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Cinema as an art form in the 20th century
Discuss film as an art form
Cinema as an art form in the 20th century
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Following careful thought on which director to study, I chose Francis Ford Coppola. Although he has directed more films than I have had the opportunity to experience, I have viewed enough to understand his progression and style of his work. Over almost forty years of work, Coppola has directed about twenty-five films, produced near forty-five, composed two, and acted in eight. He is known predominantly for Apocalypse Now (1979) and The Godfather I (1972), II (1974), and III (1990). However, he has worked in other genres, such as Horror/Romance, Musical, and even Comedy.
In the few of his numerous films that I have seen, Coppola appears to use much of the same aesthetic techniques. Most of his works’ mise-en-scene, with some exceptions, seems to be very basic. When he is filming, Francis Ford Coppola does not put too many unnecessary items into the scene. When using a Wide-angle lens, the frames are very open and spacious. This allows the viewer to focus on what is happening, rather than distract their attention. This technique can also prove useful. For example, if he wanted to make a character seem alone, abandoned, and insignificant, this type of shot would work well. Opposite a number of his films, in Apocalypse Now, it was important to some of the frames full. However, they still were not completed with excess objects, instead they were lavishly filled with the natural, lush greens of the Philippines. Francis Ford Coppola also uses dissolves in his works. In The Cotton Club (1984), this technique was used a couple of times, when both dancing and singing was being performed. His editing style proved continuous. It was neither choppy, nor disruptive to the viewer, which allowed for a more pleasant experience.
Francis Ford Coppola uses sound in a rather conventional way, but at times adds a touch of his own creative style. The character that the audience is meant to empathize with may have their own particular motif, displayed through music. In The Conversation (1973), whenever Harry Caul, played by Gene Hackman, was intensely thinking about something, the same piano music would play.
His direction of the actors was executed extremely well. He knew exactly what he wanted from them, and did not give up until it was as he had expected. Some of his setbacks in Apocalypse Now support this opinion. He wanted every part to be performed perfectly.
In this essay I am going to explore the unique collaboration between director and composer and how much a long-term collaborative process between the two can influence the establishment of the former as an author. An author, in this case, stands for an authority actively shaping the film’s story and message but at the same can be understood as an author of music, I will try to consider both factors. In this process I want to begin with filmmaker’s general relationship to music, then while answering the main question I will give examples of the European collaboration of Theo Angelopoulos and Eleni Karaindrou, focusing on their approach of using music in new ways, as well as examples from the more known collaborations between Alfred Hitchcock and Bernard Herrmann and David Cronenberg’s collaboration with Howard Shore. Furthermore, I am going to include conclusions from my personal experience I have had with my friend and director Nuno Miguel Wong. Concurrently this Essay is not an analysis of the music in the films of the above-mentioned collaborations, but rather focuses on their distinct working relationship and how it might have affected their musical approach and productivity.
People started to see the logic in his words and they started to break away from the Catholic church and in the process starting the protestant reformation. In his theses Luther believed that Faith not good deeds could save a person. People were convinced when they were told that if they pay so much money that their loved ones would be able to get out of purgatory and make it to heaven. Indulgences such as this was one of the major things that made Martin Luther so angry and adamant of writing his 95 theses because he wanted to see a change in the Catholic
Martin Luther was a former Priest/Monk and that saw some corruption in the Roman Catholic Church. Luther tried to bring his concerns to the Church in his writing of the “Ninety-five Theses on the Power of Indulgences.” When these question that Luther proposed to the Archbishop of Mainz went unsatisfactorily unanswered in 1517, Luther started defaming the Roman Church and pushed for the utter destruction of the Roman Church. What started out as an internal reform of Church’s discipline, turned into a war against the Roman Church for their total destruction. This was the intent of Luther’s sermon of 1521.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
...ning of one small but powerful man, Martin Luther. Luther was a holy person himself and he began noticing the corruption in the Church. He tolerated everything till the last straw in which he saw a priest, Johann Tetzel selling indulgences. Tetzel said that for a certain amount of money, he said that he would assure their entry to heavens and as well as their dead relatives as well. This final outrage lead Luther into writing his 95 theses about indulgences. This would lead to the questioning of the Church and soon it would lead to the exposure of the Church throughout Europe by one powerful weapon that Luther had. And that was the printing press. Within a few nights, all of europe came to know the truth about the Church and many people were happy that finally, someone had told everyone about how the Church really was. Many changes occurred during this period.
