It is often dreamed about traveling outside one’s life. These thoughts of travels fill the dreamer with blissful thoughts of wonders and expectations. Part of those dreams and expectations are the unknown that awaits at the destination. Travel allows one to explore the unknown region and the paths of infinite possibilities that are new and unfamiliar for the traveler. The poem Travel written by Edna St. Vincent Millay does a great job of using its metaphors to deliver this message
The process of the unknown journey is often started with the dream and wonders. It allows fantasy about places one has never been before. The poem, Travel states “The railroad track is miles away, /And the day is loud with voices speaking,” (Millay). This is
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In the poem Travel, the symbolism for the medium is represented as a train. The quote “Yet there isn’t a train goes by all day, /But I hear its whistle shrieking.” (Millay) in the poem, Travel symbolizes the wait for some matter of transportation or an opportunity to arrive. In the poem, Millay is waiting for the train to take her out of the train station and into an unfamiliar world. But often, questions such as “How can I get there?” or “What can I do to get there” is asked to one’s self-consciousness before going into the unknown. Most of these questions are then answered with either “Maybe next time.” Or “I’ll wait for the right time to buy airline tickets”. If the one’s wait for the “train” is overextended, there will never be a medium leading to the unknown world because the action to travel will never happen. These waits could be caused by fear of the …show more content…
In the poem, Travel states “All night there isn’t a train goes by, /Though the night is still for sleep and dreaming,” (Millay) represents the continued wait for chance mentioned above. The fear of the unknown causes these hesitations. No one can guess what lies in the unknown world. How can anyone know if won’t be a danger or a hardship? The skeptic and loathing attitude towards the unknown fear causes doubt and hesitance of venturing into the unknown. It is surprising to see how many people will reject leaving their lives and head towards the unknown. Being used to the current life amplifies the one’s fear of the unknown. It also creates a fear of one’s change of view of the world the one is living in. However, some can conquer that fear and be excited about what lies in the unknown
Throughout all texts discussed, there is a pervasive and unmistakable sense of journey in its unmeasurable and intangible form. The journeys undertaken, are not physically transformative ones but are journeys which usher in an emotional and spiritual alteration. They are all life changing anomaly’s that alter the course and outlook each individual has on their life. Indeed, through the exploitation of knowledge in both a positive and negative context, the canvassed texts accommodate the notion that journeys bear the greatest magnitude when they change your life in some fashion.
O. Henry once said, “The true adventurer goes forth aimless and uncalculating to meet and greet unknown fate.” The poem goes a lot a deeper than the words on the page, the items and decisions within it really make you see things differently. Three symbols really stuck out to me; adolescence, sadness, and timelessness.
That journey means that every day is a new change or a new transformation of who she is, and where she is going. She also highlights the idea throughout the text that the journey is one that everyone must take in order to discover themselves. Thus, the essay or story is about self discovery at its most basic. Understanding this allows the reader to see the importance of curiosity, of asking questions, and of heading into the unknown without questioning the journey
In his article “Why We Travel,” Paul Theroux talks about how short term travelers, which are people who are traveling for short periods of time, experience the same type of fear that long term travelers and movers encounter. Theroux states, “Throughout history the traveler has been forced to recognize the fact that leaving home means a loss of innocence, encountering uncertainty” (Theroux). For the longest time, in America it was thought that this loss of innocence and encounter with uncertainty was all a part of the experience, and that the risk was well worth the reward. But that theory has long been thrown out the window according to Arthur Brooks, because in his article “How to Get Americans Moving Again,” he writes about an America that is unmoving, and unwilling to travel, partially due to these
The poem begins with the two-stanza statement, which announces the speaker’s visits to the sea followed by the sea’s reaction to her presence on the shore. The first two lines of the poem “I started Early – Took my Dog –/And visited the Sea –” declare the motive, goal and rationale for the “visit,” but this declaration does not appears (). The speaker provides a statement of enigmatic fact that she recalls the earliness of this venture with no specific point of departure, but the end of the poem, the “Solid Town” in the concluding stanza, doubles as a point of origin (). From the beginning the speaker does not give us any information concerning the nature of this “visit;” however, the reader could think about several scenarios that the speaker of this poem would take casual early-morning walk accompanied by her dog, an excursion of some ambiguous nature on which the dog might accompany her for protection, and also in an Emersonian vein, a latter day experiment with the nature (). The world “visit” here has two possible definitions (1) “an instance of going to a place, house, etc., for the purpose of inspection or examination” and the verb form (2) “to go to (a place) for the purpose of seeing that everything is in due order” (OED). The poem does not give any indication in its earliest stanza that the range of the term “visit” seems operative, but the more we analysis the poem’s textual boundaries, the more this reading of Dickinson’s “visit” reveals something about her poetic work.
