When French Noble Prize winning author, journalist, and philosopher, Albert Camus, died in 1960 at the age of 46 his literary works that incorporated ideas of existentialism and absurdism were still studied and interpreted by scholars and his colleagues. Existentialism was one of the two philosophies Camus believed in and used in his works; existentialism is philosophical movement that focuses on the importance of the individual experience and self responsibility. The individual is seen as a free part in a deterministic and meaningless universe. The second philosophy Camus used and believed in was absurdism; a philosophy based on the idea that life and work are meaningless and looking for order causes inner and outer chaos. Camus had a dual culture as he was born in Algeria and lived most of his life in France, his culture duality also is expressed in his works. 1920's Algerian writer Albert Camus's works were profoundly impacted by his experiences in French colonial Algeria, his philosophical ideas and findings of existentialism, and current events of his times such as war, independence,and violence.
Albert Camus was born in Mondovi, Algeria. He was the second son to Lucien and Catherine Camus. Camus suffered from Tuberculosis and he was sent to live with his aunt and uncle. There his uncle, Gustave, was able to educate him and add drive of curiosity to his nephew. As his writing career be gain to grow Camus moved to France in 1938. Where he in 1942 at the age of 29 Camus he wrote his famous book, The Stranger. Connections between the protagonist, Meursault, and Camus can be seen because of small similar details between both of the main characters and authors lives.
When Camus was one year old his father died in the Bat...
... middle of paper ...
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
These is seen in characters that choose to fight the disease and do not give into the absurdity of a meaningless universe.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Albert Camus has his own toolbox of literary devices when it comes to accentuating the theme of The Stranger, one of them being his unique sense and use of secondary characters. Whether major or minor, every character in the book serves a purpose, and corroborates the theme in some form of fashion. Camus describes his secondary characters as foiling Meursault in one aspect or another, and thus, shining light on Meursault’s characteristics. Whether through close connections like familial relationships (Maman) and friendships (Salamano, Raymond, and Marie), or through bonds as distant as people he briefly converses with (Chaplain), or even so much as complete strangers (Perez and unidentified lady at the restaurant), characters that Meursault encounters foil and therefore, emphasize many aspects of his nature. Furthermore, because Meursault aptly embodies Camus’s ideology of Absurdism, emphasizing Meursault through secondary characteristics simply highlights Camus’ doctrine and theme of the book.
Albert Camus’s The Plague is a novel about an ordinary town that is suddenly stricken by plague. A few of Camus’s philosophies such as the absurd, separation, and isolation are incorporated in the events of the story. The absurd, which is the human desire for purpose and significance in a meaningless and indifferent universe, is central to the understanding of The Plague. In The Plague, Camus uses character development and irony to show that even through the obvious superiority of the universe, man is in constant effort to outlive the absurd. The Plague is crafted around the belief that humans live life in search of a value or purpose that will never be revealed to them because it does not exist.
I, Albert Camus, am a famous French author who had written The Stranger in 1942. I was born in Algeria, and my experiences there had deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy involving the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper. In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
Albert Camus was a French-Algerian novelist, essayist, dramatist, and journalist and a Nobel laureate. He was born in Algeria to a French father and Spanish mother. After his father was killed in WWI, he was raised in poverty by his grandmother and mother. He was forced to end his studies and limit his life in theatre as a playwright, director, and actor due to tuberculosis. He then turned his interest to politics and, after briefly being a member of the Communist party, he began a career in journalism in 1930. His articles reflected the suffering of the Arabs in Algeria. This led him to his dismissal of his newspaper job. Later, he worked in Paris for a newspaper and soon he became involved in Resistance movements against the Germans. He started writing an underground newspaper. Camus wrote many novels and his writings, illustrated his view of the absurdity of human existence: Humans are not absurd, and the world is not absurd, but for humans to be in the world is absurd. In his opinion, humans cannot feel at home in the world because they yearn for order, clarity, meaning, and eternal life, while the world is chaotic, obscure, and indifferent and offers only suffering and death. Thus human beings are alienated from the world. Integrity and dignity require them to face and accept the human condition as it is and to find purely human solutions to their plight. He used a simple and clear but elegant form of writing to convey his ideas about morality, justice and love. In 1957, Camus received the Nobel price for literature. He was deeply troubled by the Algerian War of Independence and he immersed himself in the theatre and working on an autobiographical novel. He died in an automobile accident just before being named director of the national theater.
Several philosophers have made differing viewpoints regarding the outlook of life. Richard Taylor and Albert Camus are notably known for presenting their thoughts on whether life is meaningless or not through the use of the Greek myth of Sisyphus. The two philosopher’s underlying statement on the meaning of life is understood through the myth. The myth discusses the eternal punishment of Sisyphus who was condemned by the Gods to take a large boulder up a hill, only to have it roll back down, forcing him to repeat this task endlessly. Each conceive the myth in their own way and ultimately end with a conclusion that differs from each other. Taylor’s ideals and his take on the meaning of life contrast with what Camus presents in his argument. While Taylor suggests that there is a subjective meaning to life, Camus states that life is ultimately meaningless.
Albert Camus was born in 1913, in French Colonial Algeria. He was born in the midst of World War I. When his father died in 1914, Camus’ family was left in extreme poverty. Despite the poverty he lived in, Camus was able to attend the University of Algiers, where The Stranger is based, by working odd jobs here and there. However, Camus contracted a severe attack of tuberculosis, he was then forced to drop out of school due to his illness. The poverty and illnesses Camus had experienced when he was younger influenced his writing significantly. After dropping out of college, Camus started working for an anti-colonialist newspaper where he
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
Existentialism is defined as "a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his or her own development through acts of the will”. In other words, existentialism it emphasizes individual freedom. Throughout The Stranger, the amount of existentialism views is abundant. The use of Mersault’s experiences covey the idea that human life has no meaning except for simple existence. The idea of existentialism in Albert Camus' The Stranger reflects through Mersault's life experiences with his relationship with Marie, the death of his mother Maman, the murdering of the Arab, and Mersault's trial and execution, all these events show that Mersault’s life of no meaning.
Albert Camus was an existentialist. He was also not a religious person and even though he was born and raised a Catholic; he soon quit his religious faith and turned into an atheist, believing that religion was “philosophical suicide”. He described his attitude toward religion in the lines “I would rather live my life as if there is a God and die to find out there isn't, than live my life as if there isn't and die to find out there is.” Yet, it is seen that even though he denied being an existentialist, he is seen to have ‘brooded over such questions as the meaning of life in the face of death.’ “Men are convinced of your arguments, your sincerity, and the seriousness of your efforts only by your death.” This quote shows that Camus believed death was what created people in society and brought their life into the spotlight.
To keep the absurd alive, you only have to live the absurd. Life will be more fully lived in so far as it has no meaning. is a quote from Camus that shows this. Camus shows that you can “hope” for the best without hope. The “Hope” is not the same as hope.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.