Bebop is a genre distinguished by it fast tempos, dissonant harmonies, and complex rhythms. The mid-1940’s was bereft with bop artists such as “Dizzy” Gillespie and Charlie Parker who were at the forefront of the movement. The transition between the swing riffs of Count Basie in the 1920’s to 1930’s to the improvisations of Thelonious Monk during post World War II is full of history. This research will explore the beginnings and evolution of Bebop as a jazz subgenre and its influence on the rise of jazz music as a concert form.
During the “Swing” era of jazz in the 1920’s to the 1930’s was dominated by the big band movement. Artists such a Duke Ellington and Count Basie were popular for their great arrangements and riffs. Although these artists were successful, their white counterparts such as Benny Goodman were increasingly more popular. Out of a desire to remove themselves from the repetitive riffs and lack of solo opportunities for the young African-American musicians in swing bands under white bandleaders, many musicians began experimenting with different types of music. A story often told in the in the jazz lore is “How Bebop was born a Minton’s Playhouse.” (Rosenthal, 10)
Bebop was first born without a name and was referred to as “Modern” jazz by its initial musicians. Kenny Clarke when asked about the name bebop said that the label “Bebop” was given by certain journalists, but all they called it was modern music. (Owens, 1) “Dizzy” Gillespie once said that many of their original tunes didn’t have names so when a patron asked for a song they would just say bebop. (Owens, 1) At Minton’s Playhouse on 118th Street in New York City, some of the greatest boppers such as Charlie Parker, “Dizzy” Gillespie, and Thelonious Monk (...
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...enile delinquency. (Porter, 21) After which many artists moved themselves away from the label of “Bebop” in order to still play the music but as to have it untainted by the stigma attached to the name. Duke Ellington once warned Gillespie about categorizing music, “Dizzy, the biggest mistake you made was to let them name your music be-bop, because from the time they name something, it is dated.” (Porter, 23)
Bebop continued to live on under the names of different genres jazz such as the Hard Bop of Charles Mingus and the Post-Bop of Wynton Marsalis. The creation of Bebop and how it evolved changed the evolving world of jazz and pushed forward away from the big band world created for the dancing audience to a place where jazz was considered a form of cultural expression for a generation of young musicians living in a world where they decided to play their own music.
Due to the fast chord progressions and sporadic nature of the songs in general, the sound range would be all over the place. Bebop is also very upbeat, which fits the mood of higher notes as it brings more energy to the song. The use of hitting a higher range of notes is used to express the adventurous nature of bebop. According to Eddie S. Meadows, author of Bebop to Cool, “bebop was without a doubt disjunct compared to cool jazz.” This meant there were a lot more jumps in range in consecutive notes, which is very different from cool jazz. Combined with less straight tone quality and more vibrato, bebop’s sound characteristics are very different from cool
The difference with Bebop and the Swing Era are with the melodies and how the bands are setup. Starting with bebop it his more of a complex tempo with a four to five piece band then what a swing era band would normally have about five Saxes players, three trombones players, four trumpets players and with a rhythm section playing a big dance hall unlike bebop the sound would be only heard in small jazz clubs. The music can be heard and seen played faster with the drummer keep the time for the whole band. You’re able to hear this in the tune “Tempus Fugue-It”, the piano can be heard playing solo sporadically as if it sounds out of control but the player is with in control as the drummer keeps the tempo going with a sound of a moving
In many different scenes, dances were created to capture how each character felt in the scene that they were in. For example, when the crow was being bullied while he was tied up on the cross, Fatima created a dance to show him finding his inner courage and no longer having fear of the birds. I loved when Dorothy and Scarecrow sang walking down the yellow brick road because the dance gave the sensibility of people uniquely living the spirit of expression. The dance looked fun and vibrant like many of the jazz dances we see today. One of the styles of jazz that were engaged in the film was bebop. Bebop is characterized during the 1940s as having a fast tempo and improvisation based on the structures of a situation that inspired the movement. I noticed that bebop was displayed well when Ne-Yo danced because of its complex technique, fast tempo, and improvisation while singing at the same time. This style of jazz was suitable for the presentation of the film because it kept me as an audience engaged in every dance that was choreographed. With the tempo being very fast, it allowed for the movement to be big and easily
Developed in the early 1940's, Bop had established itself as vogue by 1945. It's main innovators were alto saxophonist Charlie Parker and trumpeter Dizzy Gillespie. In this stage in jazz, improvisation differed immensely. Bebop soloists engaged in harmonic improvisation, often avoiding the melody altogether after the first chorus. Usually under seven pieces, the soloist was free to explore improvised possibilities as long as they fit into the chord structure. Popular and influential jazz artists include: Louis Armstrong, Miles Davis, & Cannonball Adderley. Armstrong is most known for his involvement in hot jazz as a trumpeter, but is especially renowned for his improvisation capabilities. Louis Armstrong, born August 4, 1901 right in the beginning stages of the jazz movement, was originally from New Orleans. Armstrong was a bandleader, soloist, comedian/actor, and vocalist. Another famous, Miles Davis, is what some consider to be the best trumpeter of the era. Davis was born on May 26, 1926 in Alton, Illinois. One unique thing about Davis was that he was taught to play without vibrato, which was incredibly contrary to the popular way of
Swing, the predecessor of bop, was big, sweet, and hot. The performers were big bands, fronted by a charismatic bandleader, yet the success of a piece depended mostly on the unity of the ensemble as a whole, rather than on the showcasing of prodigious individuals. The requisite instrument was the saxophone, which was often smooth and mellifluous. Songs were old favorites, or simple jazz standards, that had been arranged to suit a large ensemble. Swing bands played in large venues, such as ballrooms, and to large audiences, who seized the opportunity to not just tap their toes, but to "jump, jive, and wail." The swing era became the most popular form of jazz, as it catered to audiences as a form of social and interactive entertainment.
