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Literature to movie adaptation proces
Stylistic analysis of Godfather
Stylistic analysis of Godfather
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Recommended: Literature to movie adaptation proces
Since the beginning, movies have been inspired by many other art forms. However, the literature's works: such as books and novels have had the biggest impact on the telling of stories when translated into the big screen. Certainly not all films that have been adapted from books have been good. Many have been downright terrible. It is actually a rare thing for a book-to-film adaptation to have an end product that is as good as the original work, and rarer still for it to be better than its source. Nonetheless, one cannot ignore the film classics that have resulted from the transition. Especially, the timeless story of a family capable of doing the unthinkable which continues to fascinate new generations. The Godfather, is the crime novel written by Italian American author Mario Puzo and brought to the big screen by director Francis Ford Coppola. While the film is considered a traditional translation, it is regarded as an outstanding work by itself. The story of The Godfather is complex. On one hand we have the world of organized crime, the Mafia or Cosa …show more content…
Coppola did a marvelous job transitioning between scenes and locations to let the story unfold. The main transition used all throughout the story is a lap dissolve between scenes. Fade-out, fade-in are carefully used when transitioning between significant lapses in time. There’s quick cuts that recreate an apprehensive environment. What is more, the use of parallel editing is visible in the baptism ceremony where Michael becomes godfather to Connie’s son as well as the mafia’s leader. Cuts are included during the scene to show the crime bosses of the other New York Mafia families being massacred. The display of brutal murders stemming from Michael as he renounces evil in the Catholic Church is extremely ironic. It reveals the hypocrisy of his words while displaying the result of his actions. Thus a clear example of contrasting
Have you ever read a book and then watched the movie and saw many differences? Well you can also find lots of similarities. In the book “The Adventures of Tom Sawyer and the movie “Tom and Huck” there are many similarities and differences having to do with the characters personalities, the setting, the characters relationships with one another and the events that take place.
Following careful thought on which director to study, I chose Francis Ford Coppola. Although he has directed more films than I have had the opportunity to experience, I have viewed enough to understand his progression and style of his work. Over almost forty years of work, Coppola has directed about twenty-five films, produced near forty-five, composed two, and acted in eight. He is known predominantly for Apocalypse Now (1979) and The Godfather I (1972), II (1974), and III (1990). However, he has worked in other genres, such as Horror/Romance, Musical, and even Comedy.
Goodfellas is one of Martin Scorsese’s most popular and elaborate films. From the freeze-frames to the famous long take at the Copacabana. Everything done behind the camera seems to bring this film together as a whole. Even though the film can be dated back to the 90’s with the tacky costumes and décor, the story of the film is timeless. This is a movie that has already stood the test of time and will continue to do so for generations to come. Goodfellas is truly one of the most remarkable films of all time.
The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Drug dealer Virgil Sollozzo is looking for Mafia Families to offer him protection in exchange for a profit of the drug money. He approaches Don Corleone about it, but the Don is morally against the use of drugs, and turns down the offer. Being this only request Don Vito has turned down, displease Sollozzo and has the Don shot down. The Don barely survives, which leads ...
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
more clearer when put in the light of an analysis of how the mafia enterprise
Sometimes in movie production a film is developed from a piece of literature. Directors will use the plot of a book either to create a unique movie, or to give the audience a chance to see what their favorite book is like when acted out on the screen. Willa Cather's "Paul's Case" is a good example of a work adapted to video. The movie has slight differences from the book, but the director Lamont Johnson follows the original closely.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
The Mafia way of life may seem like a romantic updated version of the western movie played out on the streets of the big cities where the good guys and the wise guys who share the same instincts and values do battle before an enthralled public but it is actually very different. The Mafia is really just a group of uneducated thugs making money by victimizing the public. Initially, the Mafia was setup as a prominent supplier of bootlegged liquor, but it has spread into many different areas of crime. During this research paper I will discuss three aspects of the Mafia which are crime, structure and decline in leadership.
Different groups of the Mafia are called “families” because all of the members are related. Each family is led by a capo, or boss, whose authority is very absolute. Some caps may be called “godfathers” because the capo serves as a godfather for children of members of the “family.” Most Mafia leaders own legitimate businesses. Ownership does not involve racketeering, because running a business honestly allows owners to receive respectability (or at least a bluff). Underneath the boss is the sottocapo, or underboss, and a consigliere, or counselor. The consigliere is an older member of the “fa...
No other New York gangster in the twentieth century matched the capabilities of the sinister, crafty, powerful, and secretive Charles “Lucky” Luciano. Who with the help of his closest friends and allies, even enemies, established the National Crime Syndicate in the early 1930s, which still remains today (Nash 251). Lucky Luciano, the “true” American gangster, rewrote the rules of the Italian Mafia, under control of old-line Sicilian rule, and created an organization open to all ethnic backgrounds (Dewey). He worked his way from being a struggling messenger for a small gang, to eventually becoming the “Capo di Tutti Capi”(the Boss of All Bosses), the highest ranking in the Mafia (Dewey). During his reign, Charles Luciano decided that in order to make the most money possible, he needed to combine all of the crime “families” in the United States. He established this organization, la Cosa Nostra, and appointed a board of directors, including the legendary Al “Scar-face” Capone, with himself as the Chief Executive Officer. Luciano’s presence demanded respect from everyone and aided in the creation of the American Mafia, a malignant but far-reaching underworld force that, to this day, continues to flourish (Nash 251).
Money, murder, power, and loyalty, the epitome and basic essentials of any Mafia movie. Initially, when watching two of the most popular titles in this genre, Goodfellas and The Godfather, they may have similar themes, but in all truth, they are on completely opposite ends of the spectrum. While Goodfellas welcomes you to the family with a friendly smile and a voice-over, The Godfather makes you stand astray and watch in silence as an outsider.
The use of jump cuts within Breathless and Contempt was an unconventional technique during the French New Wave and still is today because it violates one of the rules of Classic Hollywood Style. Jump cuts create “…discontinuities that the perceptual system will not ignore because the stimuli fall outside of the accommodation ranges for perceptual continuity, then spatial coherence breaks down” (Berliner). Even though jump cuts are not aesthetically pleasing, Godard uses them for the deeper meaning of the films.
The film begins with a wedding, and this setting sets the stage for the basic theme of the movie, which is family. ?The Godfather?, isn?t necessarily about organized crime. Crime is merely the family business, and crime is the way in which the author of the novel in which this film is based on used to set up the interactions and conflicts between the members of the Corleone family. In fact, this film could probably work even without the Mafia themes. At heart it is just a movie about the structure of a family from generation to generation.
"Books and movies are like apple and oranges. They both are fruit, but taste completely different.” said Stephen King (goodreads.com). It is indeed true, books and movies have several common things and yet have differences. They both give us the same story, but are viewed completely different. Reading books and watching movies are similar as they both tell a story and give details and information about the story. Reading books or watching movies gives the reader and the viewer the same feeling and emotions about the story. People can feel gloomy or pleased with the story after reading a book or watching a movie. Both books and movies have the same general concepts, which are the themes and main characters of