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Ethics in film making
Stereotypes in films conclusion
Media racial stereotypes
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1. Race and Stereotypes: Throughout Bamboozled, there is a conflict within the African-American community on whether the? Manray and Womack were justified in using the stereotypes of their race at the possible expense of how all African-Americans will be perceived. 2. Fame vs. Identity: During filming, Delacroix is deciding whether he should continue to depict his race negatively in his pursuit of fame. 3. The Consequences of Greed: Towards the end of filming, Delacroix becomes so egotistical that he begins to get rid of anyone that no longer served his needs. For instance, he fires his assistant or helper? because she no longer supported the decision(s?) he was making. 2. How are African Americans portrayed in the film? What do you think …show more content…
For instance, when scenes are filmed in awkward positions, angles, or shaky movements, which is not how movies are normally filmed. For example, the S or s?oda commercial contains a lot of swaying camera movement. In addition, a colorful filter was added to the scene, creating a comical effect. This makes the film's scenes less serious, which contributes to its satirical tone. 4. What is so compelling about ‘Mantan: The New Millennium Minstrel Show’? Why do the audiences come to like it and identify as black? A: ‘Mantan: The New Millennium Minstrel Show’ is so compelling because it challenges social norms and how certain races and their stereotypes are perceived?depicted. Audiences enjoy the show because it exaggerates African-American stereotypes, and audiences find that humorous?. The audience, which consists of different races, identify as black because the common interest (i don't know what the interest is) unifies them. 5. Satire is used to expose and ridicule certain aspect of society in order to offer constructive social criticism. What is this film critiquing? Give an example where that is
In class, we watched a film called Ethnic Notions. In this film, it brought to light how devastating and powerful images can be. Due to exaggerated images and caricatures created pre-civil war era of black men and women, stereotypes were created and have negatively affected the black race in society. Caricatures, such as the Sambo, Zip Coon, Mammy, and Brute, have unfortunately been engrained in the minds of generations. So much so their stereotypes still persist today.
The movie 'Ethnic Notions' describes different ways in which African-Americans were presented during the 19th and 20th centuries. It traces and presents the evolution of the rooted stereotypes which have created prejudice towards African-Americans. This documentary movie is narrated to take the spectator back to the antebellum roots of African-American stereotypical names such as boy, girl, auntie, uncle, Sprinkling Sambo, Mammy Yams, the Salt and Pepper Shakers, etc. It does so by presenting us with multiple dehumanized characters and cartons portraying African-Americans as carefree Sambos, faithful Mammies, savage Brutes, and wide-eyed Pickaninnies. These representations of African-Americans roll across the screen in popular songs, children's rhymes, household artifacts and advertisements. These various ways to depict the African ?American society through countless decades rooted stereotypes in the American society. I think that many of these still prevail in the contemporary society, decades after the civil rights movement occurred.
The minstrel show is considered by many as the first American form of musical theatre (Bordman, 2010). However, the tradition of minstrelsy, in various forms, dates back to well before Thomas Dartmouth Rice first jumped Jim Crow. In the sixteenth and seventeenth century, it was common for actors to darken their faces for dramatic effect, as illustrated by Shakespeare’s Othello (Strausbaugh, 2010). It could be said that minstrelsy continues to be alive and well today, in the form of reality television and hip-hop culture. While opinions on what may be considered minstrelsy today may differ, there is no denying that Rice revolutionized how the centuries old tradition of blackface was used to create a new art form, the minstrel show.
its director. It is possible for the most extrinsic implications to be presented in a
Perhaps because of her anthropological training and her doubly marginal status as an African-American woman, Hurston invented a strategy that enabled her to speak from the margins. She employed an African-American language, a symbolic system that reconstituted representation itself and disrupted the dualism of the dorninant discourse. "The Negroes...very words are action words... the suggestiveness of African-American art transforms the spectator into an actor who participat[es] in the performance himself carrying out the suggestions of the performer" (Hurston, 49). Blackness becomes experiential rather than essential, a "quality that permeates and suffuses rather than defines"(Wald, 87). The vitality of the language blurs oppositional boundaries and whatever the meaning of 'blackness' is, the performer and spectator are mutually involved in a relationship that undermines the representation of blackness as sin against a moral white background (Wald, 87).
