The Fall of the House of Usher by Edgar Allan Poe

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While most of the primary characters in the American Gothic cannon are members of the aristocracy, their societally dominant position does not guarantee them satisfying lives. The focus of this analysis will be the portrayal of the individual as it relates to his or her economic status: does having wealth mean that upper class characters are more likely to lead fulfilling lives than middle/lower class characters? Through a close reading of Edgar Allen Poe’s “The Fall of the House of Usher,” Nathaniel Hawthorne’s The House of the Seven Gables, Kate Chopin’s “Désirée’s Baby,” and Edith Wharton’s Ethan Frome, readers can clearly see a pattern of social commentary in which the members of the aristocracy are—in general—the most restricted, dissatisfied, and resentful characters in the cannon. Presented in chronological order, each work builds upon the themes of the one before it and offers new perspectives on class and the individual.
In Edgar Allen Poe’s “The Fall of the House of Usher,” the mythic connection between the narrator’s friend Usher and his family home relays an important commentary on the nature of aristocratic American life. The “mental disorder” (110) that Usher suffers from is indicative of the relationship between the individual and his class status. Usher has an abundance of money and comes from an “ancient family” (111) of a reputable status; however, when the narrator reveals that there is no “enduring branch” (111) to continue the Usher line, it becomes clear that the aristocratic man is utterly defined by the material. This notion can then be expanded to the larger American society at the time of Poe’s writing: through his depiction of Usher’s helplessness and inability to control his environment, Poe is making...

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...hat his love for Mattie is enough to convince him to leave Zeena, there is only one thing that stops him. Ethan’s fear of starting a new life without any “money” (78) causes him to pause and reevaluate the costs and the benefits of running away with Mattie. The allure of aristocracy and wealth is too much for Ethan, as he resides in a nation that values class status and normative living above all else. When Mattie and Ethan realize that they cannot be together, Mattie is the one who devises the plan for the couple’s suicide. However, it is unclear whether she does so for her own sake, or for her lover’s: throughout the text, it is Ethan who continuously appears dissatisfied with his life. Perhaps Mattie recognizes that the only way for Ethan to escape his life’s fixed unhappiness is through his own death—and she is willing to make the sacrifice with him.

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