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The Catholic Church in the 16th century
Catholic Church in the 16th century
Catholic Church in the 16th century
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Recommended: The Catholic Church in the 16th century
Kimberly Dallmann
ENG 315
David Aitchison
01/29/2014
Biographical Essay
Assignment 2
Final Draft
Introduction
Sor Juana Inés de la Cruz, or Sister Juana, is widely celebrated as the first woman to have had her feminist works published in the New World. Sor Juana was born a daughter of the church, and is well known for her eagerness to learn as much as she could in her lifetime. Her eagerness to learn was so extreme, in fact, that she took vows to become a nun in her late teenage years and renewed her vows just one year before her death. Two of her most famous works Primero Sueño (First Dream) and Hombres Necios (Silly Men) both strongly outline her bold feelings about the lack of education for women as well as the unfair judgements and many times the double standards that men held during her lifetime. Sor Juana was a very intelligent, devout woman of many talents and unfortunately died relatively young but single-handedly paved the way for the future of women in society.
Background
Sor Juana Inés de la Cruz was born on the 12th of November, 1651 as Juana Ramírez de Asbaje. She was born in San Miguel Napantla, Viceroyalty of New Spain (present day Mexico) to a Spanish man Pedro Manuel de Asbaje and a Creole woman Isabel Ramírez. Her parents were never married, hence she was born out of wedlock and deemed a daughter of the church. After begging her mother to let her cross-dress in order to go to college, Sor Juana’s mother finally sent her to Mexico City to live with family and there her dreams to study actually came true.
Early Career
At just three years of age Sor Juana taught herself how to read and from then on began a long journey of self-education. In 1664, as she grew into her mid-teens, Sor Juana became a child prodigy ...
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...on what becomes of the people of Aztec and Christian religions when combined.
Later life/career
After Sor Juana’s critique of a sermon given by Manuel Fernández de Santa Cruz, she was faced with a lot of pressure by the church community to discontinue her studies. From 1691 to 1692, Mexico City was hit with floods and famine and this kept her from publishing any works. In 1694, the year before her death, Sor Juana sold her entire personal collection of some 4,000 books as well as musical instruments and scientific equipment in order to appease the church community. The funds received from selling her personal collection and instruments were given as donations to the less fortunate, also known as alms. In 1695, the plague viciously took the convent Santa Paula and Sor Juana eventually died from the plague after taking care of her fellow sisters.
Critical reception
Guillermo González Camarena was a Mexican electrical engineer who was the inventor of a color-wheel type of color television, and who also introduced color television to Mexico,
The figures of Sor Juana and Catalina de Erauso are larger than life. They did things no other women (and most men) during the 17th century could have ever dreamed of. Sor Juana was a nun who, through her confined cloister, produced works of literature and theology that are now part of both the Mexican and Catholic Cannon. De Erauso on the hand roamed free, she abandoned her religious life and instead took up the garb of a man and set out for the New World. Both of these women did not do what women were expected to do. Sor Juana’s life in the covenant should have been one of quiet contemplation and De Erauso should have never left the covenant she was a part of. In addition not only did De Erauso abandon her vows but she attempted, and succeeded, at passing herself off as a man which allowed her to do things that, if her true identity was known, every apparatus available in the Empire would have brought her to swift justice. These women went against the norms of what was expected ...
Through the study of the Peruvian society using articles like “The “Problem of the Indian...” and the Problem of the Land” by Jose Carlos Mariátegui and the Peruvian film La Boca del Lobo directed by Francisco Lombardi, it is learned that the identity of Peru is expressed through the Spanish descendants that live in cities or urban areas of Peru. In his essay, Mariátegui expresses that the creation of modern Peru was due to the tenure system in Peru and its Indigenous population. With the analyzation of La Boca del Lobo we will describe the native identity in Peru due to the Spanish treatment of Indians, power in the tenure system of Peru, the Indian Problem expressed by Mariátegui, and the implementation of Benedict Andersons “Imagined Communities”.
Contreras’s writings exhibited issues that were of great concern to women. She explored single parenthood, violence, both physical a psychological against women, lesbianism, and growing old. On the contrary, she used her stories to depict the weakness of men. Her writings included sterility, jealousy, and homosexuality amongst the male sex. Her stories revealed a distinctive concern for emotions and psychological motivation. Emotions such as terror that many women are exposed to in their relations with men are prevalent in her literary works.
Sor Juana Ines de la Cruz’s upbringing greatly influenced her character. In 1648, Juana was born illegitimately in the town of San Miguel de Nepantla, located southeast of Mexico City (Trueblood 2-3). Juana’s mother, Isabel Ramirez, had an independent nature about herself. Like Juana would later do, Ramirez refused to marry (Trueblood 2-3). At the age of ten, Ramirez noticed that Juana had a large capacity for knowledge, so she sent Juana to study in Mexico City (Trueblood 3). After studying alone Juana desired to further seek a life of independence and freedom from authority.
