For what shall it profit a man, if he shall gain the whole world, and lose his own soul? (King James Version, Mark 8:36) This well-known scripture from the Bible has been recited an innumerable amount of times throughout human history. Through this passage God reveals to man the significance of one’s soul. If a man should “gain the whole world” this would mean that he would be willing to do and sacrifice anything in order to satisfy his own hedonistic tendencies, and in doing so he faces the loss of something even greater than himself; his soul. Being that the soul is a completely separate entity from one’s carnal being the appearance of one’s body does not always correlate with one’s soul. An aesthetically pleasing individual may have a dark and monstrous soul, whereas a differently visaged individual may have one that is light and appealing. In the case of Dorian Gray he fits the bill of the former perfectly. In Oscar Wilde’s gothic novel The Picture of Dorian Gray the protagonist Dorian Gray trades his soul for eternal beauty. His soul then becomes encompassed in a painting of him, but as Dorian loses his morality the painting likens itself to the decay of Dorian’s inner self; the once gorgeous picture slowly transforms into a ghastly shadow of its former beauty. Wilde’s use of an ominous tone helps to better convey the idea that youth and beauty allude to an innocent soul that bears no corruption; this misconception is of great significance in The Picture of Dorian Gray because it was the semblance of youthful beauty that allowed Dorian to continue with his hedonistic lifestyle and ultimately the devastation of his soul.
According to philosopher John Locke all people enter the world neither good nor bad so they look to others...
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...rfection truly obtainable without relinquishing something in return?” and “Is beauty really a blessing or a curse?” As a human one must understand that when we are an imperfect race and no thing of “perfection” comes without its flaws. If one goes through life searching for something as unobtainable as perfection then one spends life running around a never ending circle. Everyone strives to be deemed what society claims is beautiful, but beauty can often become a curse when it becomes the basis for which one lives life. Once beauty begins to engulf every aspect of one’s being and one’s life then it becomes an obsession and any obsession is a curse. Nothing in life is worth getting is it leads to the detriment of one’s soul. “Then shall the dust return to the earth as it was: and the spirit shall return unto God who gave it.” (Kings James Version, Ecclesiastics 12:7)
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
words, he models his life after a work of art. The fact that Dorian's one female
The classic novel by Oscar Wilde, The Picture of Dorian Gray inspires beauty, and romance. The main focus of the novel is aesthetics, a philosophical view detailing the nature of creation and appreciation of art and beauty. The tragedy of the young Dorian Gray after becoming misled by his companion, Lord Henry Wotton, is one that causes many to reform ideas on life and purpose. Lord Henry believes in hedonism, a thought stating that pleasure is the only true good; he declares, “The only things worth pursuing in life are beauty and fulfilment of the senses” (Wilde). This outlook is tempting for many persons, including that of the title character, Dorian Gray. In contrast to Lord Henry is an artist named Basil Hallward, whom perceives Dorian to be his muse; serving as inspiration, and purpose. Basil has many moral traits including trust, compassion, and kindness. His infatuation with Dorian causes him to change his art and style, composing an exquisite painting of the young boy. Basil states, “the work I have done, since I met Dorian Gray, is good work, is the best work of my life…his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently.” (Wilde). Dorian becomes so mesmerized by the beauty of the picture and the words of Lord Henry that he wishes for the picture to depict his sins and age, rather than his physical being. To the surprise of the young Dorian, his wish becomes fulfilled. This theme shares similarity to the Faust story, as the title character exchanges his soul for pleasures
I think this because as I was reading the book I could see that Lord
The soul is the primary focus of The Picture of Dorian Gray. The term is used freely in the book with Dorian making a wish right in the beginning. Dorian exclaims “’If it were I who was to be always young, and the picture that was to grow old! For that – for that – I would give everything! I would give my soul for that!’” (28). Dorian does not arrive at this wish independently, however. Right off the bat Dorian is influenced by Lord Henry. Lord Henry and his yellow book are the harbingers that bring the corruption to Dorian’s soul. The soul is very much a physical thing in this world.
Obsession in its nature is toxic; it turns people into gods, and leaves no room for their actual selves. Celebrities are the idols of the modern world, where ever they go, a fan follows them dying to get their attention. Dorian Gray, who was loved by nearly all of London for his charm and beauty, who’s biggest fan, Basil, worship of him lead to bitterness. The theme of obsession in The Picture of Dorian Gray is seen through both those who worship Dorian Gray, and the portrait, which is the object of Dorian's obsession. Although Wilde displays obsession through Basil's worship of Dorian, and even Dorian's obsession with himself and his youth, the modern day celebrity is a parallel to Dorian, who is worshipped by many at first for their beauty, wealth or fame, but the nature of the worship eventually leads to chaos.
