The Princess Process
The realistic life that a little girl has in her future is for her not be compared to the fantasy of being a princess. Most little girls dream of being a character from the Disney princesses which they can be identified by. Being either beautiful or heroic or is it the fairytale that catches there attention? In the other hand little girls try to identify everything perfect and pink like cotton candy. Then throughout their growth they start looking for more attractive manners to become women. Also the negative effect of commercial and media aspect on the perfect skinny figure and how is this affecting the ideal appearance. All of these were my experience in my childhood that I had to wake out of my fairytale. Being converted into a young mom with my happy ending fairytale broken made me realize that it was nothing like in the princess stories.
“The dangerous world of the princess,” shows the definition of what a princess should be “pretty, gentle, sweet, passive, tiny feet and a handsome prince” (Cochrane paragraph 1), that is why little girls fantasize of being all these things. They want to wear makeup, jewelry, dresses and have good manners while waiting for their charming prince to come and take them away and live that happily ever after fantasy.
But when little girls make their life around a fairytale and do not move on those thoughts it becomes a worry to adults if there ever going to move on from that stage. “The toddler had stopped running and jumping, and insisted on wearing only dresses. She sat on the front step quietly waiting, she said, for her prince,” (Hanes paragraph 1).
On the contrary, this has also had a terrible assumption on the dreams of little girls being boring while waiting for th...
... middle of paper ...
...ittle girls, the type of parents, teacher, and peers. “Monkey see, monkey do is what most little girls do”. I would say so because I was one of them .
Works Cited
Cochrane, Kira. "The Dangerous World Of The Princess." New Statesman 135.4799 (2006): 22-23. Literary Reference Center. Web. 17 Nov. 2013.
Hanes, Stephanie. "Little girls or little women? The Disney princess effect." Christian Science Monitor 24 Sept. 2011: N.PAG. Points of View Reference Center. Web. 17 Nov. 2013.
Hayes, SharonTantIeff-Dunn, Stacey. "Am I Too Fat To Be A Princess? Examining The Effects Of Popular Children's Media On Young Girls' Body Image." British Journal Of Developmental Psychology 28.2 (2010): 413-426. Psychology and Behavioral Sciences Collection. Web. 17 Nov. 2013.
Johnson, Matthew. "The Little Princess Syndrome." Natural Life 136 (2010): 34. MasterFILE Premier. Web. 17 Nov. 2013.
“I grew up with hand-me-downs and once-a-year trips to Walmart. I’d never really been presented with a princess dress. But thinking back, if I had been, I’m pretty sure I would’ve been stoked” (Liechty 471). In February 2013, Crystal Liechty, a mother from Utah, posted this comment on the blog The Unexceptional Mom. She argues that although some children are not exposed to the princess culture, it is important that the parents are not taking away their imagination. Parents should not discourage their children about the princess culture. These princess movies allow parents to talk about certain topics with their children as they grow up. Liechty states, “And these princess movies give me a great chance to talk to her about what kind of guy she
Finucane’s daughter had seemingly been robbed of her creative imagination after trying to live up to the expectations of a Disney princess. Her daughter “seemed less imaginative, less spunky, and less interested in the world” (Hanes 1) after being introduced to the Disney princess line, willing herself to be just like the princesses. Young children know no better and are very susceptible to the world around them, and are very likely to imitate what they are shown or what intrigues them. Hanes was outraged at how Disney had stripped the child of believing in other imaginative creatures and activities, and was stuck on behaving as a princess. Hanes provides research in the article that supports that Finucane’s daughter is not the only one to catch the Disney princess symptoms. There is a whole book about this “diseases” as well as much research conducted on educators that seemingly all agrees that “[teachers] are unable to control the growing onslaught of social messages shaping their…students” (Hanes 1). Through her research Hanes discovered that the Disney Princess empire is a $4 billion dollar industry that leads to “self-objectification, cyber bullying, and unhealthy body image…” (1) causing problems for young girls. These “ideals” will stay with them throughout the remainder of their life, based on decisions that were made for them, to introduce such “ideals” into their minds. Hanes’ readers are most likely to be parents or adults who will likely become parents in the near future, and this article is a great introduction to the long road of making decisions that will impact the way their children think
In the article “Are All Princesses Really Waiting for Princes to Come?” Jack Heckel discusses some of the most common Disney princesses and the stereotypes that come along with them, as well as some of the stereotypes that are seen in the Disney princes. He supports his article by providing a variety of sources not only from Disney movies, but also from various authors and blogs. The analysis of Disney princess stereotypes has been a very common topic for years, and this overall analysis has revealed that a lot of Disney princesses are not good role models. Heckel uses many techniques including using credible, non-Disney sources, discussing other fairytales besides Disney, displaying a timeline of Disney
Orenstein explores the rise of Girl Power in the 1990s and the differences that are in today’s society. The rise and fast spreading message that girls receive from the Disney Princesses is one of her biggest issues. Not only does she disagree, but other mothers from Daisy’s preschool do as well. In the second chapter Orenstein invites all the mothers with daughters that are obsessed with Princesses to discuss the subject, one mother states that she sees no problem with encouraging being feminine and then states, “On the other hand, I a...
