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A2 english literature wuthering heights
Character development in wuthering heights
A2 english literature wuthering heights
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'The herd of possessed swine could have no worse spirits in them then those animals of yours, sir!' (7) How could readers of Emily Bronte's Wuthering Heights not laugh at this quote? I found the book exciting as well as awful to read. It was so difficult and hard to read, but in the end was worth it. The characters were the ones that made it so enjoyable to read but made it also too complicated. However, all of them were fun to ?get to know?. My favorite is Catherine. She is bratty, spoiled and hopelessly selfish. I love to hate her. Then again, I also have pity on her. The combination of her up bringing, with her personality has caused her to be like this. Take for example the reason she marries Edgar. She says ?And he will be rich and I shall like to be the greatest woman of the neighborhood, and I shall be proud of having such a husband.? (78). It is as if she cannot see anything but what is best for herself. Nelly talks to her, and tries to get her to see her selfishness. Even there my point is proven. Nelly hates Catherine, even though she has the negative feelings toward her mistress, she still can see what Catherine is doing wrong, and instead of letting Catherine go on, she tells her. Catherine is so wrapped up in herself. It is pretty annoying to read about her because she is so conceded. One of the things she says is ?But I begin to fancy you don't like me. How strange! I thought, though everybody hated and despised each other, they could not avoid loving me.? (120) I cannot even understand how someone could think that about himself or herself! Catherine is so stuck up! Nelly is a weird character in this book. She seems to be the mother, especially to Catherine. One of the things I like most about her is the fact she is not stupid, she understands people, but does not abuse it. Then again, she is too smart to be a maid. It really seems like she is educated. My favorite quote she says is ?I went about my household duties, convinced that the Grange had but one sensible soul in its walls, and that lodged in my body.? (119) I suppose the reason I think she is so motherly is because she is a lot like my mother, a little cheeky, knows how to control people younger than she is, smart, and can clean well.
Aunt Caroline-She is one important characters in the book . She keeps patient thought the story which makes her static. Even when there was hard times ,like when baby Elizabeth died which I think it was from scarlet fever. (Maybe she caught from lily some how.) She still stood her ground .
Granny's displeasure with her daughter reaches far beyond just her whispering in the doorway. Cornelia is the closest character there is an antagonist in this story. When concerning her daughter, Granny can do nothing but criticize the way she does most everything. These criticisms on the surface are simply the reproofs of a picky old woman.
My favorite character in the book is Mina. I think that I relate to her the best and her character is very admirable.
The grandmother is the central character. She is round and static. She is static because her basic unchanging trait is that “the grandmother is a figure of grace and dignity.” The grandmother is polite to strangers and sympathetic to the poor” (Hendricks). An example of the grandmother's actions that show that she is trying to convince the Misfit to live a conventional life is when she says, “Think how wonderful it would be to settle down and live a comfortable life and not having to think about somebody chasing you all the time” (Hendricks).
There really isn't a mother figure in the story, but Nelly's role sure imply that she's the mother. It's odd that every time a lad is born, the mother died during the birth, which led to Nelly's "mother like" role. She didn't only play her "mother like" role with Hareton and Cathy, (the two lads who's mothers died during labor) but she also played her role with Heathcliff and Catherine. When Heathcliff retaliated against Hindly and decided not to eat due to his pride; Nelly brought him some food and made sure he was okay. She also aided Catherine when she was mad at Edgar. Nelly's role is so important, and an example of it is when Nelly visited Wuthering Heights and Hareton was throwing
What usually comes to mind when one thinks of Emily Bronte’s Wuthering Heights? Most will visualize tortured lovers against the extraordinary moors. Perhaps one will even recall the scene of one lover, Heathcliff, opening the grave of his Catherine to dig a space where they can be joined eternally. Yet another equally powerful emotion appears throughout the novel as an antithesis to love, that of revenge. Revenge first forms the basis of the actions of Hindley, the Earnshaw son, toward Heathcliff. Later revenge is mirrored in the vengeful actions of Heathcliff after he loses Catherine. In the process of gaining revenge, both characters lose their own humanity and their souls.
With so many distortions, many readers may not appreciate Brontë's book. She takes common elements and greatly exaggerates them. She turns love into obsessive passion, contempt into lifelong vindictive hatred, and peaceful death into the equivalent of burning in hell. In doing so, she not only loaded the book with emotions, but vividly illustrated the outcome if one were to possess these emotions.
Who is the real bad guy in Wuthering Heights? The story of Wuthering Heights makes you hate and love specific characters solely based on the biasness of the narrator. Nelly Dean (narrator) grew up alongside Hindley and Catherine Earnshaw and later goes to Thrushcross Grange in 1783 to act as Catherine's maid, and even stays on after Catherine’s death as a housekeeper. Given that Nelly Dean has been there for so long, she has witnessed a lot of drama and has strong feelings for the characters in her story, and it’s these feelings that complicate her narration.
Wuthering Heights is not just a love story, it is a window into the human soul, where one sees the loss, suffering, self discovery, and triumph of the characters in this novel. Both the Image of the Book by Robert McKibben, and Control of Sympathy in Wuthering Heights by John Hagan, strive to prove that neither Catherine nor Heathcliff are to blame for their wrong doings. Catherine and Heathcliff’s passionate nature, intolerable frustration, and overwhelming loss have ruined them, and thus stripped them of their humanities.
Definitive criteria for judging the success or failure of a work of fiction are not easily agreed upon; individuals almost necessarily introduce bias into any such attempt. Only those who affect an exorbitantly refined artistic taste, however, would deny the importance of poignancy in literary pieces. To be sure, writings of dubious and fleeting merit frequently enchant the public, but there is too the occasional author who garners widespread acclaim and whose works remain deeply affecting despite the passage of time. The continued eminence of the fiction of Emily Bronte attests to her placement into such a category of authors: it is a recognition of her propensity to create poignant and, indeed, successful literature.
The famous saying that from a true love to a great hatred is only a
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
Wuthering Heights, written by Emily Bronte, has 323 pages. The genre of Wuthering Heights is realistic fiction, and it is a romantic novel. The book is available in the school library, but it was bought at Barnes and Nobles. The author’s purpose of writing Wuthering Heights is to describe a twisted and dark romance story. Thus, the author conveys the theme of one of life’s absolute truths: love is pain. In addition, the mood of the book is melancholy and tumultuous. Lastly, the single most important incident of the book is when Heathcliff arrives to Edgar Linton’s residence in the Granges unannounced to see Catherine’s state of health. Heathcliff’s single visit overwhelmed Catherine to the point of death.
The setting is the backbone for a novel it sets the tone and gives the reader a mental image of the time and places the story takes place. The Wuthering Heights Estate in Emily Bronte’s novel “Wuthering Heights” is one of the most important settings in the story. Wuthering Heights sets mood for the scenes taken place in the house, and reflects the life of Heathcliff through its description, furniture, windows, gates, and the vegetation.
It has been proven evident throughout the history of literature that authors will tend to incorporate their own lives into their works. This is the case in Wuthering Heights by Emily Brontë. Although the novel is in itself fictional, Brontë invites readers into her private life by the way in which she writes her novel. Literary elements are often taken into consideration when determining the value of a literary work. However, they offer more than just layers of complexity to a work. Brontë uses countless metaphors to portray relevance to her own life. The ongoing comparison between the characters in Wuthering Heights and Brontë’s own life only exemplifies how often authors use their works to reflect their lives.