The movie Kustom Kar Kommandos is an intriguing look at the relationship between a man and his car. The film, being only about 3 minutes long, is filled with many points of thought involving the nature of this relationship. The short itself is about a man simply buffing and admiring his car, but with the use of music, fades, and slow pans this becomes an erotic event.
Playing “Dream Lover” from the start, Kenneth Anger has found the sensual side of communicating with an automobile, while still keeping the movie free of blatant symbolic imagery. The scene of the short is a very plain stage. A pink backdrop with no props other than the car, our attention is already focused to the action to be presented. The shots are very slow and very smooth, with fade’s and dissolves used abundantly for the transitions. The panning is done at a very slow pace, with the polishing being done at about the same speed. What could be only a few quick shots of a man have been dragged out into 3+ minutes of care and love to the car. The buffing rag itself is virginally white, having never seen any dirt on the car. Everything in the scene leads to a very innocent, sensual theme that Anger expresses so well in his cinematography.
The hints of sexuality appear as soon as the first shot comes onscreen. The fluffy white buffing rag caressing the body of the car ever so slowly, it then finds its way to two shiny circular (and very breast-like) objects that are part of the car’s engine. Moving from the body to these two “breasts”, the buffer never wavers, never slipping up in its quest to polish every inch of the car’s body and engine. Immediately afterwards, and in the same pan, the camera finds a hood ornament of a man sitting down (and apparently fishing) with a very phallic fishing rod projecting out in the silhouette. It is shots like this that give the short its erotic undertone.
Another interesting aspect of the film is the ambiguity of the man polishing the car. The shots are all done very carefully, so that the man’s face is never seen until the very end of the short. At one point it goes to a close up of the body being buffed, with a fairly revealing reflection of the man, but not his face.
Flink’s Three stages of American automobile consciousness fully express the progress of the whole automobile industry. From the first model T to the automatic production, it gives me an intuitive feeling of the automobile history from a big picture. On the other hand, Kline and Pinch focus more on a certain group of people--farmers or people who live in the rural area, they use it as an entry point to talk about automobile, alone with the role and duty transition between male and
This is a very emotional song because it is a tribute to the late Paul Walker. It is especially emotional if you have seen the movies or are a fan of Paul. However it is still evocative even if you have never seen Paul Walker before because of how the video is formatted. The director uses cars as an rhetorical tool in the video because Paul was most known for his role in the Fast and Furious series, and he was killed in a car crash because he was speeding. The cars in the video help remind us that he died doing what he loved and that even though he left this world to early he was most likely enjoying himself in the moments before his death.
The movie opens playing the song “Try a Little Tenderness” while showing a mid-air refuel of a bomber plane, Focusing on an opening shot of a long nozzle as it lowers into the gas tank of another plane and remaining focused on the long nozzle as the planes fly away. The refuel, while harmless and normal procedure for planes flying for longer periods of time, looks much like “a plane screwing another plane” (LAWRENCE WHITEHURST, YouTube commenter). This not so subtle sexuality sets the audience up to feel sexual tension within the first few minutes of the film. Once the viewer is thinking of the underlying sexual references in the film, the idea of actual sexual inadequacies being used in the modern militia seems less and less preposterous.
...noted to consist of more sexual themes than it did thirty years ago, a fact that changes the way erotic objectification can be analyzed as it can be considered to be more frequent and general but therefore also less purposely objectifying concerning the characters sex.
“The car aimed ahead its lowered parking lights; under the hood purred the steady engine. I stood in the glare of the warm exhaust turning red; around our group I could hear the wilderness listen” (13-16). As I read it seems like the car is a bit personified. “The car aimed ahead its lowered parking lights” (13). The car is a metaphor for the living, the lowered lights are more like sad eyes, mindful of the death behind it, and it’s looking ahead down the dark road of life, away from the problems of death. Also “under the hood purred the steady engine” (14) it brings to mind the steady, beating heart of the living that surrounds. In this line, “I stood in the glare of the warm exhaust” (15) like its breath in the nights air, which adds to the personification of the car, being alive.