Bamboozled received mixed critical reaction. The movie was associated together with that which actually this movie taking the shots at by some commentators. A veteran African-American movie critic Armand White, for instance, remarked that the movie is an embodiment of professional and social ascension, demonstrating contradiction and personal weakness. Career morals and showbiz depiction both issues are confused through his inner incapacity and inconsistency, films of Spike Lee obstruct and aggravate rather than shed light on (White, 2001, p.
In “Characteristics of Negro Expression”, Zora Neale Hurston discusses the different characteristics of African Americans and explains why they are such a complex race with intriguing qualities. Hurston talks about dancing, Negro folklore, and originality among many others. Hurston captures the complexity of African Americans by writing about all of the different characteristics that cause them to be unique, despite sometimes being mimicked by the whites. The “common folks” that she writes about are anything but common. The “common folks” had qualities that allowed them to be innovative with their music, art, and language. Hurston uses all of these different attributes to clearly set African Americans apart from whites. She shows how wonderful it was to be African American and how it could help African Americans advance as a race. However, unlike Hughes who wanted African Americans to be proud to be African American, I believe she wrote this with the intention of showing the whites how rich and beautiful the African American is culture truly is. Hurston saw how culturally diverse and rick their folk culture was and still continues to be till this day. Hurston demonstrates the richness of the folk culture through her section titled, “Negro Folklore.” She explains it not as something old, but as something that is ever changing. She says, “Negro folklore is not a thing of the past. It is still in the making. Its great variety shows the adaptability of the black man: nothing is too old or too new, domestic or foreign, high or low, for his use.” This was an excellent example of how she decided to demonstrate the richness of the African American culture to the white world. It is an attempt to show the whites that; although there folk culture may be stuck in the past African Americans are always adapting and their culture is always to be appreciated for it is one of a
The movie “In and out” was first released in September 19th, 1997. To my opinion this film portrays our gender-coded society and I also noticed how open the characters were even if it was in 1900’s. I say that because our society has just started to adapt with the fact of having gay,lesbian,transexual,etc, amoung them without making a problem or treating them any differently.The movie used many different types of stereotypes especially for men. During the entire film, the protagonist was hesitant because he never explored his true sexuality, he was just following what his parents and what he thought would keep him away from all the drama and mistreatment from society.The movie is about a guy named Howard Brackett , he’s a middle class english
(4) Conventional is easy. Whenever an idea is generally perceived by society as standard or traditional it becomes very easy to display to the public without the raise of an eyebrow. This is the basis on which stereotypes appear in films. You’d think in the 21st century where what once were radical notions like same sex marriage and recreational drug use are being legalized that something uncalled for like the constant portrayal of character stereotyping would come to an end. Alas, stereotypical characters continue to emerge in film and unfortunately have become a staple of Hollywood because they’re simple and straightforward, requiring little effort on the part of the writers or thinking from the audience.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
With the turn of the century, society and technology evolved and so did the minstrel shows. The introduction of the television gave the shows a new platform to broadcast their content to more American audiences. While not as harsh as the shows in the 19th century’s shows, the modern minstrel shows were “vestiges of their racial stereotyping and performance aesthetics that persisted for decades in various performance mediums. ” (7).
...Their dialogues included nothing very intellectually stimulating, which would suggest a lack of intelligence. By portraying the characters as such, the film was able to represent the judgmental racial stereotypes commonly associated with African Americans.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
Ellison creates many stereotypes of African Americans of his time. He uses this to bring less informed readers to understand certain characters motives, thoughts, and reasoning. By using each personality of an African American in extremes, Ellison adds passion to the novel, a passion that would not be there if he would let individualism into his characters. Individualism, or lack there of is also significant to the novel. It supports his view of an anti-racial America, because by using stereotypes he makes his characters racial these are the characters that the Americans misunderstand and abominate.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...