In A Bird in the House, Margaret Laurence is able to incorporate many themes and motifs into her stories such as, war, tragedy, religion, and faith. Another theme that is also shown throughout the book is identity, both national and individual identity. National identity is defined as “ a sense of a nation as a cohesive whole, as represented by distinctive traditions, culture, etc.”, while individual identity is what makes a person unique, it is what a person believes, thinks and feels. Sometimes in life identity gets mixed up and can become a confusing aspect of life. People are a product of their environment, which is a factor in shaping identity. The protagonist in the book, Vanessa MacLeod, witnesses and experiences both types of identity. She sees the influence of the Canadian national identity in her Grandfather Connor, Scottish heritage in her Grandmother MacLeod, Irish heritage in her Uncle Dan, which ultimately influence Vanessa’s personal identity. Canada is of the major influences of Grandfather Connor’s identity. When Vanessa was eleven years old she was interested in pioneers and how they had build the nation she calls home. She shows this interest through her book called “Pillars of a Nation” and found out her grandfather was considered a pioneer. Vanessa’s Grandfather Connor is the stereotypical Canadian during the 1930s. He was a hardworking man trying to make a living while helping build a town in the prairies during the depression. He was “the first blacksmith in Manawaka” and was also able to start up his own hardware store (7). In the short story “The Mask of the Bear” Vanessa describes her grandfather as his “bear fur coat”, like a quintessential Canadian. Rough and grizzly, no emotion or feelings, Grandfat... ... middle of paper ... ... character. When he was over they “they hardly ever stopped laughing”(23). He also had treats to give Vanessa when he was over. This shows Vanessa that although life is rough sometime, people have to look on the bright side of things. Throughout Vanessa MacLeod’s life she was able to have many different influences on her. She had her Grandfather Connor who was a rough and protective man but taught her respect and practicality. Her Grandmother Macleod was a proper woman who believed strongly in God and traditions, which taught Vanessa to work hard and God’s work is not always what you expect. As for her Uncle Dan who was fun to be around and also believed in tradition influenced Vanessa to have fun and be proud of where you come from. “Laurence stresses that family and a common place of origin bind people together and become the backbone of individuality” (224).
Lily’s idea of home is having loving parent/mother figures who can help guide her in life. Because of this desire, she leaves T. Ray and begins to search for her true identity. This quest for acceptance leads her to meet the Calendar Sisters. This “home” that she finds brightly displays the ideas of identity and feminine society. Though Lily could not find these attributes with T. Ray at the peach house, she eventually learns the truth behind her identity at the pink house, where she discovers the locus of identity that resides within herself and among the feminine community there. Just like in any coming-of-age story, Lily uncovers the true meaning of womanhood and her true self, allowing her to blossom among the feminine influence that surrounds her at the pink house. Lily finds acceptance among the Daughters of Mary, highlighting the larger meaning of acceptance and identity in the novel.
Canada moved few times in his youth before finally reaching a stable residency at Union Avenue. At the age of five he learned at home that violence is a necessary means. When his brother had his jacket stolen, their mother told them:
An imposing character in A Bird in the House, Grandfather Timothy Connor’s power over his household is also a sign of his weakness. The house that he built is “part dwelling place and part massive monument” (Margaret Laurence 3). Grandfather Connor, a pioneer in Manawaka, is a monument himself and is often associated with his architectural feat. The title of Margaret Laurence’s novel is A Bird in the House; Grandfather Connor is the house that both shelters and entraps the people – especially the women – in his life with his actions. With a stranglehold on his household, Grandfather seems to fit into the traditional male role as the authoritarian but is plagued by guilt and loneliness. He uses his anger as a shield and a mask; he “demands strength because he is afraid of weakness” (Jon Kertzer 43). Early in his marriage, Grandfather Connor had an affair with a girl in Winnipeg but his wife Agnes “never told him she’d considered leaving him” (Laurence 85). This places Agnes in a position of higher power: she is virtuous, and Timothy knows that she may be too good for him. As Uncle Terence remarks: “Another person’s virtues could be an awful weight to tote around. We all loved her. Whoever loved him?” (86). Because his family loves Agnes and will happily obey her, Timothy attempts to reassert his power by being strict and demanding.
