Tangled In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage. As in many fairy tales we have grown up with, the characters are always beautiful or handsome, with an evil mother that wants to destroy that. Baker-Sperry and Grauerholz state that, “The feminine beauty ideal-the socially constructed notion that physical attractiveness is one of women's most important assets, and something all women should strive to achieve and maintain…[is] viewed largely as an oppressive, patriarchal practice that objectifies, devalues, and subordinates women”(711). Women grow up with the impression that they must be perfect and beautiful in order to get a man. They will see the beautiful girl get a handsome guy and everything they want. The characters in Tangled prove the fact that every fairy tale follows the same guide lines; Rapunzel, Flynn, and even mother Gothel are beautiful. Their features are all the same with them being thin, having straight teeth, and being good looking. If a person was described as being perfect looking, than a fairy tale character is what they would be compared to. A little girl will see Rapunzel and want to be like her because she’s pretty and a princess and they will l... ... middle of paper ... ...r to have one. Mother Gothel, even though she was beautiful on the outside, she was dark and evil on the inside, that is why she died at the end. No fairy tale will ever have the evil queen or mother survive, because that is not what little girls and boys want to read. They want to see the beautiful princess get her prince and the handsome prince slay the evil creature. All stories have happy endings and that is how it should be, with the main characters living happily ever after, forever and always. Works Cited Baker-Sperry, Lori, and Liz Grauerholz. “The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children's Fairy Tales.” Gender and Society 17.5 (2003): 711-726. JSTOR. Web. 19 November.2013. Tangled. Nathan Greno, Byron Howard. Zachary Levi, Mandy Moore, and Donna Murphy. Walt Disney Pictures. 24 November. 2010. Blu-ray.
Imagining the similarities between one of the most famous Shakespearean plays and a new animated Disney movie is difficult, until you look deeply into the characters. From the Shakespearean play Macbeth, Lady Macbeth is extremely similar to Mother Gothel from the Disney movie Tangled. Lady Macbeth is Macbeth’s wife that has strong desires and personality. The movie Tangled created a similar character with Mother Gothel, she is Rapunzel's mother and believes in going after what you want. The two characters are not the exact same, they differ in their desires and in their ending demise. They are much more similar in their motives and their actions which reveal their shared character traits.
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
...gently every day and now has found the love of her life. Also, this version of Cinderella is more magical than the original which is more along the lines of today’s fairy tales. The movie Cinderella emphasizes that working hard and being well-behaved will result in an abundance of rewards.
Walt Disney needed to change his version and many of his other fairy tales and in doing so started a change in the way we see fairy tales. Ask someone today to define a fairy tale and they will tell you along the lines of a beautiful woman put threw hardships that in the end of the story gets the man and becomes a queen of her own castle.
In the 21st centuries take on the fairytale Rapunzel, the movie “Tangled” depicts the troubled life of an adolescent that is raised by a woman whom is not her mother. Rapunzel is abducted from her crib as an infant by an evil witch, Gothel, for the sole purpose of using her magical hair to enhance her beauty to make her young again. As an eager Rapunzel ages, she soon wants to be set free into a world that she has yet to see.
The Grimm’s stories have strict criteria for good and evil. Good women are not the hero, they do not plan, nor do they get themselves out of bad situations; they are obtuse and wait until a Prince saves them. These qualities doom the female protagonists (and readers) to pursue the only destiny women have, and that is to be a wife and mother (Rowe, 1978). Cinderella is the heroine and the ideal good girl. She is unambiguously beautiful, kind, and compassionate. She does not complain or get angry. This is foreseen early in the Grimm’s Cinderella story:
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
Women in these fairy tales are young and beautiful. In all reality not every girl in this world is truly considered beautiful by our society’s terms. In today’s society the term beautiful is often used to describe a women who is a size 0, tall, flawless skin, and dressed nicely. Haven’t you ever seen princesses that are in all these fairy tales, our society’s description of beautiful describes every single one of these princesses?
...need to be saved because they can save themselves. The film also shows that true love comes in many different forms and is not only referred to in romantic situations. Walt Disney must be rolling in his grave. It is surprising how shocking this new storyline is to people who are familiar with Disney and its characters. The stories are originated from Germany and the Brothers Grimm and they have also tried making stronger female characters. Children are impressionable and it is important to make sure that what they are viewing has a positive impact on them in the future. Germany and the U.S. are not the only countries guilty of stereotyping women in fairy tales but they have such vast brand names that it is hard to ignore. Disney and The Brothers Grimm fairy tales are different in content, but share the same uncharitable views of women and societies image of a hero.
Fairytales, the short stories that most children heard as they went to bed, are actually folktales from previous decades. The fairytales today are primarily adaptations of older versions recreated by Disney— the pioneers of this generation. With that said, the modern versions consistently display good triumphing over evil, a prince charming that constantly came to the rescue, and a happily ever after ending. However, the original folktale version didn’t always come with fortunate events, but often were more violent and gruesome. With the fairytale Cinderella, Disney maintains a similar theme as its Grimm version; however, the conflicts, events, and characters that support this idea are rather different.
Since 1937, when Snow White was created, Disney princesses have been falsely portraying women. While their personalities have changed to keep up with society’s standards, their unrealistic body
Though Rapunzel’s lengthy confinement in one room, her home, is convincing evidence of the female’s domestic belonging, it does not adequately demonstrate the connectedness of the woman to the domestic. The ambitious young Prince faces an insurmountable task when he plans to elope with Rapunzel; he must, temporarily, displace the woman from her domestic home. After the Prince decisively wins Rapunzel’s affection, Rapunzel delineates her escape plan: “ 'I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse’” (The Brothers Grimm). First, Rapunzel states she will “go away with [the Prince]” and he will “take [her] on [his] horse,” two statements which reveal both Rapunzel’s dependence upon the Prince and her lack of independence. Though Rapunzel agrees to leave her domestic realm, she does so only to elope in the safe, steady hands of the Prince, venturing from one sphere of domesticity, with her mother, to another sphere of domesticity with a man. Rapunzel also promises to “weave a ladder with [silk].” Weaving, a deep-rooted, traditional female activity arises in Rapunzel because it is both feminine and perfectly accessible within a domestic setting. The woman’s skills, in any patriarchal work, are not
Cinderella 's stepsisters spend many hours dressing for the ball because they know the only quality that matters is their looks. Even Cinderella is fascinated by the nice clothing her fairy godmother gives her. Prince Charming falls in love with her at first sight not because of personality but because of the beauty of her attire. The message is that a woman 's worth is in the way she dresses and the way she looks. That message teaches little girls who listen to Cinderella 's story over and over to grow up becoming women who obsess over their appearance rather than the quality of their
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for
I would like to begin with the fact that women have always been known to dedicate their time to beauty. Those who are devoted to their appearance most often believe that beauty brings power, popularity, and success. Women believe this, because they grow up reading magazines that picture beautiful women in successful environments; not to mention they are popular models and world famous individuals. Beautiful women are no longer just a priority for most advertising, but we have become a walking target for the working class employers. It is documented that better-looking attorneys earn more than others after five years of practice, which was an effect that grew with experience (Biddle, 172). We cannot overlook the fact that it is always the most popular and most beautiful girl who becomes homecoming-queen or prom-queen. While these are possible positive effects of the "beauty myth," the negative results of female devotion to beauty undercut this value. These effects are that it costs a lot of money, it costs a lot of time, and in the long run, it costs a lot of pain.