This essay shows the subtle differences that can occur between directors, even when they are basing the movie off of almost the exact same script. Almost no two movies are exactly alike, no matter how hard the directors and actors might try. Minor personality differences and scene changes greatly affect the atmosphere and meaning of the same movie. One example of this is the movie Romeo and Juliet. This movie tells the gripping story of two young lovers who are forbade to see each other because of a viscous feud between the two families. I'll be looking at the older 50's version of Romeo and Juliet and comparing it to the newer version of Romeo and Juliet.
In the early 16th century, the church was the most powerful institution in Europe, even stronger than government; however, in 1517, Martin Luther, a professor in Northern Germany, posted criticisms of the church on a chapel door which would cause profound reformation of the religious system in Europe. When the dissent spread out to the world, the Catholic religion was shattered and many people of high social rank, such as king and princes, either defended or opposed Luther’s argument. Also, most people left the Catholic Church and became Protestants. What made everything turn to chaos after Luther published his thesis and what happened after this?
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
An obvious difference in these films is that the 1931 version played to a Depression audience and that the Coppola version played to a modern audience. (I am being extremely careful because, obviously, the 1931 audience was modern in 1931; however, we like to think of ourselves as being more modern than past generations. There are differences in the audiences which viewed the respective versions in their time, and I hope to prove this point as the paper unfolds.)
From the Middle ages, the church faced many problems such as the Babylonian Captivity and the Great Schism that hurt the prestige of the church. Most of the clergy lived in great luxury while most people were poor and they set an immoral example. The clergy had low education and many of them didn’t attend their offices. Martin Luther had witnessed this himself, “In 1510 he visited Rome and was shocked to find corruption on high ecclesiastical places”
Todd, Kennedy. "Off with Hollywood's Head: Sofia Coppola as Feminine Auteur." Academic Journal 35.1 (2010): 1-37. EBSCO eBook Collection. Web. 26 Feb. 2014. .
On this essay I will be focusing on Lars Von Trier background and biography. I will then list some of his major contributions to the art work, and his most famous works of art. I will include some interesting facts that have influenced him throughout his life and which I thought were important for his development as a filmmaker. Finally I will conclude the essay with my personal opinion of his character and overall art work.
Martin Luther a German theologian and religious reformer was the founding figure of the protestant reformation, the break from the Catholic Church, which in many ways marks the beginning of modern Europe. A well-expressed preacher and huge writer, Luther attacked many abuses of the Catholic Church, especially the papacy. The source of his spiritual revelation was not political or institutional but came from his inner fight of conscience. Like other people of his day, Luther was horrified that god would in the end reject him for his sins. He found a word in the bible called “Law” which increased his terror, but he also discovered a word god called “Gospel,” the good news and promise of mercy in Christ, which shed all of his worries. By his words and actions, Luther caused an action that reformulated certain rudimentary Christian belief and the division of Western Church between Roman Catholics and the Protestant traditions. He is one of the most influential person in the history of Christianity.
Francis Ford Coppola’s The Conversation was made in between the first two Godfather movies. The Conversation’s story is directly influenced by a combination of Michelangelo Antonioni’s Blow-Up (1966), Alfred Hitchcock’s Rear Window (1954), and Hermann Hesse’s book Steppenwolf (1927). The film is a character study of Harry Caul (Gene Hackman); Caul is a socially inept man who is a gifted sound surveillance expert working independently for private clients. He approaches his work in a military type fashion, hunting for the best quality recording he can get, while at all times maintaining a mantra to never get personal involved in his assignments. (Cowie, 1989) (Hilditch, 2002) (Ondaatje, 2004)
Many students say online courses are convenient. Online courses allow students to plan according to their schedule, and the time and location that best works for them. Although online education may seem more “easier,” students should look at the cons of online education. In the feature article "Face-Face or Online Instruction? Face-Face is Better," the author, Arleen R. Bejerano, claims online courses take the students away from the college community and confines them to their home. The students no longer have interaction with the college community, which may cause them to miss out on some important opportunities. This may affect their possibility of succeeding to achieve a degree. The author suggests some students may become discouraged from learning independently, from facing challenges in academics, and fall behind or