In Khalid Hosseini's The Kite Runner, the pomegranate tree symbolizes the cordial yet toxic friendship Hassan and Amir share, as the tree's condition throughout the course of the novel serves as a demonstration of the current state of their unsteady relationship. Ironically, in the culture of Muslims, pomegranates are symbolized as a cure for aversion and jealousy, the feelings Amir holds toward Hassan and himself. Located on a hill near Baba's house lies a pomegranate tree that somehow manages to stay intact despite living in an abandoned cemetery, a place absolutely drained of life. This is where nearly all of Hassan and Amir's playtime together occurs; where they essentially grow together and ultimately fall apart. Prior to the world crumbling
“Strange Fruit” by Billie Holiday conveys the inhumane, gory lynchings of African-Americans in the American South, and how this highly unnatural act had entrenched itself into the society and culture of the South, almost as if it were an agricultural crop. Although the song did not originate from Holiday, her first performance of it in 1939 in New York City and successive recording of the song became highly popular for their emotional power (“Strange fruit,” 2017). The lyrics in the song highlight the contrast between the natural beauty and apparent sophistication of the agricultural South with the brutal violence of lynchings. Holiday communicates these rather disturbing lyrics through a peculiarly serene vocal delivery, accompanied by a hymn-like
The plant is shown to grow in abnormal places. As stated, hope helps reinforce survival. It also shows that heaven is real and is here. How when you blow, that is your cause of death and when the seeds fly, that represent your “angel” going to heaven. This plant, milkweed, can represent hope for the Jews. The plant grows basically anywhere it is put in. It shows that there is hope for a new life and that you can recover from the bad that you are experiencing. The seeds scatter which shows survival. You recover when you run away, as shown at the end of the book. The plant represents so many people who experienced the holocaust first hand. As the plant, the people survived the hardships of living in Warsaw with the hope of survival in the middle of the war. This shows another way Spinelli develop this
In the novel To Dance With The White Dog there are many similarities between Sam Peek and Kay’s father. The Dedication and Authors Note, located before and after the[b1] novel, give the reader insight into the true meaning of the book. In the Authors Note Kay speaks of his father and the fruit trees that he cared for; from this a correlation arises with Sam Peek and his beloved pecan trees.
AGG) The author of “Under The Persimmon Tree” often uses symbolism throughout the book. (BS-1) The author of UTPT uses the stars to give Najmah a superstitious belief, and give her hope and guidance to drive her towards her goals. (BS-2) The stars are used to help Nusrat accept loss, she looks to them for hope and guidance, and they have a religious meaning to her. (BS-3) The author uses changes in the stars to convey events and changes in Najmah’s life. (TS) The stars are used to portray changes in the characters lives, and the author uses them to give the characters hope, guidance, and an important meaning, as well as the ability to deal with loss
The pear tree metaphor is one of the most prevalent and recurring metaphors throughout the novel. It is one that represents Janie’s sexual awakening, her relationships, her dreams, and her journey to womanhood. Gates argues that this repetition of the tree metaphor “is fundamental to the process of narration, and Hurston repeats the figure of the tree both to expound her theme of becoming and to render the action of the plot and simultaneous and as unified as possible” (78). The tree first appears when Janie is preparing to tell her story to Phoeby: “Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches” (8), seemingly setting out what Janie’s story will entail and as Henry Louis Gates Jr. asserts in Zora Neale Hurston and the Speakerly Text, this introduction of the metaphor “re...
Actions made in a moment of pain, anger or simple immaturity can take anyone to make mistakes that can change their lives completely. Everyone has something in the past that is shameful, embarrassing and regrettable that is kept present daily. Whether this event happened during childhood, adolescence or early adulthood, this event could haunt and have shaped that person’s life into what he or she is today. In a similar way, in the book The Kite Runner by Khaled Hosseini is shaped by a tragic and eventful past that has shaped Amir’s, Baba’s, and Hassan’s life. The four literary elements that will be used in this essay that Hosseini strategically uses in this book are: irony, simile, Metaphor, and personification.
As implied by the title, kites play a major role in the novel The Kite Runner by Khaled Hosseini. They appear numerous times within the text and prove to be surprisingly versatile in their literary function. They provide common ground for characters whose interests do not normally intersect. They are also present as a very powerful symbol, which adds an extra dimension to this already literary rich novel. Reversing the roles transcending generations, it shows itself to be a multifaceted medium.
Amir also committed a sin that affected him negatively throughout his life. This sin occurred when Hassan, Amir’s best friend during his childhood, was getting raped by Assef. This situation occurred when the children were chasing kites. Hassan got the kite first, but Assef insisted that he wanted the kite. Assef also had a racial and religious prejudice against Hassan. Because Hassan did not give the kite, Assef decides to rape Hassan as a “punishment”. Instead of helping his friend out, Amir just walked away from the scene and let Hassan get violated in one of the most vulgar ways. After this incident, Hassan quietly walked back home and gave Amir the kite for which he was confronted by Assef for. The kite in this situation proves to be an important symbol. Whereas earlier in the novel the kite represented happiness and fun to Amir, in this situation it represented sin and guilt to Amir. The only reason that Hassan got raped was that he was trying to get a kite for Amir. Now the kite acts a reminder to Hassan of his wrong-doing and it will now begin to haunt him for a long time. Although when in America, Amir does not get reminded about Hassan, deep inside he still feels guilty. Amir immediately begins to feel the most guilt when he goes to Iran when Rahim Khan, Amir’s childhood friend, asks him to come. He feels that Rahim Khan has reminded him of his “past of unatoned sins”(Hosseini 2).
