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Suspense horror movies
Suspense in horror films
Suspense in horror films
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Suspense is a 1913 film that portrays the story of a tramp intruding into a family’s home, where a mother takes care of her child while her husband is away. The plot is a common one that had been used previous times before the film’s release, such as in The Lonely Villa (1909). However, through taking advantage of the single frame shot, the filmmakers were able to create a masterful aesthetic of two separate stories that turn a basic plot into a complex story. The film created an inventive way of illustrating stories within cinema by allowing the audience the chance to consume more narrative in less time within just one take. Parallel editing, or cross cutting, aligns multiple storylines that are happening at the same time in order to sustain the actions of each characters. In Suspense, this technique is used continuously to follow the paths of the tramp, wife, husband, and police. However, the …show more content…
The police and car owner follow close behind him, trying to get the husband to pull over. The use of the single frame displays the husband’s dark silhouette as the camera focuses on the rearview mirror where the police can be seen gaining on him. It allows the viewer to take in both storylines simultaneously. The husband is still racing home to help his wife, but the police in the mirror also show the duality of his worries as they literally and figuratively hang over his shoulder. Meanwhile, in the mirror, the police are seen trying to grasp the husband in order to get him to stop. The two spaces for the characters gives the chance for the film to focus on the overall plot progression versus the time cut between the husband and the police separately. It decreases the amount of time that audiences spend on one character and their storyline instead it forces them to understand the dynamics of every storyline and how they interact with one
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
script, the viewer needs another way to interpret the film. The 1922 silent film Nosferatu
Hitchcock was a tenacious and dedicated director. He received his education at St Ignatius College and London County Council School of Marine Engineering and Navigation, which left him with an outstanding work ethic. Nevertheless, his Catholic upbringing instilled a fear of authority along with complications with intimacy, hence, gives one possible explanation of his opinions about women. He also fantasized about travel and exploration as a child, so his experience, curiosity and fear of the unknown produced his “Master of Suspense” personality.
Citizen Kane has earned the prestigious honor of being regarded as the number one movie of all time because of Welles’ groundbreaking narrative and plot structures that paved a path for the future of the film industry. Though critics have viewed the film with such prestige over the years, a present day viewer might encounter a great amount of confusion or difficulty as to why Citizen Kane is the number one movie on the American Film Institute’s top 100 movies of all time. Especially considering the modern day film industry, Welles’ production does not measure up to the amount of thrill and entertainment audiences experience today. Not even considering the possibilities with special effects and technology, Citizen Kane seems to lack an exciting plot that might involve some action or twists instead of the gossip of a man’s life that we no longer appreciate. In 1941, the general public could greatly appreciate the connections between Kane and William Randolph Hearst unlike young adults watching the film now.
...and framing, Hitchcock expresses the horror of wrongful imprisonment through visual devices. Hitchcock allows Hannay to escape the snare of the police into the open world, as Hannay finds himself outside in a parade. Hannay, now free from the confines of the sheriff’s office and walking amidst the people, is now vindicated, living momentarily in the comfort of anonymity. But Hitchcock re-plays his fears, so of course Hannay will soon be back in the binding spotlight in the next sequence. Yet it is more than the fear of police and confinement that is a mark of the Hitchcock film - it is the visual expression of these psychological states that are examples of the artistry of Hitchcock as an auteur. And as seen through the first shot of the chosen sequence in which the sheriff’s laugh is merged with the crofter’s wife’s screams, Hitchcock went beyond the German Expressionists that he admired, manipulating sound to express ideas in their purest, most subtle forms.
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
Often regarded as one of the greatest films ever made, Citizen Kane written and directed by Orson Welles is a classic film that defied the conventional styles of the Hollywood Cinema. Welles was committed to the Mise-En-Scene of his movies by using his characters, props, settings, and even the camera to tell the story of his characters. The Lighting, the camera shots, and the character 's actions to depict the life of Charles Foster Kane. The Mise-En-Scene of this narrative creates a film that is ahead of it’s time and a genius innovation to the cinema.
