Young Goodman Brown And The Lottery Rhetorical Analysis

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THE FALL OF MAN AND THE LOSS OF INNOCENCE Thesis Statement: Although the tone and imagery used in “The Lottery” and “Young Goodman Brown” conflict in many ways, both stories began by setting a very bright and hopeful tone which quickly fades into disaster, then proceeded to show insight on the darkness of the story and lastly the death and fall of mankind. 1) In her story “The Lottery,” Shirley Jackson begins by setting a very bright and hopeful tone, which quickly fades into disaster a) In the beginning of the story readers are introduced to a lovely picture depicting the setting and the characters of the story. b) As time goes by readers are made aware of the irony of the setting and the dreadful event that follows. 2) In contrast to this …show more content…

She depicts a village full people gathering on “the morning of June 27th,” which Miss Jackson describes as “sunny, with the fresh warmth of a full summer day (213).” Deceptively, this word “picture” leads readers to believe that the villagers are gathering for what must be an exciting and joyful time for the community. As the story continues, however, the tone begins to become clouded by foreshadowing of doom. Shirley Jackson, shortly after lulling her readers into a calm easygoing expectancy, she quickly changes the flow of her story. Suddenly, the tone in “The Lottery” changes and readers begin to dread the coming paragraphs. The author states, “Bobby and Harry Jones and Dickie Delacroix… eventually made a pile of stones in one corner of the square (Shirley, 213)” Similarly, Jackson writes, speaking of the men of the village, “They stood together, away from the pile of stones in the corner (213).” Very shortly after this, readers learn the true meaning in “The Lottery” and “see the fall”. Hutchinson, (winner of the lottery) was in the center of a cleared space by now, and she held her hands out desperately as the villagers moved in on her. ‘It isn't fair,’ she said. A stone hit her on the side of the head (Shirley, 218).” The initial bright and hopeful tone had disappeared and in its place, Jackson placed a sorrowful reality that is difficult to

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