In society, there has constantly been the question as to whether people can change or not. Author Oscar Wilde proves in his novel The Picture of Dorian Gray, that one can. The question he poses to his readers is “What kind of transformation is shown by the protagonist Dorian Gray: good or bad?” It is possible to think that Dorian Gray has become a better person, not for others, but for himself since he lives in the pursuit of pleasure and always achieves it. However, as it is demonstrated by the portrait, the damnation of the lives of others can provoke damage to one’s conscience and soul. Dorian’s soul is ruined gradually by his hedonistic adventures, eventually failing to redeem his actions, but not before he leaves a devastating path of destruction and experiences self-inflicted destruction.
In order to gain such a great value on the writing. The writer would like to present the previous study and research that have correlation to this study, in order to prove the originally of this study. There are several theses and journals that relate with this study, the first relevant previous study is Viktoria Drumova’s thesis: The Picture of Dorian Gray: Eternal Themes of Morality, Beauty and False values Through Centuries. Drumova is a student of Narva Collage, Tartu, Estonia. She writes her thesis in 2015, which submitted as partial fulfillment of the requirements for her master degree. It is about social condition and representation of morality (in particular moral values as dignity, honesty, empathy, sanity) and an exaggerated importance of beauty in Oscar Wilde’s novel The Picture of Dorian Gray in the context of the Victorian era.
...osed in the preface of the novel and through Lord Henry’s intellectual talks with Dorian, “Wilde’s odd preface, which reads like an aesthetics’ version of Blake’s ‘Proverbs of Hell,’ warns that ‘there is no such thing as a moral or an immoral book’” (BRC). Wilde understood and showed in the life of Dorian Gray, a necessity for a more controlled and careful attitude toward aestheticism, without which morality will inevitable be indefinable. The aestheticism expressed by Dorian results in self-absorption and intellectual deterioration. “If in the hunt of one’s desires and of the beautiful parts of life, the condition of others’ or of one’s own mind is put at risk, the pleasure gathered must sometimes be surrendered for the greater good” (Pearce). As Wilde makes known, it is only through a more controlled attitude that aestheticism and morality may finally line up.
If you can get past most of the superficial and unlikeable characters in The Picture of Dorian Gray, this story does indeed have its place in the horror genre. While I understand the setting and the characters were a reflection of the actual class distinctions during the Victorian time period, I found the shallowness and narcissism of Dorian Gray and his circle of acquaintances tedious. "Fops" came to mind more than once along with "don't these people have a purpose other than to dine out and indulge themselves?" Even the women were for the most part portrayed as imbeciles. It almost hurt to read the section in chapter four where Lord Henry's wife appears for the first and only time: "She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy. Her name was Victoria, and she had a perfect mania for going to church" (Wilde 41). The only likeable main character is Basil Hallward who seems to have a conscience, and although it proves his undoing, he is the only one that tries to save Dorian.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
The Picture of Dorian Gray began with Basil Hallward, a painter, and his friend Lord Henry Wotton discussing why Basil would not send the painting of Dorian Gray, the main protagonist, to an exhibit. Dorian then entered Basil’s studio, so he could finish the portrait, and Lord Henry charmed him with his words.
There are so many factors making our choices constrained and even influencing our decisions and thoughts. In The picture of Dorian Gray, Dorian, a beautiful and innocent young man was affected by his portrait, Lord Henry who Dorian trusted him with no reason, and the yellow book which was given by Henry. The wish Dorian made came true. His portrait would change and Dorian stayed who he was. But, facing the horrible changes of his portrait, Dorian started blaming the painter who should not painted of him so that he murdered the painter. Dorian did not really feel guilty about the death of the painter and he still went to the poor area taking opium as enjoying the “new hedonism” which Lord Henry taught him. And, he was even addicted it so that he did not care anyone’s death. From the yellow book, Dorian found out he was similar to the hero that he treated it as scripture so he bought a lot of copied of it and built his life based on it. Dorian is so addicted to the things influencing on him so that he makes a lot of unexpected results. But, he still has his free will to act the ways he wants rather than fascinated on the things which do not belong to him.
In chapter 20 of Oscar Wilde’s The Picture of Dorian Gray, Dorian reflects on his past and wonders whether he will ever regain his innocence. In this passage, Gothic elements underline the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings also highlight Dorian’s personal yearning to let go and forget about his past.
...e ability to achieve anything in life. Hopefully, readers would learn from this novel that beauty is not the most important aspect in life. Society today emphasizes the beauty of one's outer facade. The external appearance of a person is the first thing that is noticed. People should look for a person's inner beauty and love the person for the beauty inside. Beauty, a powerful aspect of life, can draw attention but at the same time it can hide things that one does not want disclosed. Beauty can be used in a variety of ways to affect one's status in culture, politics, and society. Beauty most certainly should not be used to excuse punishment for bad deeds. Beauty is associated with goodness, but that it is not always the case. This story describes how the external attractiveness of a person can influence people's behavior and can corrupt their inner beauty.