The tile of the poem “Bird” is simple and leads the reader smoothly into the body of the poem, which is contained in a single stanza of twenty lines. Laux immediately begins to describe a red-breasted bird trying to break into her home. She writes, “She tests a low branch, violet blossoms/swaying beside her” and it is interesting to note that Laux refers to the bird as being female (Laux 212). This is the first clue that the bird is a symbol for someone, or a group of people (women). The use of a bird in poetry often signifies freedom, and Laux’s use of the female bird implies female freedom and independence. She follows with an interesting image of the bird’s “beak and breast/held back, claws raking at the pan” and this conjures a mental picture of a bird who is flying not head first into a window, but almost holding herself back even as she flies forward (Laux 212). This makes the bird seem stubborn, and follows with the theme of the independent female.
In general, identity means how one sees himself/herself and others around in order to distinguish himself/herself as different. David Snow differentiates between the ‘individual’ and ‘collective’ identity as “personal identities are the attributes and meaning attributed to oneself by the actor, they are self-designations and self-attributions regarded as personally distinctive.” (Snow 2) On the other hand, the “collective identities attributed or imputed to others in an attempt to situate them in social space. They are grounded in established social roles.”(Snow 2) This research paper aims at examining the role of ‘collective’ identity that is formed on the expenses of the ‘individual’ identity and how this leads to physical and psychological repression in Shirley Jackson’s “The Lottery” and Isaac Babel’s “My First Goose.”
Prior to World War I, Canada as a nation had an identity crisis. A key factor in Canada’s pursuit of an identity are the countries that have influenced it.Through the influences that other countries have had upon the nation of Canada, Canada has been able to create a unique identity. The nation was created without one, but it was able to create a unique nation that in turn, went on to influence those who’s influences it drew from originally. Canada’s national identity is attributed to our role in World War I. Due to our British and French Heritage, there was a conflict of interest concerning the nation’s expectations. In the 1920’s, Canada achieved independence from Britain, as seen in the Statute of Westminster in 1931. Even though Canada remains part of the Commonwealth, its independence was starting to be recognized globally, through foreign and economic relations with non-commonwealth countries. When Britain declared war on Germany in 1914, Canada was automatically enlisted in the war as well. Within three week, 45,000 Canadians had been enlisted, and John McCrae was one of them.1 McCrae was a Canadian physician and soldier. On Sunday May 2nd, 1915, Lieutenant John McCrae scribbled a rough poem on the battlefield of Flanders, France. The day before, his closest friend, Alexis Herlmer of Ottawa had been killed by a shell. McCrae performed the ceremony for his friend the night of his death. As the battle of Flanders continued on, wild poppies began blooming between the marked crosses that marked the various makeshift graves.2
The theme of personal identity is prevalent in almost every part of Robertson’s, The Greatest Thing Since Sliced Bread. Whether it is from Morris Birds little stories and sense of right and wrong throughout the book or how he tries to atone for his mistakes in order to earn self-respect for himself or through the journey he makes to see his dearest friend, Stanley. For example, when Morris Bird starts talking about the salami sandwich incident with Logan McMurray when Morris tried to give his sandwich to another kid named Alex Coffee but when Coffee does not want the sandwich, Morris Bird decides to throw the salami sandwich. When the sandwich was found it had landed against the side of Mrs. Ochs’ car “smearing it with mayonnaise and making it absolutely reek of salami…” (Robertson, 14). This shows the theme of personal identity because of the f...
... a border be it physical or psychological. Examining both novels as well as doing secondary research into the Canadian border, will also help in understanding Canadian identity. A deep analysis of the two novels will also overcome the constellations of the symbolic imagery that is narration which will dramatize semantics of belonging, loss, and absence that is within the definite of the historically bound and personal context of Canadian experience.