Jazz music of the 1940’s and 1950’s was defined by a history of change since its beginning at the dawn of the 20th century. Almost every decade brought a new flavor to the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for continued change. It is important to trace the early movements in jazz to better understand the innovations of the Bebop and Cool jazz eras of the 40’s and 50’s.
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
"Dizzy" Gillespie was a trumpet player, composer, bandleader and politician of mostly the early 40's to mid 50's. This was a time period in Jazz called Bebop, Bop or sometimes known as Rebop. Bebop got its name from the musical language musicians would speak to one another while trying to explain a rhythm. "Bop, Bop, Doba sho ba, Bop, Bop." this was also a common style of singing which was first introduced by Louis Armstrong, called scatting (Kerfeld, 137). This fast tempo music was pioneered by saxophonist Charlie Parker, drummer Max Roach, pianist Thelonious Monk and trumpeter "Dizzy" Gillespie. Gillespie was one of the chief innovators of this new style of music as well as an important figure to all musicians to follow him and international figure for the United States.(Kerfeld, 137)
Beginning with Goodman’s monumental performance at Palomar Ballroom in Los Angeles, the Swing Era gained immense popularity that helped the jazz genre rise to the forefront of popular music in America in the 1930s to 1950s. Furthermore, Goodman’s performance at Carnegie Hall brought the jazz genre to new peaks as it gained acclaim high-class music. The highly popular music form, along with its newfound recognition as a sophisticated music genre at Carnegie Hall, inspired the next generation of jazz musicians and brought many opportunities for jazz musicians to launch their music careers. In addition, Goodman crossed racial barriers in jazz by making his mixed jazz bands mainstream, which normalized mixed jazz groups and brought together previously segregated musicians. Goodman significantly impacted jazz by popularizing the Swing Era, which launched the careers of future generations of jazz musicians, and by unifying musicians of different ethnic backgrounds through jazz
By this time a major change in jazz was afoot, and a young trumpet player named Dizzy Gillespie formed his own small prototype group at the Onyx Club in New York. This group met regularly and played original music based on popular swing tunes, with improvised melodies, and modified chordal structure. This new music was called bebop,
Sources cited http://www.acns.nwu.edu/jazz/styles/bebop.html: Net Zero. 6-2-02 http://www.geocities.com/Athens/Forum/4722/jazz.html: Net Zero. 6-2-02 http://www.kennyg.com/biography.html: Net Zero 6-2-02. http://library.thinkquest.org/26656/english/music.html: Net Zero.
Jazz comprises of a wide range of music from the ragtime to the present music listened to by many people. The music evolution has taken roughly 100 years and jazz has been put in this particular evolution as one of the music styles today. In the definition of jazz, there is no actual definition of jazz because it a composition of very many music styles hence making it hard to get the required definition that would describe it fully. Attempts being made to define jazz have a basis of traditional music that have similar characteristics as jazz but not real jazz. Using the American or African music examples, the researchers argue that the definition is very broad and wide. Ernest Berendt one of the researchers says that jazz originated from America in the process of confronting Negros with Europeans in terms of music. This can then be termed as a tool of identity between the two groups of people due to the racist and discrimination aspects that faced America. This was now a tool that could identify the two groups to bring about national integration and understanding among the members of America. In America jazz has incorporated time as a special factor and is now referred to as swing. Swing means spontaneity and vitality of the production of music which has an improvisation role to play to the listeners. This particular jazz music contains a particular manner of phrasing which acts as a mirror to an individual and the personality of the musician performing that particular jazz music on stage. The early jazz musicians include Double Bassist Reggie Workman, saxophone player Pharaoh Sanders, and drummer Idris Muhammad who were performing in 1978 hence dating back to early jazz performance and presentation.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Now a days, many believe that jazz is not that important of music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world.”, quoted by Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles.
Andrews, John. (1998). What bebop meant to jazz history. A review of Scott Deveux’ book “The Birth of the Bebop: A Social and musical history.”