The Plan For Kee Scene Analysis

674 Words2 Pages
bulb-icon

Recommended: Essays on musical score in movies

The scene titled The Plan for Kee begins with a close up of a wide screen tv, again a scene where the news is playing out tragic events in this case the murder scene the audience saw where Julian Morres character was killed. The scene is set in a kitchen with dim lighting and green walls. As the camera zooms off the television, the take last 28 seconds before its first cut to Theo and then a few cuts are made in a matter of five seconds. As the scene develops it is shot long the audience sees the entirety of the room as the groups has an discussion and it slowly moves in. As it make several cuts back and forth from Theo then to the group of people, when the camera is on the group of people it looks like a point of view shot from Theo’s eyes what he is seeing and hearing. Then it zooms back out for a reestablish shot of the hole room again. When Clive Owens character makes his speech to the other characters in the room the camera shots him from the waste up in a medium long …show more content…

When the scene first begins it is presumed to be night time with the only light coming from lights hanging on the home and then as the actors start to drive away the sun suddenly has completely risen and becomes how the scene is lit while the characters are in the car.With not many lines spoken in the scene the background noise in the scene stand out. Sound effects Dogs, cows, and chickens, barking and howling and the sound of the cars wheels as they roll across the gravel and muddy road. There were also not to many cuts made in this scene many long takes as the characters actions played out as it was an action scene with characters trying to escape bad men running after them with guns and all. Then the scene ends with telephoto lens with the bad guys in the distance as the characters in the car driving

Show More
Related

  • Kustom Kar Kommandos

    646 Words  | 2 Pages

    Playing “Dream Lover” from the start, Kenneth Anger has found the sensual side of communicating with an automobile, while still keeping the movie free of blatant symbolic imagery. The scene of the short is a very plain stage. A pink backdrop with no props other than the car, our attention is already focused to the action to be presented. The shots are very slow and very smooth, with fade’s and dissolves used abundantly for the transitions. The panning is done at a very slow pace, with the polishing being done at about the same speed. What could be only a few quick shots of a man have been dragged out into 3+ minutes of care and love to the car. The buffing rag itself is virginally white, having never seen any dirt on the car. Everything in the scene leads to a very innocent, sensual theme that Anger expresses so well in his cinematography.

    Read More

  • 10 Cloverfield Lane Essay

    1018 Words  | 3 Pages

    After experiencing a traumatic car crash, Michelle, the protagonist of director Dan Trachtenberg’s film 10 Cloverfield Lane, wakes up in an underground bunker owned by a man named Howard. Howard claims to have saved her from a widespread chemical attack that has contaminated the air, with his bunker being the only place to take refuge for the next couple of years. Yet as the film progresses, Howard’s controlling and threatening demeanor eventually brings Michelle to escape, allowing her to come across the actuality of the situation outside the isolated bunker. Throughout the production, Trachtenberg arranges close frames, manipulates the camera’s focus, and chooses specific lighting to create an ominous tone that mystifies and disturbs viewers.

    Read More

  • Analysis Of The Murderers Are Among Us

    1799 Words  | 4 Pages

    One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we

    Read More

  • John Q Monologue

    801 Words  | 2 Pages

    In the first minute of my scene there is some beautiful angelic music that in 20 seconds gets louder and then slowly gets brighter and clearer. But when we are reaching thirty, the scene is fully lit and bright and we see the countryside. As we drive by beautiful green hills,mountains and trees on a what seems completely calm day. The director uses an extreme long shot to set the scene for the character we’re about to see is. Then he pans at about 33 seconds all the way to 40 seconds.

    Read More

  • The Movie On the Waterfront

    816 Words  | 2 Pages

    Throughout the first five minutes the shot changes from long to medium within this time frame when the men get out of the shed and walk to the car were there is a elegant looking man waiting for them. The worke...

    Read More

  • Analysis of Three Scenes in Raging Bull

    1770 Words  | 4 Pages

    use of the camera the sound and the mise en scene. I will analyze the

    Read More

  • The Real Deal: American Gangster

    2145 Words  | 5 Pages

    In the opening scene of the movie we see Frank’s character played by Denzel Washington. Right away we are shocked by his violence and see his power. This is the first motif we are introduced to. We see Frank stand tall over his victim, and the dark shadowing we see on his face and body show his dominance. Another motif we are introduced to is how real this film is setup to be. The car headlights that setup the background and introduce where we the setting is as well as motivate lights. They have a purpose in the film in promoting its authenticity. We also hear the all the sounds in the forefront. When hear the sounds up close it dramatic for us as viewers. We hear every 7drop of gasoline that is poured on the man’s body and we even hear the flick of the lighter as Frank sets the man on fire. This is the director Scott Ridley’s way of saying to the audience I want to fool you, and I want you to feel like you were there and what you are watching in front of you is real.