The Alfred Hitchcock film; Vertigo is a narrative film that is a perfect example of a Hollywood Classical Film. I will be examining the following characteristics of the film Vertigo: 1)individual characters who act as casual agents, the main characters in Vertigo, 2)desire to reach to goals, 3)conflicts, 4)appointments, 5)deadlines, 6)James Stewart’s focus shifts and 7)Kim Novak’s characters drives the action in the film. Most of the film is viewed in the 3rd person, except for the reaction shots (point of view shot) which are seen through the eyes of the main character.(1st person) The film has a strong closure and uses continuity editing(180 degree rule). The stylistic (technical) film form of Vertigo makes the film much more enjoyable. The stylistic film form includes camera movements, editing, sound, mise-en-scene and props.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Have you ever watched a horror series, that makes you feel shook with fear? In Harper's Island, every episode will leave you scared, but wanting to watch more. Harpers Island is a horror filled television series that had aired in 2009. This series is mainly about Abby Mills, who had left the island when she was younger when her mother and 6 others were brutally murdered. John Wakefield had been the one who killed them. Abby Mills, father Sheriff Mills,was known as the man who shot and killed John. After many years had passed, seven to be exact. Abby and a few of her friends had decided to return to Harper's Island, so that their friends could get married there. When they had got to the island, many of them began to die and the ones who stay alive begin to wonder if John Wakefield, has returned back or if someone was mimicking how he had murdered people. Suspense in this television series was created by having slow creepy music in the beginning, when they were looking out the window, waiting for their other friends to return. Two other ways suspense was created is when they had put the camera behind the staircase and made you feel as if you were
The characters are a crucial element in developing the narrative of a film. The characters in Breathless do not act the way one expects those of Hollywood cinema to act. The woman who distracts the police officer in the opening scene seems as if she may be important, but is in fact never seen again. This happens again in a subsequent ...
The films of Alfred Hitchcock, as even the most casual cinephile knows, manage to blend the comic, romantic, tragic, and political, all with a captivating thriller plot. The 39 Steps and The Lady Vanishes, two works from the 1930s, are no exception. In the former, a Canadian man is charged with the task of carrying a secret into Scotland while on the run from the police; in the latter, an older woman disappears, leaving a bewildered young lady who uncovers a foreign spy ring while trying to find her. However, despite the fact that both of these plots contain dominant thriller elements, and stem from the same part of Hitchcock’s career, they are by no means interchangeable. From visuals to characters, these are entirely different works. As such, one of the best places to compare and contrast is in the films’ opening sequences, where Hitchcock sets up for the intense action to follow. In The 39 Steps and Lady Vanishes, both introductory sequences work to capture the viewer’s attention before the thrills begin; however, close analysis reveals that Hitchcock handles them quite diff...
In her essay, “Visual Pleasure and Narrative Cinema”, British film maker Laura Mulvey attempts to demystify how pleasure can be fulfilled in film. Contending that a pleasure in looking (scopohilia) and a pleasure in possessing the female as what to be looked at (voyeurism) fufills the audience’s desires, Mulvey suggests how filmmakers use this knowledge to create film that panders to our innate desires. In “Meshes of the Afternoon” by Maya Deren and “Vertigo” by Alfred Hitchcock, it is seen that Mulvey’s argument—the desire to look, the hunting, seeking, and watching, and harnessing of the female form is natural human desire. Deren and Hitchcock will use entirely different techniques to achieve that sense of fulfillment for the audience. But how does this watching and looking translate in to the written word? In “The Winter’s Tale” by William Shakespeare, we will see the ideas approached by Mulvey and the themes used by Hitchcock and Deren utilized to create a sense of looking and objectifying the woman in the absence of the screen. Through this paper, the concepts of pleasure for Mulvey will be shown to have applicability not only in cinema but in art in far more universal terms. First, a discussion of pleasure and Mulvey’s definition of it will allow for clearer understanding as to what this fulfillment actually is. Secondly, Vertigo will be examined—as an example of “mainstream film” utilizing the ideas of scopophila and voyeurism in a perfect balance. Scottie and his search will then be contrasted with Leontes of Shakespeare’s Winter’s Tale, where again desires will be balanced in harmony with Mulvey’s principles. It is to become clear through...
Today, most movie goers categorize ‘silent films’ into one genre and discard the stark differences that make Arrival of a Train at La Ciotat, The Great Train Robbery, and Broken Blossoms vastly dissimilar. In my opinion, these films clearly illustrate the evolution from silent film projection on a cafe wall to the birth of the hollywood that we know today. The profound contrast is most apparent in their stories, their performances, and the emotional response each film invokes. Collectively these films provide viewers with a clear perspective on how early film progressed from silent stills into what we call today, The Classical hollywood “silent” film era.