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Sociology social construction of gender roles
Sociology social construction of gender roles
Position of women in literary works
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Proactivity allows a female to harness her power with aspirations of removing female stereotypes and rising up for equality between genders. The gender difference perspective examines how women's location in social situations differ from that of men. The Paper Bag Princess written by Robert Munsch, explores Elizabeth's transgression with social gender roles displaying feminist values. The pro feminist text challenges social norms by illustrating a non-stereotypical view of Elizabeth and her female empowerment by breaking traditional folktale gender roles.
The Paper Bag Princess is a counter point to traditional fairy tales about Princes and Princesses as it displays characters in altered roles. Princess Elizabeth challenges the modern view of the masculinity of a hero by reversing gender roles when she chooses to save Prince Ronald herself. By taking on the fire breathing dragon and outsmarting him, Princess Elizabeth defies typical princess roles and fairytale plots. Although lacking Cinderella elegance, Elizabeth's determination, self-confidence and awareness of her inner be...
In the article “Are All Princesses Really Waiting for Princes to Come?” Jack Heckel discusses some of the most common Disney princesses and the stereotypes that come along with them, as well as some of the stereotypes that are seen in the Disney princes. He supports his article by providing a variety of sources not only from Disney movies, but also from various authors and blogs. The analysis of Disney princess stereotypes has been a very common topic for years, and this overall analysis has revealed that a lot of Disney princesses are not good role models. Heckel uses many techniques including using credible, non-Disney sources, discussing other fairytales besides Disney, displaying a timeline of Disney
Orenstein explores the rise of Girl Power in the 1990s and the differences that are in today’s society. The rise and fast spreading message that girls receive from the Disney Princesses is one of her biggest issues. Not only does she disagree, but other mothers from Daisy’s preschool do as well. In the second chapter Orenstein invites all the mothers with daughters that are obsessed with Princesses to discuss the subject, one mother states that she sees no problem with encouraging being feminine and then states, “On the other hand, I a...
Overall, in these fairy tales Carter succeeds in delivering a feminist message and provides a counter argument for the moral message of traditional fairy tales in which young women were encouraged to remain obedient and pure. Unlike in earlier fairy tales, in these stories it is the straying from the path that results in transformation and releases women from the subjugation that women over history have been subjected to.
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
Suggested roles of all types set the stage for how human beings perceive their life should be. Gender roles are one of the most dangerous roles that society faces today. With all of the controversy applied to male vs. female dominance in households, and in the workplace, there seems to be an argument either way. In the essay, “Men as Success Objects”, the author Warren Farrell explains this threat of society as a whole. Farrell explains the difference of men and women growing up and how they believe their role in society to be. He justifies that it doesn’t just appear in marriage, but in the earliest stages of life. Similarly, in the essay “Roles of Sexes”, real life applications are explored in two different novels. The synthesis between these two essays proves how prevalent roles are in even the smallest part of a concept and how it is relatively an inevitable subject.
Women and men both play crucial roles in our society. Through the years, we like to presume that gender roles aren’t perceived as they once were. Is that the case? Looking through pieces of literature such as “I want a wife” (1971) by Judy Brandy, “Barbie Doll” by Marge Piercy (1973), and “The Yellow Wallpaper” by Charlotte Perkins Gilman (1899) and comparing them to modern day depicts how much gender roles changed. Gender roles have not changed a whole lot; they did change, but defiantly not as much as we like to believe. Women have more freedom and independence now than ever before, but that doesn’t change the fact that they are still controlled and objectified.
Hana’s Suitcase takes readers through the entire journey of Hana’s life and her experiences, but The Paper Bag Princess is a short story written with too many deep messages. Hana and Elizabeth defeat their enemies, but the way of defeating is different for each of them. Hana keeps herself calm and motivated each time. Hana gets really happy and excited when she knows that she is going to meet her brother, even though she was in jail and in pain and faced many problems. When Hana hears the news that she is going to be taken too, she exclaims to everyone ““I’ll see George again, He’s waiting for me.” (Levine 90) . Power of the family and friends have been shown in Hana’s story. Hana’s story is more about emotional bonding and relationships. On the other hand, Elizabeth defeats a dragon by using her mind and smarts. She takes advantage of the dragon’s self-esteem by using her intelligence. Fearlessly Elizabeth starts this conversation with that dragon which shows that she acts clever and smart ‘“Wait! Wait!” Elizabeth said. “Are you fierce dragon?” “Oh yes!” said the dragon”’ (Munsch 5). Munsch’s story tells that the person’s power does not depend on the
A prolific exemplification of the ideal female virtues portrayed in fairy tales is Charles Perrault’s “ The Little Glass Slipper”. Perrault presents the ideal female fairy tale character through his portrayal of Cinderella. Cinderella is a tame and forgiving individual who subjects herself to the will of her father, stepmother and s...
