Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Ray bradbury style of writing
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In something wicked this way comes by Ray Bradbury, Bradbury uses tone to convey a sense of peril and optimism when The Dust Witch encounters her foes. The textual evidence” I don’t want her back to this house”(Bradbury151), “Choking a scream he spun”( 148), and “he nudged his weapons” show the perilous tone. By describing Wills fears as he is about to embark on his dangerous mission to stop the dust witch, he thinks about the fatal events that could happen. This demonstrates the lethality of The Dust Witch as will questions whether he will leave this encounter with the Dust Witch alive. Bradbury does this to demonstrate the seriousness of this encounter as after they occur and Will destroys the Witch’s balloon I changes the course of events
Popular perception of both the Sioux and Zulu peoples often imagines them as timeless and unchanging (at least before their ultimate demise at the hands of whites). To what extent does Gump's book challenge the similarities and differences between the Sioux and Zulu people?
In order to defeat the carnival, they team up and use the magic weapon of laughter against the Dust Witch through “She’s shot!” and “It’s alright! Shows over! Just fainted!” said Mr. Dark “All an act.”(Bradbury256) to describe the witch’s death. They kill the dust witch when Mr. Dark performs the Bullet Trick using her as an actor but Charles Halloway actually kills her when he places a bullet with his smile on it in her mouth causing her to die from shock. They kill her because
Four disturbed characters from four different time periods who all desire the same thing: the destruction of others. Ultimately, this has led to the ruin of them. Shakespeare’s Lady Macbeths thirst for power, Browning’s persona motivated by revenge that has been consumed by the green-eyed monster, the necrophilia fantasies of Duffy’s Havisham with her also being obsessed over jealousy and Brontë’s character who is challenged by the thought of choice. All of these women share and unhinged mind. Society has made them believe as though they have no power. The fact that the persona within ‘Spellbound’ is assumed to be female goes to show the influence society has over us even today. This is why these poems are important, as they still represent the society which we are surrounded by. The characters were definitely not born in this way but were moulded over time. It is very difficult to put yourself in the shoes of these women as they are different in many ways; however, they are all united in their uneasy mind-set.
A clear example of the use of diction to provoke fear is seen in Chapter IV. Mary Shelley uses words such as “wretch”, “yellow skin”, “horrid”, “white sockets” and “shriveled” to describe the monster, thus making our stomachs churn. Later on, she uses words such as “livid”, “grave-worms”, “crawling”, “dim” and “convulsed” to describe a terrifying nightmare Victor Frankenstein, the main character, had had the night his monster came to life.
The tone in this story is diction, syntax, and imagery. For instance, when Mrs. Mallard finds out that her husband is actually alive bring her to a shock because she realizes that she is still in her husband’s control. Mrs. Mallard could only find meaning in her life when her husband was dead she was seen as this obedient frail wife. After her husband had passed away she made her own decision and live independently than depending on her kind husband. Mrs. Mallards possession of self assertion gives her voice that was not present at the beginning of the story. Finding out about her husband being alive will end her tone.
Shakespeare uses a large motif of light vs. darkness throughout the play to present moral choices and religious ideas. When the play opens, there is thunder rolling around and the witches on stage. The thunder is symbolic of darkness and gives the audience the first impression that the play will not be ordinary. The witches who only appear in darkness, elements of the supernatural, are one of Shakespeare's classic ways of catching the audience's attention and of also setting the mood for the play.
As the curtains are drawn back, the lights dim until the stage is almost completely black. The only light appears on the three strange figures, the witches, gathered in the center of an open field. Lightning strikes; followed closely by a loud clap of thunder. The strange figures begin to speak. Their ragged voices can be heard over the thunderous storm. The words of “fair is foul, and foul is fair: hover through the fog and filthy air” (Act I: Scene I) are carried through the violent wind as they vanish into the night. This meeting set the opening scene to Macbeth, which ultimately casts the forthcoming story into an ominous and eerie light. It foreshadows Macbeth’s rapid decline from being an exceptionally noble man to an awfully violent individual.
