“Symbols and Signs” by Vladimir Nabokov and “Dance in America” by Lorrie Moore are short stories that revolve around the theme of illness. Often times, when the affected individual with illness is young, the main characters are the parents who struggle with love, hopelessness, sorrow, and fear. The primary characters are the parents, even as their own stories are about their ill children. The families in the two stories are similar in ways that the parents cope with their child’s illness. However Nabokov presents his story in a tone which can only be seen as dreary whereas Moore presents “Dance in America” in a tone which concludes with hopefulness exhibited by Cal’s son, Eugene. The son in Nabokov’s short story suffers from a form of …show more content…
Nabokov’s story presents itself as dreary, hinting to readers with ominous signs and symbols which confront the son and also his parents throughout the story. Examples of signs and symbols in the mother and father’s world include the subway train that loses power between two stations, the half dead bird in the puddle, the tearful girl on the woman’s shoulder, and the cards that fall onto the floor. All these adverse examples suggest foreshadowing leading up to the three phone calls that the parents receive in the end, which Nabokov leaves open interpretation to readers. The first interpretation which can be made is simply the girl looking for “Charlie”, calling again and again despite it being the wrong number, which can seemingly be a metaphor for the characters in the story and their repetitive struggles which never leads to a solution. The other drearier logical interpretation which can be made is a call from the sanitarium, notifying the parents that their son has successfully killed himself this time and the mother is in denial, unable to accept the truth, causing her to ignore the girl on the phone. Throughout the entire story, it is evident that the dreary tone in this story differs from Moore’s, “Dance in America”, and Nabokov sets this up by portraying the characters grief and suffering caused by separation with the aid of ominous signs and …show more content…
He suffers from a condition called cystic fibrosis and presumingly, the boy is dying: “Already, Cal says, Eugene has degenerated, grown worse, too much liquid in his lungs. ‘Stickiness,’ he calls it. ‘If he were three, instead of seven, there’d be more hope” (Moore, 198). However, despite Eugene’s desolate future and diminished physical condition which makes him labor for breath, he turns the story around. Throughout the story, Moore uses verbs such as chases, slides, shouts, races, grabs, and smiles in relation to him. Upon the arrival of Eugene, the cynical tone is gone from the narrator and the story becomes exciting. Even though his circumstances are bleak, he lives as if he did not have an illness that shortens his life and he does everything he wants such as dancing, going to school, and playing with friends. Through his suffering, he teaches the narrator, his parents, and readers to celebrate life, and their family dances together with joy before bed until Eugene is stopped by exhaustion: “We make a phalanx, and march, strut, slide to the music. We crouch, move backward, then burst forward again. We’re aiming to create the mildew, resinous sweat smell of dance” (Moore, 204). In spite of Eugene’s pain and suffering, he presses forward, and his presence shines like a candle, setting the tone of the story as hopeful
Upon the dancer’s departure, “the dancer, who though older was still languid and full of grace, reached out and tapped me with two fingers on the cheek, turned, and walked away” (185). Krauss uses this odd gesture by the dancer helps reinforce the strange quirks of the dancer and the author’s thought of the gesture containing “something condescending in it, even meant to humiliate” (185). The use of the words, “languid and full of grace” continues to strengthen the narrator’s fascination in the dancers beauty but also how the narrator feels uncomfortable with her interactions with the dancer. After the narrator’s encounter with the dancer, she walks by a crowded park “until a cry rang out, pained and terrified, an agonizing child’s cry that tore into[her] as if it were an appeal to [her] alone” (186). The author’s use of the painful and terrifying cry reintroduces the theme of a screaming child from the first passage which reinforces the author’s incapability to manager her guilt. The use of the word “agonizing” in this context suggests the overwhelming amount of guilt the author contains but in form as a youthful shrilling scream. Towards the end of the short story, the agonizing
The mother and daughter have a very distant relationship because her mother is ill and not capable to be there, the mother wishes she could be but is physically unable. “I only remember my mother walking one time. She walked me to kindergarten." (Fein). The daughter’s point of view of her mother changes by having a child herself. In the short story the son has a mother that is willing to be helpful and there for him, but he does not take the time to care and listen to his mother, and the mother begins to get fed up with how Alfred behaves. "Be quiet don't speak to me, you've disgraced me again and again."(Callaghan). Another difference is the maturity level the son is a teenager that left school and is a trouble maker. The daughter is an adult who is reflecting back on her childhood by the feeling of being cheated in life, but sees in the end her mother was the one who was truly being cheated. “I may never understand why some of us are cheated in life. I only know, from this perspective, that I am not the one who was.” (Fein). The differences in the essay and short story show how the children do not realize how much their mothers care and love
“Those Winter Sundays” tells of Robert Hayden’s father and the cold mornings his father endures to keep his family warm in the winters. In “Digging” Heaney is sitting in the window watching his father do hard manual labor, which has taken a toll on his body. In “My Father as a Guitar” Espada goes to the doctors office with his father and is sitting in the office with his dad when the doctor tells him he has to take pain killers and to stop working because his body was growing old and weak. The authors of the poems all look at their fathers the same; they look at them with much respect and gratitude. All three poems tell of the hard work the dads have to do to keep their family fed and clothed. “The landlord, here a symbol of all the mainstream social institutions that hold authority over the working class” (Constantakis.) Espada’s father is growing old and his health is deteriorating quickly but his ability to stop working is not in his own hands, “I can’t the landlord won’t let me” (774.) “He is separated from the homeland, and his life in the United States is far from welcoming” (Constantakis.) Espada’s Grandmother dies in Puerto Rico and the family learns this by a lett...
The story centers on two women, one terminally ill, the other a visitor to her sick friend. In order to divert attention from the true reason for t...