    Read More

  • Opening Sequence Of Halloween Essay

    540 Words  | 2 Pages

    Whilst this is happening the Halloween theme music is playing in the background, this music is very high pitched and uses string instruments to create horror and suspense for the viewers. Once the credits have been shown there is a 'vls' (very long shot) of the house this is used to set the scene, this is a subjective point of view from the killer .This can be related to the German expressionism where they would use bumpy camera movement to seize the audiences concentration .They use a handheld camera to do this scene as it emphasises the killers movements to the audience. As the Killer begins to make his way around the house be looks up to see the light go off. When this happens there is a sharp shrill sound which enforces the killer's actions.

    Read More

  • Use Of Mise-En-Scene Techniques In Alfred Hitchcock's Rear Window

    909 Words  | 2 Pages

    Zooming causes the audience to stare at the fix point, the note, compressing the world in the suspense of the scene. This scene ends with a fade cut, fading into black and returning from black. This creates the suspense that lets the audience know that something climactic will take place. This setting shows how as Jeff continues to piece together the puzzle, his case for Mrs. Thorwald’s murder becomes more inescapable, and eventually, Lisa and Stella become Jeff’s confidants.

    Read More

  • Singing in the Rain

    1883 Words  | 4 Pages

    Then the question is posed to Mr. Lockwood, "How did it all begin?" The answering of this question is what my paper will explain. I will attempt to break down the opening scene and show how it all started. By using tools of film such as sound, editing, mise en scene, and cinematography, this paper will show how the scene was made as well. Mise en scene played an important role in this movie as with any other movie.

    Read More

  • Visual Evidence Monologue

    990 Words  | 2 Pages

    f view. In the real version however, as soon as the audio starts you are placed in a perspective, the first thing you hear is a conversation from street level so even though the long lens is fixed on Eric Bana you know the moment is taking place on the ground. Then to further drive the point home audience hears Daniel Craig singing. The vocal recording itself is close, intimate, even though camera, and by extension you, never go inside the car, that is more than enough to put you there. Then the car that you’re really supposed to pay attention to, the black one, parks and the sound of it parking jumps out and mechs. Just like the audience wouldn't hear Daniel Craig that way from where the camera and supposed recorder is, you wouldn't hear the

    Read More

  • The Sapphires Essay

    938 Words  | 2 Pages

    The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.

    Read More

  • Mise A Scene In The Royal Tenenbaums

    797 Words  | 2 Pages

    When the montage is over we see a point-of-view shot of Richie’s hands resting on the sink, which is covered with his hair, headband, shaving cream, and wristbands. As the water from the tap runs through the sink, a river of blood runs down Richie’s forearm. The scene ends with a medium shot of Richie, who looks at himself in the mirror for a moment and the proceeds to sit down on the ground. The camera follows him and the volume of the soundtrack increases, which gives more tension to the moment.

    Read More

  • The Last Night Of Ballyhoo - Production Critique

    1246 Words  | 3 Pages

    The lighting was also very effectively used to show the coming and going of cars on the set. The reflection of lights on the front door of the house were used resemble those of an automobile. Even the final scene had just enough absence of light that the shadows of the characters could be seen sitting around the dinner table and praying by candlelight. At the very end of the performance the candles were extinguished consuming the set in blackness in turn signifying the end of the production.

    Read More

  • How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet

    884 Words  | 2 Pages

    The first scene is a television which automatically brings the modern feel to the film. As the camera gives the sense of the television moving slowly towards us we suddenly break into a quick speedy montage showing the story and some of the characters. The introduction to the play is repeated, once on the television by the news reader and again during the opening montage. This may be to create effect or perhaps to show the importance and publicity this story had. The scene in the petrol station focuses on the rivalry and hatred of the two families, The Capulets and the Montagues.

    Read More

More about The Plan For Kee Scene Analysis

Open Document