Silence of the lambs Advance Content Critism November 6th, 2015 Brody McMaster Silence of the Lambs, is commonly said to be one of the most famous thrillers made. After watching the film for the first time, I noticed the director had many interesting themes and concepts. Some of these themes included, good vs. evil, the search for peace, judging a book by its cover, and gender and sexuality in the workplace. The theme I found most interesting, and what I found the director made most apparent, was gender and sexuality in the workplace. The director showed that gender and sexuality in the workplace was the most noticeable theme because of the constant contrasts set between Clarice and her male co- workers, her continuous denial about her femininity, and the amount of danger Clarice runs into because as a women, she is always having to do things on her own. If you think …show more content…
Clarice was shot from high as well as low angles looking up on certain men. This is an easy, although effective way of portraying her as small and weak. The film is filled with creepy music and sound effects. Lecter is also always close and in the center of the frame, to make it feel like he is invading your personal space, another effective technique when filming successful thrillers. Lastly, the film the Silence of the Lambs has a symptomatic meaning. It reflects the theme of how women in the workplace in our modern society are accurately portrayed, and how even though Clarice was a great fit for an FBI agent, she was always put off to the side and talked down to. Overall, even though I am not a big fan of thrillers like this, I definitely enjoyed watching and depicting the film, as it was a film that displayed accurate examples and themes how a women in a man’s world is most likely
do not seem suitable to be human beings. He understands the things he does are
The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it.
...vie, the actresses that played them actually fit the role. Women usually do not have impacts on things, but in this novel, major things happened as a result of these women. These things include dishonest marriages, love affairs, wealth, power, and jealousy. This goes to show that women are not always the innocent ones in novels, or any other type of literature.
In our book club we discussed “Slaughterhouse-Five, or The Children 's Crusade: A Duty-Dance with Death” a short anti-war novel in which Kurt Vonnegut, the author, presents an important aspect of war through his tragic war experience in Dresden, which killed thousands of Germans mostly civilians, and destroyed one of Europe’s most beautiful cities. Vonnegut’s main character, Billy Pilgrim, is used to explore the various themes about life and war. He has became a prisoner of war to show the senseless destruction, pointlessness, and hate of war.
A female in film noir is typically portrayed in one of two ways; she’s either a dependable, trustworthy, devoted, and loving woman, or she’s a manipulative, predatory, double crossing, and unloving temptress. Noir labels the cold hearted and ruthless woman archetype as a Femme Fatale. A femme fatale is walking trouble, and she’s aware of it. This woman is gorgeous, refined, eloquent, and commands the attention of any room she’s in. When the femme fatale desires something, she pursues it. If there’s an obstacle in her way, she overcomes it. If she can’t handle it herself, all she needs to do it bat her eyelashes and the nearest man is all too willing to take care of it for her. In essence, the most dangerous thing about the femme fatale is her
Paula Bohince grew up in rural Pennsylvania town and still resides there. (Bohince, Paula). The theme and setting reflects a young innocent girl raped in a Pennsylvania town. The poet writes the poem from the victim’s perspective. The words give a creepy feeling of what has happened. The poem describes a young girl who was brutally taken advantage of and relays the devastating affect it had on her. The diction is very fitting for the poem. It creates a very vivid picture of the devastating affect the attack had on the girl. The diction creates a gruesome picture and tone for the reader. The use of words like transparency, black lamb and maggots generates a rejected feeling in the girl. There is no place she can hide and her feelings are constantly being eaten away.
Today, contemporary audiences and critics have become preoccupied with the role the cinema plays in shaping social values, institutions, and attitudes. American cinema has become narrowly focused on images of violent women, female sexuality, the portrayal of the “weaker sex” and subversively portraying women negatively in film. The “Double Indemnity” can be read in two ways. It is either a misogynist film about a terrifying, destroying woman, or it is a film that liberates the female character from the restrictive and oppressed melodramatic situation that render her helpless” (Kolker 124). There are arguably two extreme portrayals of the character of Phyllis Dietrichson in Double Indemnity.
... explicit meaning it has many implicit meanings, because of this most of the meaning can be taken and changed between the viewers of the movie. The gender constructions and meaning throughout this movie are in line with the time period of the movie. This movie showcases rather typical gender construction and meaning for the 1960’s.
In Mary Shelley's Frankenstein and Oscar Wilde's The Picture of Dorian Gray women are often portrayed as passive and weak characters. During the 19th century when these books were written, the proper domestic ideology was that women were naturally squeamish, defenseless, innocent beings, who needed protection from the male worlds of business and politics (Stepenoff). This theme is demonstrated throughout both of these novels through major and minor characters. In the case of Frankenstein, Shelley, who is a feminist herself, covers her book with submissive women who suffer calmly and eventually die. Similarly in Wilde's story, there are a few female characters that do not show much immediate importance, but they ultimately have a major impact on the story. Both authors portray their female characters as weak and passive, yet, despite their minor roles, these women strongly influence the men and greatly alter the course of events in each novel.
The novel “Animal Farm” was written by the author name George Orwell. Animal Farm is a novel based upon the lives of a society of animals wanting a better life for themselves living on the Manor Farm. The setting of the book is a farm called “Manor Farm”. The theme of this book is that the animals should make a stand; if they continue doing the same thing they will continue getting the same results. It is better to be free and starving, than to be fed and enslaved.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
In the novel, Sherlock Holmes The Hound of the Baskervilles, by Sir Arthur Conan Doyle, Sherlock Holmes and Dr. Watson are given a case that is paranormal. They decide to split up and Dr. Watson is given the task to stay by Sir Henry’s side while looking for clues. They cross paths against and Sherlock Holmes and Dr. Watson meet to discuss this case as a murder. They find major clues against Mr. Stapleton leading to his death. The novel explores the theme of not being ruled by fear through characters dealing with the apparent supernatural myth coming to life.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...