Abuse is a difficult and sensitive subject that can have long lasting effects. These traumatic emotional effects are often intensified if the abuse happens at a young age because children do not understand why the abuse is happening or how to deal with it. There are many abuse programs set up to counter the severe effects which abuse can have. Even more, poets and writers all over the world contribute works that express the saddening events and force the public to realize it is much more real than the informative articles we read about. One such poem is Theodore Roethke’s My Papa’s Waltz which looks carefully through the eyes of a young boy into the household of an abusive father. Robert Hayden’s Those Winter Sundays is a similar poem from the perspective of a young adult reflecting back on the childhood relationship with his father and the abuse his father inflicted. These poems are important because they deal with the complex issues surrounding the subject of abuse and also show the different ways which children react to it. My Papa’s Waltz and Those Winter Sundays are similar poems because they use tone, imagery, and sounds and rhythms to create tension between the negative aspects of abuse and the boys own love and understanding for their father.
Through an intimate maternal bond, Michaels mother experiences the consequences of Michaels decisions, weakening her to a debilitating state of grief. “Once he belonged to me”; “He was ours,” the repetition of these inclusive statements indicates her fulfilment from protecting her son and inability to find value in life without him. Through the cyclical narrative structure, it is evident that the loss and grief felt by the mother is continual and indeterminable. Dawson reveals death can bring out weakness and anger in self and with others. The use of words with negative connotations towards the end of the story, “Lonely,” “cold,” “dead,” enforce the mother’s grief and regressing nature. Thus, people who find contentment through others, cannot find fulfilment without the presence of that individual.
First, the author uses Figurative language to develop the theme by the mother uses a metaphor to describe her life and how difficult it was. It says, “Life for me ain’t been no crystal stair. It’s had tacks in it, And splinters. And boards were torn up, And places with no carpet on the floor—Bare.“This shows the author use Figurative language to develop the theme of You have to rise above the obstacles because life is going to throw obstacles at you and you have to try to avoid them. This shows the theme because instead of going back down the staircase where there are no problems you have to push through to get over the problem. Second, the author uses Symbol to develop the theme by using the staircase that represents life and life is hard and there will be a ton of thing that try to push us down and just try to stop us It says, “ I’ve been a-climbing’ on, And reachin’ landings, And turnin’ corners, And sometimes goin’ in the dark Where there ain’t been no light. “This shows the author used Symbol to develop the theme of You have to rise above the obstacles because the mother kept going non-stop. This is important to notice because there will be a ton of thing that try to push us down and just try to stop us. To, sum up, the author of “Mother to Son” revealed the theme through Figurative language and
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
She did not survive the Reagan Administration. I am here because my son and I may not survive four more years of leaders who say they care, but do nothing.” In this appeal Mrs. Glaser is appealing to her audience’s emotions, especially the emotions one feels when talking about their family like love and empathy. She mentions that her daughter has died because of this disease and that her son and herself are dying as well to show that this is a disease that can affect anyone and that it is crucial to work on cures or vaccinations to prevent others from suffering the way her family has. No mother or father wants to watch their children suffer and die because of a disease, so Mrs. Glaser uses her experience to appeal to those emotions.
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
Nabokov starts off by saying, “I next see my mother leading me bedward through the enormous hall, where a central flight of stairs swept up and up, with nothing but hothouse-like panes of glass between the upper landing and the light green evening sky” (p 83). Nabokov and his mother were really close due to the fact
Nancy was only four years old when her grandmother died. Her grandmother had a big lump on the lower right hand side of her back. The doctors removed it, but it was too late. The tumor had already spread throughout her body. Instead of having a lump on her back, she had a long stitched up incision there. She couldn’t move around; Nancy’s parents had to help her go to the bathroom and do all the simple things that she use to do all by herself. Nancy would ask her grandmother to get up to take her younger sister, Linh, and herself outside so they could play. She never got up. A couple of months later, an ambulance came by their house and took their grandmother away. That was the last time Nancy ever saw her alive. She was in the hospital for about a week and a half. Nancy’s parents never took them to see her. One day, Nancy saw her parents crying and she have never seen them cry before. They dropped Linh and her off at one of their friend’s house. Nancy got mad because she thought they were going shopping and didn’t take her with them.
The author uses symbolism as well in this story to support the theme. Firstly, the author uses a closed door as a symbol of separator. The closed door separated her from her sister and her friend. She is free from the surroundings. Although she "wept at once" (69) after her husband's unfortunate, things are changing now. "The open window, a comfortable, roomy armchair" (69) reveals that Louise's true feeling. In the following paragraph, Chopin uses "blue sky" (69) as a sign of hope; twittering "sparrows" (69) as a sign of happiness. The reader can confirm that her husband's death is only a temporary hurdle and she recovers quickly from the grief. Now she looks hopefully to the future, future of independent and well deserved freedom.
Chopin describes her as a fragile woman. Because she was “afflicted with a heart trouble,” when she receives notification of her husband’s passing, “great care was taken” to break the news “as gently as possible” (1). Josephine, her sister, and Richards, her husband’s friend, expect her to be devastated over this news, and they fear that the depression could kill her because of her weak heart. Richards was “in the newspaper office when the intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of killed” (1). He therefore is one of the first people to know about his death. Knowing about Mrs. Mallard’s heart, he realizes that they need to take caution in letting Mrs. Mallard know about it. Josephine told her because Richards feared “any less careful, less tender” person relaying the message to Louise Mallard (1). Because of her heart trouble, they think that if the message of her husband’s death is delivered to her the wrong way, her heart would not be able to withstand it. They also think that if someone practices caution in giving her the message, that, ...
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...