The Paper Bag Princess is a counter point to traditional fairy tales about Princes and Princesses as it displays characters in altered roles. Princess Elizabeth challenges the modern view of the masculinity of a hero by reversing gender roles when she chooses to save Prince Ronald herself. By taking on the fire breathing dragon and outsmarting him, Princess Elizabeth defies typical princess roles and fairytale plots. Although lacking Cinderella elegance, Elizabeth's determination, self-confidence and awareness of her inner be...
Media is infamous for having a tremendous effect on teenage girls. The mass media have long been criticized for presenting unrealistic appearance ideals that contribute to the development of negative body image for many women and girls (Harrison & Hefner, 2006). Whether it’s the influence on their choice of friends, school, or their self image, media has played an important role in affecting those decisions. A growing number of experimental studies have demonstrated a causal link between acute exposure to "thin-ideal" images (i.e., images of impossibly thin and attractive female beauty) and increased body dissatisfaction (Hargreaves & Tiggemann, 2003). It has recently been brought up that media influences girls in preadolescence, which is highly likely since most young girls idolize Barbie (Rintala & Mustajoki, 1992). “Were Barbie a flesh-and-blood woman, her waist would be 39% smaller than that of anorexic patients, and her body weight would be so low that she would not be able to menstruate” (Rintala & Mustajoki, 1992). Most young girls wish that they could look like Barbie when they grew up, but if they knew the reality of having her measurements their perceptions would probably change. Children frequently fantasize about who they will be, what they will do, and how they will look when they grow into adulthood.
Everyone knows and loves the enchanting childhood fairytales of magic, princes, and princesses, but very seldom are privy to the detrimental impacts of “happily ever after” on the developing youth. Fairy tales are widely studied and criticized by parents and scholars alike for their underlying tone and message to children. Peggy Orenstein, feminist author, mother, and fairy tale critic, has made it her personal mission to bring these hidden messages to the surface. In the article, “What’s Wrong with Cinderella?” Orenstein dissects the seemingly innocent tale of love and magic, and the princess many know and love, and points out its flaws and dangers. Fairy tales, Cinderella in particular, are not suitable for children because upon deeper evaluation,
...hough she was brutally mistreated, Cinderella was able to find a solution for her problems and children can to. All they have to do is make the effort, try hard enough and success is possible. Adults should pay attention to this and see if Cinderella can help their children keep a positive attitude toward whatever situation they may be in - exaggerated as it may be. Cinderella doesn't only help show one how to overcome adversity it points out good morals, and sends the message that good always prevails. Both of these messages are crucial in a society that is slowly crumbling. All we can do is watch and hope the messages learned from Cinderella make a difference in the lives of Children all around the world.
In “Escape from Wonderland” by Deborah Ross, the writer explains how the fictional characters are admired. Although they seem to be sending a bigger message to young girls. The writer talks about drawing a line between fantasy and reality. In the end Ross’s objective is to show how some Disney characters break the femininity and imagination tradition. Which can have an effect in children and how they value their own ability to have unique visions. By comparing Alice in Wonderland (1951), The Little Mermaid (1989) and Beauty and the Beast (1991) to heroines like Arabella from The female Quixote. “Charlotte Lennox’s (The Female Quixote illustrates both these conservative and progressive plot patterns, for it both draws upon and criticizes earlier romances, which themselves often both celebrate and punished female imagination and expressiveness. Therefore, like Disney’s movies today, which also use material from romance and fairy-tale tradition”, (pg. 473, Escape from Wonderland). Young women may not only begin to fantasize about a grandeur life more exciting than reality but to be disappointed with society in the workplace and relationships. For example, Meredith from Brave she is a princess that wishes to have a different life than what her mother has planned for her. She refuses to get married and have the duties of a princess. She wants to have adventures and be
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
"Disney Princesses: Classic Fairy Tales Or Gender Stereotypes?" Hartford Courant, 27 Aug. 2012. Web. 09 Dec. 2013.
of the Cinderella story are psychologically harmful to women.” (p648). The fact that Cinderella is a limited character may give the girl an impression that she should be happy with what she has and not have any or aspirations in her life. That is, until her Prince comes to rescue her. Since these comments were made, the Cinderella story has been modified and changed. In order to see how gender roles have changed in fairy tales from the old to the new, let’s compare the classic version of Cinderella by Charles Perrault to a recent version which is a movie that was released in 1998 called “Ever After”which was directed by Andy Tennant.
I am writing this paper because I was assigned to write it as a class project. Along the way I realized the importance of sharing the real meanings of all these stories. Stories are important because in the society we live in things are constantly changing. Fairytales change but the base of the story always remain the same no matter how many times it has been retold. It’s important to reveal the true meanings of these stories, even with its dark characteristics, because the world is dark .Children need to know that there are people that have told stories relatable to what they are going through. Fairytales help the development of children; it helps their maturity as they confront someone else’s tough situations, instilling hope of a more positive ou...
In today 's society, it is normal for young children to believe in fairytales. These fairytales are normally seen throughout books and movies but also through parents reading them as bedtime stories. These tales in our society have unrecognized hidden guidelines for ethics and behaviors that we provide for children. One such children 's story is Disney’s Cinderella, this film seems to be a simple tale of a young woman whose wishes work out as to be expected. This tale reflects the expectations of women 's actions and beliefs of a proper women.
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for