The Kite Runner focuses on the relationship between two Afghan boys Amir and Hassan. Amir is a Pashtun and Sunni Muslim, while Hassan is a Hazara and a Shi’a. Despite their ethnic and religious differences, Amir and Hassan grow to be friends, although Amir is troubled by Hassan, and his relationship with his companion, one year his junior, is complex. Amir and Hassan seem to have a "best friend" type relationship. The two boys, Hassan and Amir, are main characters in the book titled, The Kite Runner. The two boys have a relationship that is significantly different compared to most. There are many different facets that distinguish the relationship the boys possess. The boys do write their names in a pomegranate tree as the "sultans of Kabul" (Kite Runner 27) but, their friendship is not strong and it is one sided. Hassan has love for Amir. He loves him like a brother. Hassan is exceedingly loyal to Amir. The relationship between the two boys is emotionally wearing and rather gloomy for the most part. The main reason for their complicated relationship is the fact that Amir is Pashtun, and Hassan is Hazara. The Afghan society places Hassan lower than Amir. Hassan is Amir's servant. The placement of Hassan in the Afghan society disenables Amir from becoming Hassan's true friend. Amir sees Hassan as lower than human. Amir ruins the chance for friendship between himself and Hassan because he is jealous of Hassan, he thinks of Hassan as a lower human, and because Amir possesses such extreme guilt for what he has done to Hassan. Amir is an unforgivable person overall.
In Amir’s early childhood, kites represented happiness. Flying kites was his favorite pastime, as it was the only way that he connected fully with Baba, who was once a champion kite fighter. However, the kite takes on a different significance when Amir doesn’t stop Hassan's abusers from raping him in order to prevent the kite from being stolen. The kite serves as a symbol of Amir’s guilt throughout the novel. Hechose his fragile relationship with his father over the well-being of his best friend and half-brother: “Baba and I lived in the same ...
Seemingly insignificant, symbols are often utilized by an author to create another form of dimension within a story. According to German philosopher and poet, Friedrich Nietzsche, “words are but symbols for the relations of things to one another and to us; nowhere do they touch upon absolute truth.” Khaled Hosseini’s The Kite Runner, Hassan’s cleft lip, kites and the sacrificial lamb are symbols that show a deeper sense of character development throughout the novel.
As a foreword, the story of The Kite Runner focuses on a man named Amir. In his childhood, he enjoyed a high-class life in Kabul, Afghanistan, living with his father Baba. They have two servants, Ali and his son Hassan. They are Hazaras, a lower class ethnic minority in Afghanistan. In one Winter of their childhood, Amir and Hassan participate in a kite-fighting tournament; the goal is to be the last kite flying. When a kite is cut, boys chase after it as a trophy. Amir wins the tournament, and Hassan flies to catch the losing kite. Later, following Hassan's path, Amir comes upon a neighbourhood bully named Assef about to rape Hassan who has the trophy, the blue kite. Amir does not interject, believing this will secure him the kite. Thus, Amir sets forth a chain of events he must redeem in his adulthood.
One character who is very strongly tied to plant symbolism is Ophelia. In act four scene five the reader finds Ophelia, clearly now a full-time resident of cloud-cuckoo land, passing out flowers and herbs. Each of these flowers communicates ideas. In Tudor era England it was not uncommon to communicate using plants. People would send each other bouquets filled with flowers that told the recipient how they felt about the
To conclude, Khaled Hosseini uses the theme of the loss of innocence and redemption in The Kite Runner to make the point that one can never really redeem oneself. Amir attempted to do so throughout the entire novel but failed although partial redemption may have been achieved. The pomegranate tree, the kites, and even Assef are all symbols of innocence that has been lost. Later on in The Kite Runner they also represent the pursuit of redemption. Also the historical aspect of education and children support that innocence is lost daily and can never really be restored.
Tariq Ali uniquely puts into perspective the horrific tragedies behind the Spanish reconquest in his work, Shadows of the Pomegranate Tree, by capturing the history in the perspective of a Muslim family who lived in a village just outside of recently conquered Granada. He does this in order to expose the cruelty and intolerance of the Archbishop Xemenes de Cineros. Ali also uncovers the faults in not only Christianity, but also in Islamic ideology by having many character’s from the family Banu Hudayl debating and questioning Islamic beliefs which may parallel with the author’s own beliefs, or lack thereof. (Tariq) One of Ali’s strongest focuses however, was to expose the lack of urgency many Muslims felt after the fall of Granada. Many Muslim’s