Tattoos In Consumer Culture: The Use Of Body Modification Methods

Actions such as tattooing, blemishes the body in a manner that repeals the moral beliefs of bodily appearances in Western circumstances. This kind of body engraving method supplies a way for the individual to completely change the appearance of their body on the outside. Within consumer culture, the use of body-modification methods varies from those in pre-modern or non-Western circumstances in the logic that these methods particularly aim their attention on the illustration of ones body. In previous years, methods of engraving were related to the stigmatization of certain social groupings and weren’t cooperative to extermination. As an example, tattoos were symbols on the skin that symbolized or indicated individuals who were socially classified

Tattoos can be seen as a symbol of separation and are aimed at individuals who are perceived to live ordinary lives. Tattoos can be quite unclear, for example, many individuals tattoo parts of their body that can be hidden and viewed only in intimate situations. A lot of women may tattoo as a type of thrill to be experienced in affectionate relationships and situations, whereas men usually tattoo parts of their body that can be shown off and frequently on display to the public. Tattooing can also be seen as a ‘rite of passage’, indicating a private change from one position to another. In this matter, it can supply a self-inflicted citation that emphasizes who we are. Therefore, while the individuals who tattoo might distribute that experience as a body, the person who tattoos is always going to recall the specific personal encounters the tattoos brings to them (Howson

As a result of Becker’s model (1982), he displays how this previously sociological action has been adopted, reshaped, and modified as an appropriate art practice by middle-class composers and buyers. This can be caused by various elements such as the superior uniqueness of the characteristic fragments supplied to middle-class consumers, the improved practical ability that can be seen as essential to create complex drawings, the prolonged artistic ideas of tattoos for people, the improved ‘professionalization’ within the area of tattooing by means of regulating groups such as the National Tattoo Association and hygiene regulations for tattoo studios, and the ‘collectibility’ of modern tattoo creativity from a surplus of varieties and creative ethnicities. Deriving from the practice of his supporter Sanders, Vail carries on the ritual of ethnographic study whereby he records the opinions of “heavily-modified” tattoo accumulators. These people are likely to be notable from the more unexpected clients of tattoos due to their engagement to the creativity method and regime, their coherent attitude towards the attainment of tattoos, and their arrangement for a complete tattoo covered body. The tattooed covered body has become their “master status” for these individuals whereby they devote a lot of