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Analysing the madman in a madman's diary
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In the story, Diary of a Madman, by Lu Xun, we come across a man visiting his brother, only to realize something is not right, but as the story goes on, the protagonist seems to be unfolding a horrific secret about the village, though is the village the horrific one, or has the protagonist gone mad? Lu Xun's way of telling the story by using the character’s perspective, the pace of the story and the wording can affect the meaning or interpretation for the reader. As the story name implies, the events that unfold in the village are in the perspective of the protagonist, and the villagers view him as the madman; leading to his inevitable imprisonment. In the story, the reader constantly questions whether the villagers are savages, or the protagonist is over thinking and correlating things, creating a conspiracy theory. His conspiracy started to build up in Part III, when he overheard a mother scolding her child and saying she would consume him, because she was so angry. The protagonist correlates that with an incident, where a farmer was beaten to death, and his organs were harvested, to that the village people were eating people and he would be next. The protagonist thinks to himself, saying, "That woman scolding her son - 'I could eat you!' - those bleached faces and bared fangs, their roars of laughter; the farmer's story; the signs are all there. I no see that their speech is poisoned, their laughter knife-edged, their teeth fearfully white - teeth that eat people" (Lu Xun, Part III, p.23). A reader may feel that the protagonist is actually crazy, for who would actually conjure up such a crazy idea and how would that possibly be true. To look away from what the protagonist thinks, but to actually look at the evidence he pre... ... middle of paper ... ...rs, but then, the interesting bit, is that this happened when he reported there was a “famine”, implying that a lack of food is about to come, so the villagers decide to eat him right then and there. Lu Xun’s storytelling is exceptional and the vocabulary is very subtle, yet distinctive enough, for a person to read through the story and get some hints, Lu Xun may or may not have wanted the reader to pick up on and decide for themselves the meaning of the story. The speed of the story, adds onto the rush of a person, the correlation of how a paranoid person can rapidly correlate words and actions into a fabrication or a conspiracy proven reality. The perspective of the character adds a layer on top of the words and storytelling, thus leaving the ultimate decision on whether the village was actually eating their own people, or if the madman is actually psychotic.
I had been in the village for all but a week when I realized there was something... wrong. There seemed to be an underlying atmosphere of fear and animosity. Of course, with my wide-eyed, innocent thinking at the time, I assumed the presence of Satan had damaged the townspeople 's trust of one another. Again, I blissfully accepted this, and I was wrong.
	The Count of Monte Cristo, written by Alexandre Dumas, tells the story of a man, Edmond Dantes, a sailor who goes through being betrayed by his enemies and thrown in to a dark prison cell to planning revenge on his enemies. His behavior and personality changes after spending 14 years in jail for a crime that he didn’t commit. Edmond Dantes was thrown in jail ,after being framed by his enemies, accused of committing treason and being a bonapartist. The story takes place during the Napoleonic Era while the usurper, Napoleon has escaped to his place of exile, the Isle of Elba, located in the Mediterranean Sea.
Colombia emerged from the collapse of the Gran Colombia in 1830. Since then the country has struggled with internal threats, illicit drug production, and estranged relations with neighboring nations. In a country slightly less than twice the size of Texas and claiming over 46,000,000 citizens, Colombia faces many challenges in its efforts to resolve internal conflict, reduce narcotics operations, improve the environment, and repair relationships in the region.
In Lovecraft’s story The Very Old Folk the villagers had been going about their regular lives until they began to feel a vague and ill-defined uneasiness. Due to this sense of uneasiness the villagers requested that a conference be held about the horror brooding on the hills during the Terrible
For example, the Boston marathon bombing and the Columbine shooting are events that led to the senseless killings of many. Due to the social pressure the assassins felt, innocent people were killed at random. Much like “The Lottery,” life is a gamble and each day proposes a new threat. There are humans in the world who are ruthless just like the villagers in the story. The villagers grew up familiar to this style of tradition, which controls the value placed on another’s life. The lifestyle we are accustomed to influences our beliefs just like the villager’s tradition influenced
The author tugs on the reader’s heart strings more than once through this story. At the very beginning of the piece the reader feels empathetic towards the wife when she explains how her husband was good to her and their children. She is trying to prove to the reader that her husband was a good being and that whatever happened to him was not deserved. The reader also feels empathetic when the children are described as becoming fearful of their father. The father tries to blame the fear in his children on sleep-walking, but the reader knows that the children are genuinely afraid. As the piece progresses, more than likely the reader is feeling concern for the husband just as the wife is. The truth behind the story is foreshadowed rather early in the piece, but it is hard to pick out until the piece has been read all the way through. The wife mentions that whatever is wrong with her husband must be running through his blood because he always acts strangely in “the dark of the moon”. This phrase may not make sense at first, however in the next sentence it states “he gets up because he can’t sleep and goes out into the glaring sun…” (Guin,1982, p. 28). This shows that the family sleeps during daylight hours which is not so for most human families. From this the reader can conclude that this story is not about a human family but rather a different kind of family. As previously discussed, the truth is revealed through Guin’s use of imagery on page 28. The family is actually a family of werewolves. This means that the transformation that is occurring in the husband is from werewolf to human. After the husband was killed the wife was left in shock. She says that “[she] went up close because [she] thought if the thing was dead the spell, the curse, must be done, and [her] husband could come back-alive, or even dead, if [she] could only see him, [her] true love in his true form.” (Guin,1982,
It gives insight into the fact that they do this ritual because their ancestors believed that by sacrificing someone every year their crops would be plentiful. Some of the towns are thinking about stopping it and that’s why the old man says that they are fools because he thinks their crops won’t grow and they will have no food for their livestock or money from selling them. Most people in the town now probably don’t even know the saying anymore or don’t even believe in it, but they counting to kill people for that initial reason.
