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Essay on movie genre and social commentary
Essay on movie genre and social commentary
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The Lives of Others
Introduction
The film The Lives of Others directed by Florian Henckel von Donnersmarck takes place in East Berlin in 1984 where the population of the German Democratic Republic is kept under strict control by the Stasi, the German secret police. Gerd Wiesler, a cold hearted member of the Stasi, is given the position to collect evidence against a playwright named Georg Dreyman without his consent or knowledge. Many of the characters do not change their morals except for Gerd Wiesler, who at the beginning of the film is portrayed as a strict, emotionless man who takes his job very seriously. However, through his involvement with operation Lazlo, his character transforms into a more caring and understanding human being who becomes more sympathetic towards others.
Body Paragraph 1: Concern and Care for Others
Topic Sentence: As Wiesler starts collecting evidence for operation Lazlo, his morals begin to change and his character develops from a serious, emotionless person to a human that feels affection towards other people and he starts to see more to life than the Stasi.
Sonata for a Good Man
While spying on Dreyman, after his good friend Jerska passes away, he hears him play Sonata for a Good Man, on the piano which brings out his true emotions.
The director uses a rotational pan that circles around Wiesler while he is listening to Dreyman play the song. Donnersmarck uses this camera movement to show that Wiesler’s emotions and views are spinning.
Wiesler is visibly moved by this song and is miraculously transformed into a “good man” through the power of music. This is Wiesler's turning point in the movie when he decides to be the "good man" so to speak.
After hearing this song he begins to see life o...
... middle of paper ...
...Instead of going with the Stasi to search Dreyman’s apartment after the interrogation, he flees to do the right thing.
Conclusion
Minister Hempf strongly believes that people do not change but his statement is proven wrong by Gerd Wiesler who changes drastically throughout the film. Wiesler, who was once a cold-hearted, emotionless, workaholic, changes into a sympathetic and man who is able appreciate life outside of the Stasi. Watching and observing the lives of others can impact your life in the long run by making you view things from a different perspective. Through Wiesler’s observations with Dreyman and Christa Maria Sieland he gets to experience the closest thing to love and he sees what its like to be in a relationship and to put someone else’s needs before yourself. He learns that there is more to life than work and that appreciating others is vital.
Throughout the Nobel Peace Prize award winner Night, a common theme is established around dehumanization. Elie Wiesel, the author, writes of his self-account within the Nazi concentration camp Auschwitz. Being notoriously famed for its unethical methods of punishment, and the concept of laboring Jews in order to follow a regime, was disgusting for the wide public due to the psychotic ideology behind the concept. In the Autobiography we are introduced to Wiesel who is a twelve year old child who formerly lived in the small village of Sighet, Romania. Wiesel and his family are taken by the Nazi aggressors to the Concentration camp Auschwitz were they are treated like dogs by the guards. Throughout the Autobiography the guards use their authoritative
Wiesel and his father were harshly testing their bond as a family during the progression of their stay. It is remarkable how such appalling conditions can bring people together in ways unimaginable. Before Wiesel came, he never did much regarding his father. While they were at the camp, Wiesel couldn’t stand being without his father. Wiesel is surprised to see how the camp changed his father. He recalls on how one of the first nights at the camp, he saw his father cry for the first time. Wiesel’s relationship with his father has been so impactful on
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
6) At one point, Wiesel says he does not feel human anymore. What did he mean by this and what things can make a person lose his sense of humanity and dignity?
A fifteen-year old boy, Elie Wiesel, and his family are overwhelmed by the thought of uncertainty when they are forced out of their home; as a result, the family would be forced into a cattle car and shipped to Auschwitz. At first, the Jews have a very optimistic outlook while in
“The Perils of Indifference” In April, 1945, Elie Wiesel was liberated from the Buchenwald concentration camp after struggling with hunger, beatings, losing his entire family, and narrowly escaping death himself. He at first remained silent about his experiences, because it was too hard to relive them. However, eventually he spoke up, knowing it was his duty not to let the world forget the tragedies resulting from their silence. He wrote Night, a memoir of his and his family’s experience, and began using his freedom to spread the word about what had happened and hopefully prevent it from happening again.
...is helps to show that they both have achieved happiness even though it is away from each other. Altmans views on the dual-focus strategy, the parallel between the couple and the plot, and relationship between music and plot are all shown in this scene.