Rosario Castellanos was born during the takeoff of feminism. She was determined to go through life differently than her mother and grandmother did. Castellanos was greatly influenced by exploring past generations, but she was also influenced by Sor Juana Ines de la Cruz. Sor Juana’s work shows how self-education convinces women to feel accepted and important regardless of what society says. Rosario Castellanos was greatly influenced by Sor Juana de la Cruz, and thus Castellanos’ works reflect her support for women in education, but in a more humorous sense. One of Castellanos’ short stories, “Culinary Lesson”, illustrates Rosario Castellanos’ firm belief that women should be educated and do things outside of the home; her influences came from her early life and from her studies of Sor Juana Ines de la Cruz. Castellanos’, Culinary Lesson, is a continuation of Sor Juana’s, “The Self, the World”, except with an added twist of humor and sarcasm.
The story of La Virgen de Guadalupe goes back to 1531, during the time of the Spanish conquest, an indigenous man named Juan Diego encountered the apparition of La Virgen who told Juan Diego that a church should be built in her honor at the top of Tepeyac hill, where she appeared, which is now in the suburbs of Mexico City.
A long time ago more than 500 years ago, there were Spanish Conquistadors who had landed in what is now referred to as central Mexico. Once here they stumbled upon populations of natives who were performing a customary celebration that appeared to simulate death. Dia de los Muertos initiated periods in the past in Mexico, where it is still commonly celebrated to this generation. This festival that takes place over 3 days is a assortment of pre-Hispanic ethnic views and Spanish Catholic philosophies. The Mexican celebration of Día de los Muertos, or Day of the Dead, proceeds over the initial 2 days in the month of November. Its beginnings are a concoction of Native American behaviors and a set of Catholic celebrations. The celebration concentrates
The story of Inês de Castro may not compare to that of the Petrichor potion or the Cure for Dragon Pox at a glance, but is none the less important in illustrating how potions can affect a large population in a short period of time.
The spanish missions in California included a total of 21 missions that were established by the Spanish Order to bring christianity and civility to the Native Americans that lived in California. The California missions were built along a path called the El Camino Real. California did not become a state until 1852 . California was actually part of the Spanish Order and was called Alta California,in 1821 Mexico got their independence from the spanish order and made alt california part of mexico. On september 9th, 1850 became the 31st state in the united states. Mission nuestra senora de soledad, which has a the of mission soledad, was founded october 9th, 1791 by the franciscan order. It was founded to help convert native americans to catholicism. Mission soledad is the 13th mission out
One of the similarities is the right to inherit property, and sell goods in the marketplace. She was under patria potestad until the age of 25, because she was illegitimate child, and her grandfather has passed away, she was sent to live with her maternal aunt’s family in Mexico City (2). Sor Juana wrote about the promise-to-marry plight of women in her poem Hombres necios que acusais describing how men seduce women and blame the woman for the indiscretion (5). Gauderman describes the Convent as an asylum for women to escape the life of a married women, which was exactly why Sor Juana joined a Convent (Gauderman 37). Sor Juana did not go to the courts for justice for women’s rights, she wrote about
“We are never more truly and profoundly human than when we dance.” Jose Arcadio Limon was a dancer and choreographer born and raised in Mexico. He was inspired to begin his studies in modern dance when he saw a performance of Harald Krutzberg and Yvone Georgi. Limon enrolled at the dance school of Doris Humphrey and Charles Weidman. He continued to work with Humphrey until 1946, when he founded the José Limón Dance Company. His most successful work is called The Moor's Pavane and it is based on Shakespeare's Othello. The Limón Dance Company still exists and is part of the Jose Limon Dance Foundation, an institution dedicated to preserve and disseminate his artistic dance work and technique. Jose Limon is important in the American Dance History
Many countries have the pleasure of celebrating Independence Days. These historic holidays are filled with nationalistic celebrations and delicious traditional food. In Chile, the natives celebrate their break from Spain with Fiestas Patrias. In Mexico, the president begins the celebration by ringing a bell and reciting the “Grito de Dolores” and he ends his speech by saying “Viva Mexico” three times.
Sor Juana de la Cruz was born into a wealthy family in 1648 that lived near Mexico City, Mexico. After being a part of the Viceregal court and a lady in waiting, Cruz begins her spiritual journey and joins the convent. Here, Cruz explores both secular and non-secular studies. She is an exceptionally talented writer with a passion for reading, learning, and writing. She is scolded for the information she writes and is told to focus exclusively on religious dogma.
Velazauez’s 1650 portrait of Juan de Pareja and Peale’s 1782 portrait of George Washington differ greatly in their places and times of origin, as well as the historical contexts in which they were painted. Their color palates and compositions appear as polar opposites to each other, and their subject matters are entirely dissimilar. Despite these apparent contrasts between the two works, they both preserve the likeness and honor the characters of their respective subjects. The comparison of these works illuminates how although both structure and context may vary significantly from portrait to portrait, there are characteristics inherent to many if not all portraits that remain unaltered even when in seemingly disparate contexts.