They question the perception of evil battling goodness. The witches command the audience to examine the fair qualities found in the characters, and to also warn them of the foulness that can lie beneath the exterior surface.The change from fair to foul is imminent, they warn. The juxtaposition of these two concepts foreshadow the deception that will take place in the play. Hover through the fog, sing the three sisters. Hovering, the three sisters are able to watch the play unfold. They resemble an omniscient spectator, perhaps a controller. The three sisters have many parallels to the three fates in Greek mythology, being triplets the most prominent correlation. The notion that the three witches control the fate of Macbeth can be deduced. Mentioning the filthy air, the witches expand on the idea of foul. The environment and setting of the story is or will become a wasteland. However, the reason is still
The scene that introduces the audience to Matthew Harrison Brady, in Inherit the Wind, (Dir. Stanley Kramer. With Spencer Tracy, Frederic March, and Gene Kelly. MGM. 1960) uses dialogue, composition, camera work and music to develop Matthew Brady. Kramer reveals important information about the plot of the film in this scene. The scene opens with a bird's eye view shot of the town of Hillsboro, and focuses in on the movement of the parade below. The camera comes to rest on the convertible that transports Brady and his wife. The town of Hillsboro welcomes the well-known politician. He will serve the town by being the prosecutor in a trial about evolution, similar to that of the historical Scopes Trial. This scene, where we first meet Brady, reveals his strong character, and the role of savior that the town expects him to play. Through the development of Brady, Kramer also introduces us to the issues of religion and politics. Stanley Kramer, the director, introduces the audience to two key ideas in the very first shot of the scene. He does this through the use of background tools, like music and scenery. As the camera fades in from the previous scene, music begins to play, and a group of women sing a religious hymn, "Give me that old time religion." The extremely loud music continues for the duration of the parade. At first the audience doesn't know the source of the music, but as the parade comes to an end, the camera focuses on a group of militant looking women, who march and sing. This song draws the audience into the impending controversy over religion. It expresses the entire town's point of view on the issue. The audience can see that religion affects the soc...
The first example of Shakespeare’s use of night and darkness in the appearances of the three witches. The witch sisters are the main sources of evil within the play MacBeth. When the witches are in an act, storms or the darkness of the woods always accompanies them. This shows great evilness. " Thunder and lightning. Enter three witches." This is the opening scene description just before the introduction to the witches. This shows their evil nature as the are followed by rough storms in dark conditions. Another quote is " Fair is fowl and fowl is fair: Hover through the fog and filthy air." This is another example of the disgusting and dirty, dark atmosphere around the witches. Then, towards the end of Hecate’s, queen of witches, speech, she says "Hark! I am called. My little spirit, see: Sits a foggy cloud and it stays for me." This shows a clear mental picture of the fogy, ugly conditions, which are prominent, when the witches are around. So this is a very good example of Shakespeare being able to link darkness and stormy conditions with evil.
The true tone of the narrator is irony, which is used constantly through the story.
In this passage, Ray Bradbury generates a mood of tension and extreme pressure that exists in stark contrast to the happy and carefree attitude that permeates the majority of the novel.
In conclusion, Bronte uses the supernatural and ghosts in Wuthering Heights to emphasise the power of love between Cathy and Heathcliff and proving that love exists beyond the grave and that the quality of love is unending. Furthermore, ghosts are used to assist in the storytelling, to help in enhancing the setting and develop characterisation, particularly in the character of Heathcliff, Nelly and Lockwood. The use of the supernatural enables the reader to be intrigued by the confusing use of extraordinary beings.
“The Witch” by Anton Chekhov, is about a couple who is visited by the postman and his companion during a harsh storm. The wife, Raissa, is unhappy with her husband and enamoured with the young postman. The husband, Savely, accuses his wife of being a witch because of all the young men who keep disappearing and accuses her of using her witchcraft on the postman. Raissa tries to remain calm with her husband, but she eventually refuses to hold in her feelings. In the beginning passage of the story, Chekhov uses sound imagery, dark imagery, and similes to convey Raissa’s misery of being in a loveless marriage.
As the play begins, we are introduced to the witches. They speak in rhyming couplets, just as all supernatural elements in Shakespeare’s work do. This could have been to let the audience, which would have been aware of this technique, that the witches are in fact, or simply appear magical. The stage directions indicate “thunder and lightning,” every time the witches appear, this same stage direction is given throughout the play to set the intended atmosphere, this is pathetic fallacy.