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Love in victorian literature
A relationship between father and son easy
Love in victorian literature
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The theme of survival in The Road is love. Without love they would not have made it to the end of the book they would have given up way before then. Throughout this book the boy and father could have decided to give up, but they both kept pushing because they loved each other. The father shows how much he loves the boy and how strong their bond is by always waking up in the middle of the night to make sure the kid is still there sleeping safe and sound. Sometimes the father would go on a walk to find more wood so the boy would not freeze and he would also try and find more food for them to eat. Another example of love is when they ran into some bad guys and the father would always take cover and hold the boy close to him. They had to duck down into some leaves and stay still while trying to listen to what they were saying. The boy was really scared, but the dad always reassured him he was going to be okay. When the father was about to die he said, “you can talk to …show more content…
The son may get mad at his father for being overprotective, but the father is just trying to prevent him from seeing things. The father feels he needs to protect the boy from seeing every little thing, but he cannot do that. I feel the father’s protection is helpful for the boy because he is so young he should not be going through what they are going through, but then again, he should be seeing it for himself so when his father passes he knows what to do to survive. The boy does need guidance so when he gets in a situation with the bad guys he knows how to handle them. The father has to do a lot of things in front of the boy like kill one of the bad guys and strip a guy that stole all their food. The father did not want the boy to see those things because the boy always shunned his father after those situations. The father was also over protected because he did not want anything to happen to the boy he wanted to keep him as safe as
Readers develop a compassionate emotion toward the characters, although the characters are detached and impersonal, due to the tone of The Road. The characters are unidentified, generalizing the experience and making it relatable – meaning similar instances can happen to anyone, not just the characters in the novel. McCarthy combined the brutality of the post-apocalyptic world with tender love between father and son through tone.
When the man and boy meet people on the road, the boy has sympathy for them, but his father is more concerned with keeping them both alive. The boy is able to get his father to show kindness to the strangers (McCarthy), however reluctantly the kindness is given. The boy’s main concern is to be a good guy. Being the good guy is one of the major reasons the boy has for continuing down the road with his father. He does not see there is much of a point to life if he is not helping other people. The boy wants to be sure he and his father help people and continue to carry the fire. The boy is the man’s strength and therefore courage, but the man does not know how the boy worries about him how the boy’s will to live depends so much on his
Cormac McCarthy’s novel, The Road, is set sometime in the future after a global disaster in which tells a story of a nameless boy and father who both travel along a highway that stretches to the East coast. This post-apocalyptic novel shows the exposes of terrifying events such as cannibalism, starvation, and not surviving portraying the powerful act of the man protecting his son from all the events in which depicts Cormac McCarthy’s powerful theme of one person sacrificing or doing anything humanly possible for the one they love which generates the power of love.
The novel “The Chrysalids” by John Wyndham is about a boy named David who grows up in the oppressive society of Waknuk where changes are not accepted. Through Uncle Axel and his father, Joseph Strorm, he learns about the ignorance of human nature. This helps to guide him through life and develop his maturity. Hence, the author conveys that a father figure is an essential part of development in a child’s life.
In conclusion, this was an awesome story. The above questions were the catalyst to the real truth that would make the brother to that little girl free at last. His son was determined to break the cycle and remedy this generational condition, although the means by which he used were terrible. But, he would get through to his father. He shed light in the dark place by first beating his father into sobriety, so that he could think clearly. He then helped his father to open up to the discussion concerning the secret he had held on to for so long. Then, he also convinced his father to burn the “Shawl” of his deceased sister. And finally, his father realized what the true story was. A story that would in turn loose the tie that bound them all together with generational sorrows.
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
The father “rubs his chin” and “scratches his ear” due to his inability to remember a story from the top of his head, even though there is “a room full of books in a world of stories”. However, it is not literal as in the story is not the problem, it is the son’s viewpoint of his father and him thinking that his father cannot satisfy his wishes. The story he wishes for is not one that involves adventures or superheroes, but rather asking his father to do something for him as if his father hasn’t done anything for him in the first place. The boy is growing up and as he grows away from his father and the father knows that this is happening as “he sees the day the boy goes” and he downright dreads that.
...s son live by seven rules that make them the good guys. They do what they have to do to survive, without compromising their morals. They are the epitome of a light shining in the darkness. The conflict of the father and son’s polar opposite personalities is exemplified when looking at how they feel about the rules. The child has ease with following every rule but number six, whereas the father has trouble with every rule but number six. This shows that maybe the characters complete each other. This also shows that maybe the son is better cut out for living in this kind of world than his father is. That fact shows that the father taught the child correctly.
The role of a father could be a difficult task when raising a son. The ideal relationship between father and son perhaps may be; the father sets the rules and the son obeys them respectfully. However it is quite difficult to balance a healthy relationship between father and son, because of what a father expects from his son. For instance in the narratives, “Death of a Salesman,” and “Fences” both Willy and Troy are fathers who have a difficult time in earning respect from their sons, and being a role model for them. Between, “Death of a Salesman,” and “Fences,” both protagonists, Willy and Troy both depict the role of a father in distinctive ways; however, in their struggle, Willy is the more sympathetic of the two.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
The boy appears to play the role of the responsible adult more so than the father does. The boy has typical signs of a child from today’s broken family relationships; he does not want to disappoint either parent. The boy s...
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The story provides many sources for the boy's animosity. Beginning with his home and overall environment, and reaching all the way to the adults that surround him. However, it is clear that all of these causes of the boy's isolation have something in common, he has control over none of these factors. While many of these circumstances no one can expect to have control over, it is the culmination of all these elements that lead to the boy’s undeniable feeling of lack of control.
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...
Adam, a corporal officer, starts as man who works everyday to catch the ‘villains’ of society, but is not spending enough time with his family, especially his son. He favors his nine year old daughter over his fifteen year old son. Adam views his daughter as a sweet child, and his son as a stubborn teenager who is going through a rebellious stage. However, when his daughter is killed in an accident, his perspective of family changes. In his grief, he states that he wishes he had been a better father. His wife reminds him that he still is a father and he realizes that he still has a chance with his son, Dylan. After his Daughter’s death, he creates a resolution from scriptures that states how he will be a better father. Because of the resolution he creates, he opens up to and spends more time with his son. By th...