicide was shameful and its perpetrators should be buried in unmarked graves. When the Christian Prohibition came into play a man by the name of St. Thomas Aquinas defended the prohibition on three grounds. These are that suicide is contrary to natural self-love, whose aim is to preserve us. Suicide injures the community of which the individual is a part of. Suicide ...
Albert Camus’ The Guest revolves around the notions of moral justification and solitude with the underlying themes of absurdism and nihilism. Camus personifies absurdism through the protagonist, Daru–whether Daru makes the decision to release the prisoner to freedom or delivers the Arab prisoner into prison does not matter, since Daru allows the prisoner to choose, and the prisoner chooses to be imprisoned. There is also a sense of uncertainty of moral justification–how is one justified in one’s choice of action and on what scale is the justification based on, which is essentially the foundation of Daru’s dilemma. With the internal confliction of Daru’s personal beliefs against abiding superior authority, Daru is faced with two moral dilemmas:
If there is no point to living why do we continue to live? If this reality is absurd why don’t we recognize that and commit suicide? Taking one’s life shows the lack of will or reasons to live and also the needlessness of suffering. So what is living? Living is the Absurd. Living is hopelessness. Living is keeping the absurd alive. To keep the absurd alive you only have to live the absurd. 'Life will be more fully lived in so far as it has no meaning.' is a quote from Camus that shows this. Camus shows that you can “hope” for the best without hope. “Hope” is not the same as hope. “Hope” is optimism. Freedom from hope is freedom to your soul. You can no longer hurt yourself by living. It is hard to believe that being hopeless leads to living but living is an imprisonment. We try to be the best we can be but does not life limit us?