His big eyes and scary looking teeth are definity frighting but is the big bad wolf really that bad? The big bad wolf is not the villian in the story. You never hear the big bad wolf’s version of story, you just hear about the accusations being made about him. With only that information it isn’t a fair statement to call him the villian. Wolves are an animal and it is completley normal for animals to hunt for their prey. Instead of focusing on all the negative stories about the Big Bad Wolf, there are plently of examples of where he wolf wasn’t the bad guy. It isn’t really fair to comletley judge the Big Bad Wolf by the little infomation the stories give.
The Big Bad Wolf is really just misunderstood. The only part of the stories that are ever told is the victims side of it. Does everyone forget about the story The Boy Who Cried Wolf? Eceryone just blames The Big Bad Wolf and tries to make him seem like the villian. In very few stories is The Big Bad Wolf’s side told and when it is he doesn’t seem like the villian anymore. For example, in The Three Little Pigs it seems like the wolf just went and blew down the pigs houses and ate them for no reason besides being the villian. However if you read The True Story of The
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In stories such as Little Red Riding Hood, it was really her fault for going off the path she was suppose to beon. If you were hungry and someone just walked into your house with a hamburger, would you just leave it there? Also, the wolf was away from his pack so he probably felt scared and vonerable, so he felt as if he needed to protect himself. According to livingwithwolves.org ‘’Wolves are opportunists. They test their prey, sensing any weakness or vulnerability through visual cues and even through hearing and scent.’’ It wasn’t The Big Bad Wolves fault he ate Little Red Riding Hood or the 3 little pigs, it’s just a part of his
“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown” ― H.P. Lovecraft. Fear drives mankind to hate what he cannot comprehend. With this irrational fear mankind is controlled and set on a path of destruction and chaos. In the autobiography Never Cry Wolf written by Farley Mowat, the main character (Farley Mowat), journeys to the Canadian tundra to study the much-feared wolf. There he discovers the fear brought upon by men, and how it can result horribly for the wolves. The human race was so frightened by the unknown species that they began to blame the wolves for cold slaughters, portrayed them as vicious killers, and because of the fear of the unknown tried to exterminate wolves all together.
Gray Wolf Optimization Gray wolf optimization is presented in the following subsections based on the work in [13]. 1) Inspiration: Grey wolves are considered as apex predators, meaning that they are at the top of the food chain. Grey wolves mostly prefer to live in a pack. The group size is 512 on average. They have a very strict social dominant hierarchy.
Authors who write creatively find themselves giving purpose for each word they place onto the page. Just as there is a purpose for each word, there is a purpose for each character, each plot twist, and each challenge faced. Lewis Nordan, author of the controversial novel, Wolf Whistle, creates a story about a story. His book is based on the well known murder of Emmett Till, along with the trial, but is not limited to the two events alone. Nordan bases the majority of the novel around the long list of major and minor characters. His purpose for centering the plot around more than just those involved in the murder and trial is to show how racism and violence create the atmosphere of the town. He also shows how those living in the Arrow Catcher
It is through these actions that the monster acts out his evil doings and murders those that Victor loves. The monster does this because he wants to seek revenge on Victor and wants to make him pay for neglecting him all throughout his life. The monster is seen as awful and evil in every aspect by every person, but if he was nurtured and cared for by Victor, and the human societies didn’t initially judge him based on his appearance, he could have kept the goodness that he originally had when he was
The Creature is not the real monster, he was a victim of society what they portrayed him as. Victor was the evil mastermind who made the same mistakes as his parents. Mary Shelley uses these two as a comparison where they both go to the mountains to find themselves and have a peace
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
He is unfamiliar and unwanted with no one to guide him through. The monster came into the world and right away rejected by his creator, this implanted that he is only a disappointment. The monster commits many crimes, for the rejection of people, because there was no reason for people to reject him other than his appearance. He was only accepted, by a man that couldn't even see; this shows how humans are shallow beings. The monster wants revenge, and mostly on Victor, for he isolated him, he will isolate Victor as well. And he is very successful as he murder Victors loved
The beast in the story symbolizes the gradation of the morality among the boys. The compete each other becoming in the last survivor and the commander of group. The beast is not a real object which they believe if exists. They don’t realize the internal beast inside of them. Only Simon understands what the real beast is, but is killed when he tries to tell them about that. The beast mind and soul of the boys lead them to the collapse of the society. They begin killing each other and the trustworthy has lost.
A villain is truly just a victim whose story has not been told. This is clearly shown in The Creature in Mary Shelley’s “Frankenstein.” When the story states, “My organs were indeed harsh, but supple; and although my voice was very unlike the soft music of their tones, yet I pronounced such words as I understood with tolerable ease. It was as the ass and the lap-dog; yet surely the gentle ass whose intentions were affectionate, although his manners were rude, deserved better treatment than blows and execration.” (Shelley, 134). The monster feels that people should judge him on his personality and emotions inside instead of his appearance on the outside. Frankenstein’s creature is truly just a victim of circumstance. No individual is born evil,
Thinking about the overarching theme of storytelling uncovers the ways that African Americans have historically used music to create space to exist in American society— a society that often relegates them to the margins. While research on storytelling’s transformative power looks largely at non-fiction stories or first-person accounts and how they can produce empathy regarding issues of injustice, this paper aims to expand these arguments to include fictional stories as well (Chin and Rudelius-Palmer 2010). Fictional stories build upon this empathy by providing space where black people can offer new approaches/solutions to thinking about these problems, as well as exist expansively and free of society’s constrictions. It permits African Americans
The Creature, Victor Frankenstein’s creation, is shaped into a monster through its experiences, instead of the nature of itself, which is more expected. Victor Frankenstein, on the other hand, is shaped into a monster because of his mind’s power-hungry nature. Victor treats his creature poorly and he himself becomes wicked. While the Creature also becomes wicked in the end, its actions are more justified because multiple people treated it poorly, causing the Creature to lash out. Even though Victor Frankenstein and the Creature both turn into wicked monsters, to some extent, only one of
Christa Wolf tells a tale about a woman, Cassandra, the story’s narrator, a princess of Troy in Anatolia, a seer, and a priestess of the god Apollo. In many ways, this is both a feminist and an anti-war novel. The struggle between patriarchy and matriarchy was present throughout the story and can still correlate in some ways today. The whole story is seen and experienced through a women’s eyes which gives a different perspective of war and why it is prominent. This idea parallels the position of many women in Wolf’s time, showing how they were dominated and suppressed. Apollo gave Cassandra the gift of being able to see the future but since she turned down his advances, she was cursed with the notion that nobody believes her prophesies. Cassandra
Thus, the evil that caused this horrible deed comes not from an fictional (imaginary) monster, but rather from the very real monster within people themselves. And, these stories show that the battle between good and evil is far from over.
It all comes down to the opinion that Victor Frankenstein was more of a monster than the actual monster. It is controversial how people think the appearance in the wrong way but the message is that Victor is the real monster.
Everyone in the book assumed the monster was evil and wanted him gone, but in reality it was Victor Frankenstein that was the real monster. He was the one to create the monster in the first place, then abandoned him, which caused the monster to become evil. He was never taught about love or how he was suppose to act. The monster says to his creator, “You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man” ( Chapter 10, page 90). If Victor had never left his creation and actually stayed and took care of the monster and taught him the way he was suppose to act, then everyone who was killed and all the harm that was done could have been avoided. In Frankenstein the real monsters are actually the humans. The only reason that the monster was perceived as evil and dangerous was because of the way he looked, which is a double