In Stuart Hall’s “Ethnicity: Identity and Difference,” he claims that identity is a volatile social process through which one comes to see the self. Hall argues that identity is not a thing rather a process “…that happens over time, that is never absolutely stable, that is subject to the play of history, and the play of difference.” These factors are constantly entering the individual in a never-ending cycle, re-establishing and affirming who one is.
Thompson, John Herd, and Mark Paul Richard. "Canadian History in North American Context." In Canadian studies in the new millennium. Toronto: University of Toronto Press, 2008. 37-64.
Perhaps one of the biggest issues foreigners will come upon is to maintain a strong identity within the temptations and traditions from other cultures. Novelist Frank Delaney’s image of the search for identity is one of the best, quoting that one must “understand and reconnect with our stories, the stories of the ancestors . . . to build our identities”. For one, to maintain a firm identity, elderly characters often implement Chinese traditions to avoid younger generations veering toward different traditions, such as the Western culture. As well, the Chinese-Canadians of the novel sustain a superior identity because of their own cultural village in Vancouver, known as Chinatown, to implement firm beliefs, heritage, and pride. Thus in Wayson Choy’s, The Jade Peony, the novel discusses the challenge for different characters to maintain a firm and sole identity in the midst of a new environment with different temptations and influences. Ultimately, the characters of this novel rely upon different influences to form an identity, one of which being a strong and wide elderly personal
What is Identity? Is it what you think of yourself? Is it how others see you? Or maybe it is the way you present yourself. Stories like “Ain’t I a Woman?” by Sojourner Truth , “The Lottery” by Shirley Jackson, “The Story of an Hour” by Kate Chopin, and “Indigenous Identity: What is it, and Who Really has it?” by Hilary N. Weaver give us a few examples of identity based on each one of the authors viewpoints. Both “Ain’t I a Woman?” and “The Story of an Hour”, focus on how women were viewed and placed in society before and during the suffrage movement. “The Lottery” opens our eyes to the identity issue of blindly following tradition. The author of the story “Indigenous Identity: What is it, and Who Really has it?” tells us that identity is based on; race, gender, social status, and the knowledge of one’s heritage.
In Linda’s work she talks about identity and Canada. She clearly states “Distinctly Canadian identity in the face of a colonial past,” which connects to Thomas King’s work where he is distinctively describing the “Indian” that people have engraved into their minds. He repetitively says “I’m not the Indian you have in mind,” as well as “he may well have a secret song, a dance he’ll share, a long lost chant,” which in turn connects to Linda also speaking on culture in Canada.
Canada’s own identity starts with our remarkable sense of culture and customs. For the native peoples, the Canadian identity stretches thousands of years into the search of struggles to retain elements of their ancient culture. From a colonial perspective, the traditions which surface in Canadian culture seem to be born of an earlier time, of different origins and places, of old-fashioned rituals, and customs. Unlike the United States, its senior neighbor, Canada’s aged-like identity is more reserved and skillful, unwilling to commit it self to anything specific. Within each region of Canada-
Identity is a state of mind in which someone recognizes/identifies their character traits that leads to finding out who they are and what they do and not that of someone else. In other words it's basically who you are and what you define yourself as being. The theme of identity is often expressed in books/novels or basically any other piece of literature so that the reader can intrigue themselves and relate to the characters and their emotions. It's useful in helping readers understand that a person's state of mind is full of arduous thoughts about who they are and what they want to be. People can try to modify their identity as much as they want but that can never change. The theme of identity is a very strenuous topic to understand but yet very interesting if understood. How the Garcia Girls Lost Their Accents by Julia Alvarez and Farewell to Manzanar by Jeanne Wakatsuki are two remarkable books that depict the identity theme. They both have to deal with people that have an identity that they've tried to alter in order to become more at ease in the society they belong to. The families in these books are from a certain country from which they're forced to immigrate into the United States due to certain circumstances. This causes young people in the family trauma and they must try to sometimes change in order to maintain a comfortable life. Both authors: Alvarez and Houston have written their novels Is such an exemplifying matter that identity can be clearly depicted within characters as a way in adjusting to their new lives.