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T.s. eliot the love song of j alfred prufrock is about what
Analysis of T. S. Eliot’s The Love Song of J. Alfred Prufrock
T. S. Eliot on the love song of j. a. prufrock analysis
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This paper analyzes in depth the “overwhelming question” in the Love Song of J. Alfred Prufrock. One of Elions early work of poetry, but perhaps the most famous, describes the deep theme of modern character seperation in western countries. In this poem, the understanding of the overwhelmin question is extremely important in comprehending what Prufrock is really trying say. If you really understand what the author is saying, the poem will truly be appreciated because we truly comprehend what the author is saying. This paper carefully studies the use of images, allusions and philosophical basis for the poem. This way the author gets the final result that this question which prufrock never speaks out is his conflict with knowledge, reality and …show more content…
Guido da Montefeltro, a corrupt Franciscan, identifies himself to Dante, basing his self-revelation on confidence that no one else will discover his identity. Here, Guido da Montefeltro is alluded to Prufrock. The difference between them lies in that Guido da Montefeltro dares to reveal his true identity, but Prufrock is afraid to do so. It seems that Eliot took this phrase from James Fenimore Cooper and his novel The Pioneers. The idea is the same because Benjamin, one of the characters always asks a series of questions that end with the “overwhelming question.” It seems that Eliot believes that the overwhelming question is just a question that is perplexing modern human’s. The phase “There will be time” appears four times in the fourth stanza. “time” is quoted form Old Testment. The original sentence is “To everything, there is a season, and a time to every purpose under heaven. A time to be born, a time to die, a time to plant, a time to pluck up that which is planted; a time to kill, a time to heal… ” Here, Prufrock continually postpones the meeting by saying “There will be …show more content…
Within the 13th stanza, the poet makes a reference between Prufrock to the biblical prophet, John the Baptist. This reference begins, “Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet--and here’s no great matter.” This is important to analyze because John the Baptist was a Jewish preacher during the first century A.D., who advised people to prepare the way for the coming of Jesus as the Messiah. However, John the Baptist was murdered for his noble action because he denounced the king’s draconian lifestyle. To say this in another way, John the Baptist demonstrated truth, but he paid for his actions with his life. Conversely, Prufrock lacks the courage that John maintained and contrasts himself to the humble prophet, as Prufrock claims, “I am no prophet—and here’s no great matter”, and take that as his excuse for his
Before we are introduced to Prufrock himself, we notice that the initial scenes of this poem paint a landscape of apathy. The narrator mentions little about himself initially and beckons that we follow him down into a world without consequence “of restless nights in one-night cheap hotels” (Eliot 6). The later “streets that follow like a tedious argument of insidious intent” set the stage for Prufrock’s dilemma (ibid 9-10). Audrey Cahill says this scene foreshadows “Prufrock’s dialogue with himself, a dialogue which leads nowhere” and that thrusts the reader into meaningless chaos (6). Thus, even if these streets lead to an overwhelming question, the journey down them is rather mind-numbing and unnecessary if the answer gets us nowhere or, worse, merely emphasizes our own desolation. This is compounded by the appearance of a mysterious yellow catlike fog that “curled once about the house and fell asleep” (Eliot 22). Cahill also affirms that becaus...
"(10) which is never identified, asked, or answered in the poem. This "question" is somehow associated with his social status, but both its ambiguity and Prufrock's denial to even ask "What is it? " (11) gives some insight into his state of internal turmoil. Prufrock's dissatisfaction with his personal appearance is evidence of an underlying lack of self-confidence. Not only is he unhappy with the way he looks, having "to prepare a face to meet the faces that you meet," but he is constantly afraid of what others will have to say about him.
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
In this poem, time takes on a distinct meaning. Rather than simply being an external object that lacks control over man, Eliot raises the meaning of this foreign object to a new level. The time provided to the speaker can be equated with his actions. Everyday he is provided a certain amount of time, and day after day he is prepared to "spit out the butt-ends of [his] ways"(Eliot 2461) at the end of the his bland day. The frustration Prufrock builds up is caused by the tiresome repetition of his actions. Furthermore, he feels as though he can not esc...
