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The emotions of hamlet
The emotions of hamlet
How is suicide presented in hamlet
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Hamlet contemplates death and suicide - what Hamlet wants to do and the fear of the consequences of his actions, “O, that this too solid flesh would melt, / Thaw and resolve itself into a dew!/ Or that the Everlasting had not fix'd/ His canon 'gainst self-slaughter! (I. ii. 129 – 132).We receive the image of suicide as a juxtaposition between the desire for death in contrast with a desire to live, “To be or not to be – that is the question” (III.i.56). Almost from Hamlet’s first appearance, we reveal a major underlying concept in the tragedy, the contrast of death and morality made evident through the sonic opposition between in and out, order and disorder. Both soliloquies exemplify a man, bewildered and wracked by inconsolable grief - desiring revenge – however, unable to know how to go about responding to what has happened. Hamlet is not simply suicidal, nor is he simply melancholic to his father’s murder. Rather the language of the play alludes to a man but driven to desperation, philosophically posing the conundrum of wanting to leave his life behind while possessing the respon...
From past experiences in ones life, whether it be the death of a long aged gold fish to a deceased elder, one knows the pain and suffering that goes on afterwards. For one to finally move on and continue life without a tear in their eyes may take a while, yet having that immense step means to put the emotions aside and live life. Hamlet's father was murdered, and he soon sees his mother move on so quickly and marries his uncle, to continue being the queen. Hamlet's love for his father does not fade away within a two month span like his mother; he refuses to accept the fact that his father was killed, instead of a natural death. Because of this, Hamlet does not know what to do with his life. He mentions "O, that this too too sallied flesh would melt,/ Or that the Everlasting had not fixed/ His canon `against self-slaughter" (129-132). Immediately does Hamlet questions the existence of his own life, as he feels the need to melt and disappear, ultimately referring to suicide. The problem we face...
From the death of his father, the late King Hamlet, he is often faced with thoughts of suicide, sin, and life after death. Through his first soliloquy, Hamlet contemplates suicide because he cannot deal with the pain from his father’s death and the new marriage of his mother, Queen Gertrude and his uncle Claudius. Following Christian values, he goes on to say that it would be sin to do so, “O, that this too too solid flesh would melt, Thaw and resolve itself into a dew! Or that the Everlasting had not fixed His canon ‘gainst self-slaughter!” (Act I, Scene II, line 129-132). He continues to keep this “Christian value” till the end of the play, but further contemplates his ow...
William Shakespeare’s Hamlet is laden with tragedy from the start, and this adversity is reflected in the title character. Being informed of his father’s murder and the appalling circumstances surrounding the crime, Hamlet is given the emotionally taxing task of avenging his death. It is clear that having to complete this grim undertaking takes its toll on Hamlet emotionally. Beginning as a seemingly contemplative and sensitive character, we observe Hamlet grow increasingly depressed and deranged as the play wears on. Hamlet is so determined to make his father proud that he allows the job on hand to completely consume him. We realize that Hamlet has a tendency to mull and ponder excessively, which causes the notorious delays of action throughout the play. It is often during these periods of deep thought and reflection that we hear one of Hamlet’s famous soliloquies, which are obviously relative to Hamlet’s apprehensions and worries surrounding his current situation. The seven soliloquies throughout the play offer insight pertaining to the deteriorating mental state of Hamlet, and the circumstances which induce his decent into madness.
“The very conveyances of his lands will scarcely lie in this box, and must th’ inheritor himself have no more, ha?” Hamlet’s realization in 5.1.88 is one of great weight and resulted in more deep thought on the concept of death. Throughout Shakespeare’s “Hamlet” the subject is deeply considered and consistent breakthroughs and new realizations are revealed through Hamlet’s character. The primary evolution of Hamlet’s understanding stands with the coping, dealing with the finality of death, conflicts with morality and revenge in its intimate relationship with death as it applies to Hamlet.
Death is an eternal mystery and the most controversial subject stemming from human inexperience. Its inescapability and uncertainty can give insights on the core principles and vulnerability of human nature. In Shakespeare’s tragedy Hamlet he skilfully makes use of death as a lashing force to explore the depths of his characters along the way illustrating man’s continual dilemma “To be or not to be”?
The most important and crucial ideas about suicide lies within the vulnerable prince himself. In Act I, Hamlet is approached by an apparition, claiming to be his deceased father, King Hamlet. During this encounter the ghost tells Hamlet that Claudius was the man who killed him and now he wants Hamlet to seek revenge for his murder. After enduring this horrifying scene, Gertrude and Claudius tell Hamlet to stay in Denmark instead of going to school, seemingly against his wishes. Subsequently was Hamlet’s first important soliloquy in which he thinks about suicide. “O that this too too solid flesh would melt/ Thaw...
