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Analysis of modernism
Critical discussion of modernism
Exploring modernism
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Recommended: Analysis of modernism
Modernism is a type of writing or work that represents the breakdown of traditional society. It tends to represent modern society as a great loss or ruin. Most modern work/poems are simplistic does not require much thought or explanation. The writings lack connections, explanation and it allows the reader to acquire their own meaning of what is written. Some of the writings lean on imagery to help explain the meaning of the text. The modern man tends to have a negative outlook on life, and knows that not everything in life will be “happy-go-lucky”. One can believe that Prufrock is a modern man, because he puts off trying to make a connection to the world and the women around him. He states multiple times in the poem “there will be time (25). …show more content…
He dwells in the missed opportunities and the “what-could-have-been”. An important aspect that the author uses in the poem is the stream of conscious. The concept reflects on the modern mans-Prufrock- mentality. Güleryüz stated in his article that “Eliot sets his speakers to journeys for meaning and answer, reveals their fragmented visions, and analyzes the modern man’s perception of life, norms and faith.” One can see that in this poem. You can see Prufrocks look on life and how he contemplates each step he takes, not sure on which direction to go. Prufrock makes the statement “ Do I dare? And Do I dare” (37). This, yet again, shows him contemplating his actions. He thinks that he is just an old bald man and that no one will really see him, for who he is. He is afraid to go out of his way to get people to notice him. Prufrock is lonely and one may can say that Prufrock would be happier dead then living on earth. The last few lines of the poem suggest that he wants to “drown” out society and the people around him. That he feels empty when he is around people, as if there is no use in even trying to be social. He feels like there is no point in life if he can talk to the women and interact with them like he pleases too. In a way, one almost feels sorry for Prufrock, but then again, he could fix his situation if he wanted too. Güleryüz makes this statement on Prufrock, “…his aging or his inability to relate other people-
Before we are introduced to Prufrock himself, we notice that the initial scenes of this poem paint a landscape of apathy. The narrator mentions little about himself initially and beckons that we follow him down into a world without consequence “of restless nights in one-night cheap hotels” (Eliot 6). The later “streets that follow like a tedious argument of insidious intent” set the stage for Prufrock’s dilemma (ibid 9-10). Audrey Cahill says this scene foreshadows “Prufrock’s dialogue with himself, a dialogue which leads nowhere” and that thrusts the reader into meaningless chaos (6). Thus, even if these streets lead to an overwhelming question, the journey down them is rather mind-numbing and unnecessary if the answer gets us nowhere or, worse, merely emphasizes our own desolation. This is compounded by the appearance of a mysterious yellow catlike fog that “curled once about the house and fell asleep” (Eliot 22). Cahill also affirms that becaus...
"(10) which is never identified, asked, or answered in the poem. This "question" is somehow associated with his social status, but both its ambiguity and Prufrock's denial to even ask "What is it? " (11) gives some insight into his state of internal turmoil. Prufrock's dissatisfaction with his personal appearance is evidence of an underlying lack of self-confidence. Not only is he unhappy with the way he looks, having "to prepare a face to meet the faces that you meet," but he is constantly afraid of what others will have to say about him.
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
Prufrock tells his long song he isn’t talking to no one, nor is he keeping his fears hidden. Prufrock is talking to us. He is walking with us. He is inviting us into his life. We get to see all the good and bad that make up Prufrock.
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
Prufrock became a coward as the poem A Love Song unfolded more and more and while in the beginning Dante appeared to be wise he turned out to be prideful and a traitor. Prufrock throughout the whole entire poem was simply trying to communicate his undying love to the woman he cared about. However he was too afraid to lay his feelings out on the table. In the poem he starts to justify his inaction by saying that he has done many things in his life like drink a lot of coffee, and survived lots of days, and he has many other things to be concerned about with his life just trying to justify that he never stepped up to life and asked the important question. Similarly, Dante lived a life to be proud of yet one of his most terrible
For example in the poem he says, “…Time to turn back and descend the stair, With a bald spot in the middle of my hair- [They will say: “How his hair is growing so thin!] My morning coat, my collar mounting firmly to the chin, My necklace rich and modest, but asserted by a simple pin- [They will say:” But how his arms and legs are so thin!”]…” This quotation is an example of Prufrock overthinks situations. He wants to go to the party and ask a question but cannot stop thinking about if he will be judged by the people at the party because of his hair balding and thin body. But a typical person today would acknowledge the fact that the people who will attend the party will be concerned with the party they are attending rather than minor details on him. This is another instance where Prufrock is not typical of people today. People today do tend to over think things but Prufrock takes it to another level with overthinking about things normal people wouldn’t and allows it to affect each choice he makes even the simplest ones in his
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
One of the ways it can be read is Prufrock contemplating if it is worth bothering yet another persona who has no regard to his presence. Going back to the isolation imagery, one person in the large scheme of the universe is miniscule: he is one tiny speck on the large map of all of existence. Going back to the beginning of that stanza as all he asks is “Do I dare?” it appears as if Prufrock becomes self conscious of his appearance with the talk of his appearance by saying, “With a bald spot in the middle of my hair—(They will say: ‘How his hair is growing thin!’)” and then stating, “My necktie rich and modest, but asserted by a simple pin—(They will say: ‘But how his arms and legs are thin!’) which implies that he longs to go back to the days when he was young and the women that come and go would be talking to him rather than to each other “of Michelangelo” (14, 36).
Those sides of Prufrock's character are shown only to the reader. The ladies have to judge him on his appearance and his behavior during the evening out. He is an older man, his hair is growing thin, and he is skinny. Eve...
He does not ask questions such as a “Do I dare?” The poem also relates Prufrock’s shameful life to Dante’s Inferno. In regards to the fact that he is in a dark lonely place where his life has no meaning and has little sureness in himself. Dante’s is confined to hell, where Prufrock is living a lonely life within the city. Another reference to Dante’s Inferno quotes a false counselor in Hell who will tell his crime only to those he thinks will keep it a secret. Prufrock, too, would not want his story of his life to be known he wants to create “To prepare a face to meet the faces that you meet” but what he has to hide is insignificant. There is also reference to the Italian renaissance painter Michelangelo with the women coming and going talk to Michelangelo, that gets you to think that these women can be those of higher class. This may be in regards to the fact that Prufrock may be afraid of the fact that he will not fit the needs of these
Modernism is a period which is both progressive and optimistic.The Modern period starts with the Renaissance for historians.It’s stem ‘’Modern’’, comes from the Latin which means ‘’current’’.It is a cultural movement which involves changes in art,architecture,music and literature:
...ing line the eloquently depicts the act of daydreaming and having a quiet fantasy abruptly disturbed by reality (131-133). It is only in his ruminations that Prufrock can escape the demands of society and the expectation of rejection.
In conclusion,the cycle of this poem is wonderfully expressed in line 51, “I have measured out my life with coffee spoons." This signifies that he has broken down his entire life into small episodes. Prufrock's failure to act leaves him in fantasy world dominated by insecurity. Prufrock is afraid of himself and others; therefore, he is unsure of what to do and afraid to commit to any particular choice of action (Hart, pp. 174-80). He reveals his innermost thoughts to the reader, but ultimately accepts his own indecision and cowardice. McNamara's article articulates that the world of the poem is limited to a single consciousness.
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...