Although he promises to think about her “warm proposition,” the movie never again explores this possibility. Alternately, he can buy the engine, which serves both as an assertion of masculinity and—as his friend notes—as a signifier of class. While he opts to try this, the entire plan is ill-fated; the scene where he picks up the engine contains some of the most imbalanced sequences in the entire movie, and the extreme and off-putting diagonal of the street effectively communicates to the viewer that the engine will fall long before it actually occurs. His only ways out of his job slaughtering sheep are through unfaithfulness or by being an accessory to murder.
In the recent past year or two, a woman’s natural hair has become a big thing. Before, African American women, to be specific, were so disgusted by their hair. They would do anything in their power to change the “nappy” aspect of their hair to “beautiful”. They would use relaxers very so often and hot combs.
Robinson mimics the emotions of the democrats through his tone shifts. To mirror the intensity of anger the democrats share towards Trump, Robinson intensifies the state of the nation. Robinson explains that the GOP, the current majority of most American governments and their branches, is fragmented by varying ideologies, is led by an unstable president-elect, “and quite possibly headed for a fratricidal civil war” (Robinson). The intense word choice resembles the furiosity the democrats feel towards Trump. However, just like his audience, Robinson converts his intense anger into fearful anxiety. He mentions the diminishing role of democrats in the government, stating that “as far as the federal government is concerned, [republicans are] the whole trifecta” after listing out every GOP controlled region of government (Robinson). Through enumerating the various branches of federal government controlled by the republicans, Robinson implies that democrats are losing their voice. In a nation where tradition holds two major parties of equal strength, the sudden weakness of the democratic party induces fear in
Simms believes that the SUV’s we’ve grown to love are dangerous and polluting. Simms describes just how damaging he believes SUV’s to be with a quote, set to become, “one of the world’s most common causes of death and disability-ahead of TB, HIV, and war” (qtd. in Simms 542). This is a very strong statement; so strong that it causes the reader to question the source. It also promotes an emotional appeal to the reader. Death, war, and HIV are very serious issues; comparing them to SUV’s causes a need for attention.
Since the 1973-74 school year to the 2008-2009 school year, the price of attending a four-year public or private school has roughly tripled after adjusting for inflation according to College Board. (Update). The current price of college tuition leaves students with many problems in order to receive a college degree which most careers today require. Attending college is part of the “American Dream” and the freedoms that this great country offers but when students can not afford the freedoms we offer, then it becomes a problem. Most college students are left with substantial amounts of debt restricting them from further advancing in their careers after they graduate and the average family can not keep up with the rising costs of education and have to resort to finding other ways to get the desperately needed money. College Tuition--tripling in 40 years, leaving students with large amounts of debt, accounting for 3.3% of the total U.S. gdp-- should be lowered.
The most attracted scene in the movie is when the song “Dude Looks like a Lady” is played. The sentence “Dude looks like a lady” is repeated many times, which implies a certain
How does the film support or negate tgis point? In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she draws attention away from the narrative.
To completely dissociate all of the acetic acid with sodium hydroxide to sodium acetate there must be zero moles of acetic acid remaining (Plumber, 2004).
Transformational leadership theory conceptualized in the late 1970’s, proposed that leaders could motivate followers through shared vision and mutual interest to uplift the entire organization to a higher morality (Burns, 1978). Morality was defined as leaders and followers working together to fulfill organizational goals and achieve higher performances within a context of change and innovation. Leaders would surpass their own self-interest, in order to, foresee, foster, and indoctrinate a new organizational vision to their followers. Bass operationalized Burns’ seminal work into a leadership model to better indentify transformational leadership characteristics. The model emphasized four dimensions such as idealized influence, inspirational motivation, intellectual stimulation and individualized consideration in order to achieve success.
Donald Trump’s announcement that he was running for the presidency shocked many people. When he released his announcement speech I knew I would not be voting for him because I do not agree with any of his ideas or beliefs. His speech in general is flawed and all over the place and he doesn’t seem to know what his point is or how to get to it. I believe that he uses his fame and wealth to try to win the people over and claims that he is the best there is for this position therefore earning their trust.