Hamlet is left so distraught by his father 's death and his mother’s quick remarriage of his father’s brother that he wishes to die. Hamlet begins his soliloquy with a metaphor that shows his desire for death: “Oh, that this too, too sullied flesh would melt, / Thaw,
Ancient Greek and Christianity both have different vision of death. Therefore, the idea of death and the afterlife was contrarily shown in the two texts. Death permeates Hamlet from the beginning of the tragedy through the ghost of king Hamlet. Suicide was desirable way to replace suffering the life but it is forbidden by the Christian religion. Also Hamlet explains how the body return to dust at the end and what happen in the afterlife. However, death in apology by Plato was unknown idea thus Socrates does not fear it. In addition death is an honourable thing for men. For Socrates death is the nonexistence or the transmigration of the soul.
Hamlet is a melancholic young man who does not value human life; however, he will do anything it takes to accomplish his main goal: revenge on Claudius for the death of his father. In his seven soliloquies we learn that Hamlet has become melancholic, violent, and suicidal. There are several incidences where these emotions are expressed. His melancholic attitude is very apparent in the second scene of Act I, when he suggests that his mother, in mourning his fathers death, is simply acting the part of a grief stricken widow, while he is a truly heart broken son. Another example from his first soliloquy of his melancholic state occurs when he discovers the rapid marriage of his mother and his uncle, where he finds himself both sad and mad at the fact that his mother could move on so quickly. Hamlet’s violent attitude can be blamed on the fact that his father was murdered and he wants revenge. An example of his violent attitude is in his sixth soliloquy where he sees the king praying in the church. Hamlet feels as though he should just kill him in that same instance, but then decides not to. Another instance of his violent behavior is when he sends Rosencrantz and Guildenstern to their deaths and feels no remorse in doing so. Hamlet’s suicidal state can be accounted for because he is a confused young man. Throughout the play his father had been murdered, his mother almost instantly re-married, he himself had gone mad, and thus he is confused because he has so many negative feelings towards himself and the easiest way out is suicide. Another example occurs in his forth soliloquy when he reasons whether suicide would be the better and quicker solution. All of Hamlet’s emotions cause him to have a clo...
Suicide has always been a “taboo” topic in society; the thought of just abruptly ending one’s life leaves a wide open space for moral interpretations. This moral discussion is not new though, it’s been around ever since there have been people walking this earth. Discussions on whether it can ever be justified, or in religious connotations what happens to the person’s soul, are they automatically damned to hell? These discussions existed in Shakespeare’s time, making the fact that Hamlet has such a huge theme of suicide running through its text an almost nerve-shaking moral dilemma. Can suicide ever be portrayed in a good light without being glorified, or must it forever lurk in the moral shadows?
In Shakespeare’s Hamlet, the influence of Hamlet’s psychological and social states display his dread of death as well as his need to avenge his father’s death. In turn, these influences illuminate the meaning of the play by revealing Hamlet’s innermost thoughts on life, death and the effect of religion. Despite the fact that Hamlet’s first instincts were reluctance and hesitation, he knows that he must avenge his father’s death. While Hamlet is conscious of avenging his father’s death, he is contemplating all the aspects of death itself. Hamlet’s decision to avenge his father is affected by social, psychological and religious influences.
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
In Act III scene i of Hamlet, Hamlet explores the idea of suicide to escape the reality of his dead father, inscetuesous family, and the task of murdering Claudius, his uncle who closed the power vacuum when he murdered King Hamlet.
The act of suicide is a common issue some may contemplate when faced with the hardships and difficulties of life. These vicious thoughts could be brought on by any troubles such as heartbreak, depression, or in Hamlet and Ophelia’s case, the death of a loved one. The result of one’s actions depends how one copes with the situation they’re presented with. Although, the act of suicide ultimately lies in the hands of the troubled person, it is not considered to be a suitable way out. Hamlet considers suicide on more than one occasion while as Ophelia actually commits the action of suicide. In his heart-wrenching tragedy, Hamlet, William Shakespeare illustrates suicide as an insufficient compromise for distraught hearts through the characters of Ophelia and Hamlet.
Hamlet’s anger and grief- primarily stemming from his mother’s marriage to Claudius- brings him to thoughts of suicide, which only subside as a result of it being a mortal and religious sin. The fact that he wants to take his own life demonstrates a weakness in his character; a sense of cowarness, his decision not to kill himself because of religious beliefs shows that this weakness is balanced with some sense of morality. Such an obvious paradox is only one example of the inner conflict and turmoil that will eventually lead to Hamlet’s downfall.