Bloom, Harold. "Critical View on "The Mental Traveller" by Northrop Frye." William Blake. Broomall, PA: Chelsea House, 2003. 66-67. Print.
Historically journeys were seen as the physical movement of a group of people migrating from one place to another. Additionally, journeys were usually only found throughout the history of civilization and religion. Despite this, journeys come in all aspects and are found in a variety of mediums. Specifically, two journeys that are found in the literary works of The Epic of Gilgamesh and Monkey: A Journey to the West are physical and intellectual. These two stories exemplify what a journey consists of by construction the plots around each protagonist participating in both journeys.
A physical journey occurs as a direct result of travelling from one place to another over land, sea or even space. The physical journey can occur individually or collectively, but always involves more than mere movement. Instead physical journeys are accompanied by inner growth and development, catalysed by the experiences and the decisions that impact the outcome of the journey. These journey concepts and the interrelationship between physical and emotional journeys is exemplified in the text; The Adventures of Huckleberry Finn by Mark Twain, The Road Not Taken by Robert Frost, the children’s book Lost and Found by Oliver Jeffers and the film Stand By Me directed by Rob Reiner.
Butor’s tone used throughout the text is lax enough for the reader to genuinely connect with his ideas, since the typical traveler usually vacations in order to escape the daily stresses of their normal routine. In doing this, he portrayed his idea of what travel is meant to be with language proper enough for the sophisticated
In the end, the journey the speaker embarked on throughout the poem was one of learning, especially as the reader was taken through the evolution of the speakers thoughts, demonstrated by the tone, and experienced the images that were seen in the speaker’s nightmare of the personified fear. As the journey commenced, the reader learned how the speaker dealt with the terrors and fears that were accompanied by some experience in the speaker’s life, and optimistically the reader learned just how they themselves deal with the consequences and troubles that are a result of the various situations they face in their
...iance, readers are capable of seeing how citizens in the world today try to be independent of others and sustain their personal beliefs and philosophy. Individuals have to put an end to conformity and trying to be a duplication of everyone else because they will never achieve success if they never decide for themselves. A person must not rely on the judgment and minds of others and learn to think for him or herself since depending on others only exhibits a person’s inferiority to larger institutions. People must stop using travel as an excuse to evade personal problems because if they do not have a direct confrontation with the dilemma, trying to escape will only lengthen it. People in today’s society must appreciate this work so they will approve of their individuality and be stronger in fighting against everyone else that disagrees with their personal philosophy.
The ambiguity which dominates the poem seems to be intentional. The only certainty in the poem is that it deals with a solitary traveler who has come to a fork in the road and must choose which way to go.
Imagination. The open mind in someone to allow them to see more then another person, a blessing. A blessing because imagination allows the person to see new things, different things and get in awe of those things they have seen. Traveling, equal to imagination, can also lead to see different things and learn new things and without traveling people would see and learn nothing new. The stories “The Mysterious Stranger” by Mark Twain, and “The Celestial Omnibus” by E.M Forster have different themes. “The Mysterious Stranger” has the theme, open mindedness and fear can lead to the escape of reality.“The Celestial Omnibus” has the theme imagination and travel lead to escaping reality. With those different themes, “The Mysterious Stranger” and “The
Choices are never easy, facing hundreds upon thousands of them in our lifetime, man has to make decisions based upon these choices. Some decisions are clear while others are sometimes not clear and more difficult to make. The poem "The Road Not Taken" by Robert Frost is a prime example of these choices in life. This poem is a first person narrative that is seen by most people as being told by Frost. The poem opens up with the narrator encountering a point in the woods that has a trail diverge into two separate paths. In the poem Frost presents the idea of man facing the difficult predilection of a moment and a lifetime. I believe this idea in the poem is embodied in the fork in the road, the decision between the two paths, and the decision to select the road not taken.
Now the author is trying to persuade himself with his presumption that they would end the same and maybe both of them is traveled by the same amount of people. However, he contradicted himself in the next line by saying that the leaves on the empty road haven¡¯t been stepped by anybody yet. Again this is a spiritual and mental process behind the scene of physical journey.