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William shakespeare's life essay
Analysis of William Shakespeare
William shakespeare's life essay
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Shakespeare in the Sound and the Fury
The "Tomorrow" soliloquy in Act V, scene v of the Shakespearean
tragedy Macbeth provides central theme and imagery for The Sound and
the Fury. Faulkner may or may not agree with this bleak, nihilistic
characterization of life, but he does examine the characterization
extensively.
Tomorrow, and tomorrow, and tomorrow
Creeps in this petty pace from day to day
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing (Shakespeare 177-8).
The passage suggests man is mortal while time is immortal. Time
maintains its pace independently of man's actions; it creeps through
man-made institutions eventually leading to man's death. However,
time maintains indifference towards man. Life spans are infinitesimal
in comparison to the smallest division of time. In reality, the
significance man ascribes to human existence is false: life has no
significance. Life is merely a brief episode of strutting and
fretting, "full of sound and fury, . . . signifying nothing."
Every section of the Sound and the Fury relates to Macbeth's speech.
Each narrator presents life as "full of sound and fury," represented
in futile actions and dialogue. Benjy, Quentin, Jason, and Dilsey all
emit constant wor...
... middle of paper ...
... Faulkner's views on life, a supposed
contrast to Macbeth's. After hundreds of pages of examining
Shakespeare's passage, Faulkner concludes his work with an uplifting
transcendence of nihilism. Faulkner leaves the reader with hope, the
signification of meaning yet to come.
Works Cited
Commentary. The Sound and the Fury. Olemiss Resources
http://www.mcsr.olemiss.edu/~egjbp/faulkner/n-sf.html
Faulkner, William. The Sound and the Fury. New York: Vintage Books,
1984.
Harold, Brent. "The Volume and Limitations of Faulkner's Fictional
Method." Contemporary Literary Criticism. Vol. 11, 1975.
Irwin, John T. "A Speculative Reading of Faulkner" Contemporary
Literary Criticism, Vol. 14, 1975.
Shakespeare, William. Macbeth. New York: Washington Square Press,
1992.
There would be more of an effect on the audience at the time, as it
Handling the adversity that develops within a character’s life is something that requires ultimate determination, dedication and thought. However, when the given adverse situation is handled in a violent manner, the following occurrences include downfall and destruction. Throughout William Shakespeare’s play, The Tragedy of Macbeth, he is able to convey the realistic negative consequences that may follow the effects of violence on adversity. From the very genesis of the play, Macbeth is constantly handling adversity, which at times results in various dilemmas as a result of his tragic flaw. The violent acting on adversity or challenges placed before main character Macbeth, causes him to build a “snowball effect” of downfall and dismay throughout the play. Initially, Macbeth begins handling his challenges in different manners and is constantly altering his procedure. From handling situations cautiously to thoughtlessly, or having his own opinions to none of his own at all, and finally from fighting the truth to accepting his fate, regardless of the type of task, his violent handlings of them causes his own domino effect of transformations. By applying a variety of literary techniques such as personification and foreshadowing, William Shakespeare is able to effectively prove that acting violently upon adversity has a strong potential of resulting in pure disaster.
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