Antonia Shimerda broke down the wall of female gender roles versus male gender roles whenever they were presented to her. She was not only strong in house chores, but strong in all of the “manly” labor as well. My Antonia, by Willa Cather, takes place during the Westward Expansion. During this time period, it was custom for women to cook, clean, and raise the children while the men worked on the farm. The author, Willa Cather, was one of few woman writers in the 1900’s. Popular literature was more often than not by male authors. This led me to pick gender roles as my topic for this project because I am inspired by how brave and strong Willa Cather was during a time when women were perceived to be inferior. She strongly relates to Antonia, and derived her character in the novel from her own
According to “The American Heritage Dictionary of the English Language”, the word “feminity” is defined as “the quality or condition of being feminine or a characteristic or trait traditionally held to be female.” Further speaking, feminity is formed by various socially-defined and biologically-created gender roles played by women influenced by a number of social and cultural factors. For example, the traditional gender roles of women include nurturer, birth giver, homemaker and caregiver. However, marked by a series of women's rights movements starting from the 19th century, women’s gender roles, as well as the ways how society and men perceive women, have been largely changed. This significant change, described as a process of female awakening, was widely reflected in many contemporary literature works. This essay will specifically focus on the construction of feminity in two short stories, “Hills Like White Elephants” by Ernest Hemingway and “The Stoy of an Hour” by Kate Chopin through examining how the authors define “feminity” in their treatment of female characters.
Today, adults reading Charles Perrault’s Cinderella realize similarities and differences between Cinderella and a modern western woman. Adults recognize that Cinderella in Perrault’s fairy tale has undesirable qualities for a modern western woman, today. Cinderella is affectionate, goodwill, forgiving, and loyal. On the other hand, Cinderella is not independent, outspoken, confident, and strong. Cinderella has low self esteem and is incapable of solving problems. Inferiority, dependence and passiveness are characteristics that represent Cinderella do not characterize a modern western woman.
Throughout the history of folklore and fairytales, many interpretations of tales have been created and introduced. When exchanged, many details have been lost in translation, only to be redistributed as a similar tale following a certain moral. But throughout the life of the tale “Cinderella,” one objective has never been misconstrued; the social structure and the status Cinderella falls and rises to. Many fairytales display a rise and fall of a protagonist, often in the case of social classes. The many versions of “Cinderella,” including Ever After, exhibit a definite, strong, monarchical settlement with a defined arrangement of classes that create and develop the beloved character of Cinderella, or Danielle De Barbarac, herself.
Once given birth to a beautiful baby girl, often parents refer to her as their little princess; when having a newborn girl, that baby girl will often get all the attention from her surroundings, she will be showered in the most adorable dresses; cute shoes , baby clothes that say “princess” on it and either a bow or a bedazzled head band, perhaps a room that is nothing but pink, letters on her wall over looking her crib saying “Mommy’s little Princess”. There is nothing wrong with spoiling your baby girl. But as time goes her idea of her gender role begins to develop. Buying her princess toys, surrounding her with pink, and watching the Disney movies about how princesses are beautiful, always gets her prince charming, and lives an enchanted life for ever after, is a dangerous “reality” to create for young girls. Eventually, while growing up from child years to young adults, girls in this type of environment can develop a gender constructed identity that, they are superior and deserve an enchanted life. It’s a dangerous reality for these young girls because they will grow up to believe that, they’re entitled to the fairy tale life, having pure beauty , marry her dream man, conceive beautiful children and live happily ever after, but sometimes life is not a fairy tale and you don’t always end up getting what you want.
Some fairy tales are so iconic that they withstand the passing of time. One of those fairy tales is that of Cinderella. The rags to riches story that gives even the lowliest of paupers, hope that they may one day climb the social ladder. While the core message of the story has transcended time, over the years it has been adapted to address a variety of audiences. One of those renditions is Perrault’s Cinderella where the traditional idea of gender is conveyed and therefore associated with good/evil. This idea is challenged by a fellow 1600’s French author, L’heriter de Villandon’s, who’s version of Cinderella brings about a female protagonist who is also the heroine.