Eliot begins the poem with the original Italian text of Dante’s epic, “The Divine Comedy.” It contains six lines borrowed from “Inferno” that are verbal quotes from a character in the eighth circle of hell, stating he will confide in Dante on the basis that Dante should not be able to escape hell, and therefore cannot divulge his secrets to the people still living (Alighieri, 61-66). This reflects J. Alfred’s willingness to lament to the reader since the reader has no means to share his secrets with those in his world. With the reader being Dante in this analogy, it puts Prufrock in the position of Guido da Montefeltro, the damned soul speaking to Dante. While Guido is not alive, his soul is technically still living, having to endure torture for his mortal misdeeds. Similar to how Prufrock is a searing soul inside a decaying body, evidenced by the lines “With a bald spot in the middle of my hair” (Eliot, 40) and “(They will say: “But how his arms and legs are thin!”)” (Eliot, 44). Meanwhile, Prufrock’s inner psyche is tormented by thoughts such as “though I have wept and fasted, wept and prayed” (Eliot, 81) and saying his place in life is “Almost, at times, the Fool.” (Eliot, 118). These descriptions of himself develop the idea that Prufrock is likewise in a figurative Bolgia of hell, unwilling or unable to climb out, and so, like Guido, confesses his woes. Prufrock is, however, physically more alive than
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
There are a few instances in the poem that refer to Prufrock as an introverted person distinguishing him from typical people today. For instance, in the poem Prufrock says “I
The poem “The Love Song of J. Alfred Prufrock” written by T.S. Eliot is a depiction of sadness and a disillusioned narrator. While reading this poem, one senses that the narrator is disturbed and has maybe given up hope, and that he feels he is just an actor in a tedious drama At the very beginning of the poem, Eliot uses a quote from Dante’s “Inferno”, preparing the poem’s reader to expect a vision of hell. This device seems to ask the reader to accept that what they are about to be told by the poem’s narrator was not supposed to be revealed to the living world, as Dante was exposed to horrors in the Inferno that were not supposed to be revealed to the world of the living. This comparison is frightening and intriguing, and casts a shadow on the poem and its narrator before it has even begun. J. Alfred Prufrock is anxious, self-concsious, and depressed.
Those sides of Prufrock's character are shown only to the reader. The ladies have to judge him on his appearance and his behavior during the evening out. He is an older man, his hair is growing thin, and he is skinny. Eve...
First, Eliot weaves several layers of symbolism into Prufrocks’s narrative. This ambiguity shows largely through the vehicle of the yellow fog, which Eliot personifies with cat-like characteristics using phrases such as, “…rubs its back…rubs its muzzle on the window-panes” and “…curled once about the house, and fell asleep” in reference to the mist (Eliot). This feline depiction of the city smog creates an eerie setting which serves to further the tone of unsteadiness in Prufrock’s ramblings. The seeping movements of the fog also mirror the uncontrolled movements of Prufrock’s thoughts and his polluted self-concept which causes him to question his every move to no end (Childs). The smog is uncontainable and indefinable, much like Prufrock’s emotions when dependent upon his non-existent actions (Childs). In another instance, Eliot breaks up the deep, incessant wanderings of the speaker’s mind with the phrase, “In the room the women come and go talking of Michaelangelo” (Eliot). These women symbolize the society in which Pr...
Prufrock’s insecurities make him feel like an outsider. “In the room the women come and go talking of Michelangelo.” He wants to approach the young
He is afraid to go out of his way to get people to notice him. Prufrock is lonely and one may can say that Prufrock would be happier dead then living on earth. The last few lines of the poem suggest that he wants to “drown” out society and the people around him. That he feels empty when he is around people, as if there is no use in even trying to be social. He feels like there is no point in life if he can talk to the women and interact with them like he pleases too.
The poem begins by suggesting that Mr. Prufrock is mentally disassociated with society. Mr. Prufrock, addressing the audience or some imaginary confidante, proposes the mental journey commence "When the evening is spread out against the sky Like a patient etherised [sic] upon a table" (ll. 2-3). The lines evoke images of drug induced, altered realities. He follows by recommending visits to "one-night cheap hotels" (l. 6) and "sawdust restaurants" (l. 7). The references infer that the locations are not the speaker's normal environments and are part of fantasy environments. In lines 15 through 22, the speaker credits the smog with feline characteristics. He further states "Though I have seen my head [...] brought in upon a platter..." (l. 81). Although it is a biblical reference to the decapitation of John the Baptist, the statement is indicative of an active fantasy life. He admits to having heard mermaids sing and speaks of life on a beach. He creates the fanta...
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...