...vision and music. Therefore the movie begins on a simple level. The viewer is introduced to many of the central elements of the film in a purely visual way – Donnie, his family, and the American suburbs. The music makes this an isolated and surreal presentation; the viewer sees the family from the outside before seeing them from the inside. The song also has a feeling of apprehension and of magnitude which makes what is seen seem more significant and mysterious.
Towards the end of the story, Wiesel’s dad becomes extremely sick. During an attempt to find his father in a mob, he dreams that “[he] were relieved of this responsibility, [he] could use all [his] strength to fight for [his] own survival, to take care of [himself]…” (Wiesel 106). The ellipses showcased the confusion in his mind regarding his father’s situation. Wiesel’s implicit thought about his father regards him as a dead weight, and questions the need of nursing him. Although Wiesel hasn’t completely scrapped his relationship with his father, the doubt set the foundation for the subsequent sacrifice. Their experiences in the Holocaust only separated their relationship, rather than bringing them closer together. Wiesel showcases, through the use of ellipses, that the Jews became less gregarious after the harsh treatment imposed on them by the
While the script is often one of the most crucial elements in a film, the brevity of speech and precise movements of the primary character accentuate the changing nature of his integrity. As viewers follow Captain Wiesler of the East German secret police, it is soon clear that he only says what is necessary, such as when noting his surveillance partner’s lateness or setting instructions for the surveillance bugging team (“twenty minutes”). It is important to note that Wiesler does not say a single word when Axel Stiegler cracks a joke in the cafeteria about Honecker, or when Grubitz himself makes a joke. Only
In Elie Wiesel’s Night, he recounts his horrifying experiences as a Jewish boy under Nazi control. His words are strong and his message clear. Wiesel uses themes such as hunger and death to vividly display his days during World War II. Wiesel’s main purpose is to describe to the reader the horrifying scenes and feelings he suffered through as a repressed Jew. His tone and diction are powerful for this subject and envelope the reader. Young readers today find the actions of Nazis almost unimaginable. This book more than sufficiently portrays the era in the words of a victim himself.
Aspects of good and evil are portrayed in a number of different ways throughout the film, ?Schindler?s List?. The story of Schindler's List reminds us that there is hope; that sometimes the actions of one person - one ordinary person even, for Oskar Schindler is not the stereotypical altruistic hero - can make a difference, even in the face of mass apathy and e...
In order to analyse this sequence, the narrative links that are drawn here must be addressed. After Dreyman’s long-term friend commits suicide due his ‘black-listing’ by the Stasi, an infuriated Dreyman is driven to write an anonymous article about concealed suicide rates. He sends this article to be published in the West German magazine, ‘Der Spiegel’. All typewriters are listed in the GDR in order to track all authors, so in order to avoid arrest, a miniature typewriter is smuggled across the border. This typewriter is concealed beneath a threshold in Dreyman’s apartment. After one unsuccessful search by the Stasi, drastic measures are taken in order to bring down Dreyman. Under interrogation and blackmail due to her perscription drug addiction, Christa-Maria, reveals to the Stasi where the typewriter is hidden. However, before the Stasi can search the apartment for a second time, Wiesler removes the typewriter, unbeknownst to both Dreyman and Christa-Maria. While the Stasi are searching the apartment Christa-Maria sees the horrified look on Dreyman's face as he realises she has disclosed the typewriter’s location. Guilt-ridden, sh...
This documentary like film begins with Oskar Schindler getting ready to make the deal of a life time by getting in good with the Nazi Officers. Schindler was a man that knew how to smooze people. He would wine and dine them with the best of wine, food, and women, which was not a cheap thing to do, especially during World War II. He was fond of saying, "Presentation is everything."
A film bursting with visual and emotional stimuli, the in-depth character transformation of Oscar Schindler in Schindler’s List is a beautiful focal point of the film. Riddled with internal conflict and ethical despair, Schindler challenges his Nazi Party laws when he is faced with continuing his ambitious business ideas or throwing it all away for the lives of those he once saw as solely cheap labor. Confronted with leading a double life and hiding his motivations from those allegiant to Adolf Hitler and the Nazi Party, Schindler undergoes numerous ethical dilemmas that ultimately shape his identity and challenge his humanity. As a descendent of a Jewish-American, Yiddish speaking World War II soldier who helped liberate concentration camps in Poland, this film allowed for an enhanced personal