the world's leading coca producer. Twenty years ago almost no coca was grown in Colombia. Only
The story is set in the 1920ies in what has been termed The Jazz Age in which individualism was on the rise. The time period was also characterised by a post-war emptiness and cynicism. As such, the story deals with loss of meaningful life, with the sterility and vacuity of the modern world and with the crucial necessity of taking responsibility for the quality of one's own life (Yanling, p 108). The nature of the story’s dialogue tangibly represents the above mentioned time period emptiness and
The next theme used by the author to inspire a feeling of despair in this story is the randomness of persecution. By making the villagers draw these slips of paper once a year would provoke a feeling of hopelessness. Because they know that no matter what they do one day they may be subjected to this brutal death. And it woul...
...us on deadly revenge. In each case, a retribution that is carried out in a cruel and callous fashion. The men fulfilling these actions are cold, calculating, and contemplative. They have painstakingly endeavored to seek retribution against what has plagued them: Fortunato and his insults to the Montresor and the old man’s piercing, chilling eye for the man from “The Tell-Tale Heart”. Driven to the point of madness by their own obsessions, they plot to murder their offenders. The tales are told each by the man who has indeed committed the crime. Each man’s insanity becomes more and more clear as they narrate confession; the Montresor with the unfailing ease with which he dictates his account and the man from “The Tell-Tale Heart” with his jagged and rough delivery. Their distinct mental instability calls into question to reliability of the report they give.
The emotional thriller, The Village, is about an isolated town that bases their lives around the 19th century, Amish country. The village has highly secured borders and outside the borders “those we don’t speak of” live and it’s an unspoken truce that the other won’t cross the borders. But the town soon turns upside down when Lucious Hunt breaches the borders to find medicine after the death of Edwards’s son. The writers and producers of this movie express symbolism of the fear of the unknown, the loss of innocence, and through the use of colors.
Furthermore, understanding the fact of how the villagers in that village practiced and participated in such a barbaric ritual and archaic event were not accepted by people. In addition, people who read the story commented that the modest people of the Midwest are superstitious and backward. Here, Jackson conveyed successfully with her subtle writing style that something is about to happen. She also used a third person point of view when writing this short story. The third person point of view permitted the author to keep the outcome of the story an exposure. This therefore led to the reader to consider everything is well but actually there is something wrong somewhere. Furthermore, what could be seen from the story is people were different compared to present, there is a huge difference in cultural practices. Therefore the actions of the story go in the opposite direction of people’s opinion in the present in terms of value of life, violence and the development of respect in a family.
The fixation on the old man's vulture-like eye forces the narrator to concoct a plan to eliminate the old man. The narrator confesses the sole reason for killing the old man is his eye: "Whenever it fell upon me, my blood ran cold; and so by degrees - very gradually - I made up my mind to rid myself of the eye for ever" (34). The narrator begins his tale of betrayal by trying to convince the reader he is not insane, but the reader quickly surmises the narrator indeed is out of control. The fact that the old man's eye is the only motivation to murder proves the narrator is so mentally unstable that he must search for justification to kill. In his mind, he rationalizes murder with his own unreasonable fear of the eye.
In Conclusion, Lulu’s revenge, John Paul’s guilt, and Denny’s lust represents monstrous behavior. This story shows us that all humans are capable of monstrous behavior. Robert Cormier shares the perspective of a killer. Its take us on a journey through the characters’ eyes and shows us that even the innocent can be dangerous and how one event can negatively impact a person’s life.