Analyzing Coppola's War Narrative in 'Apocalypse Now'

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Savagery tightens its grip over the country, as the youngest of men are forced to mobilize, and take action against the impending enemy; Willard and the crew arrive at an outpost by helicopter, where other men are seen to be preparing for the war on the ground below them. Hansen mentions how Coppola’s focus is very evident in scenes like these; this scene doesn’t simply display men gearing up for combat, but also “undercuts referential illusionism, resists the “previous experience effect” of conventional narrative” (Hansen). Upon arrival, they take a patrol boat, and embark on what will be an arduous mission. As Willard and his crew descend via helicopter to the outpost, a long shot of the ground below them is given, with other helicopters …show more content…

A long shot of the sky is also given, being overcast, but with red behind the dark clouds, as opposed to blue. One can immediately notice that savagery is simply waiting to strike, and is looming over Vietnam from the way the sky is displayed. An overcast, red sky is indicative of the misfortune and havoc that is about to fall upon the realm of civilization; they choose to ignore it, falling oblivious to what will become of them, as they are too engrossed... . The long shot of the outpost, eventually zooming in as the soldiers descend, displays many men getting ready for …show more content…

Christopher Sharrett, a professor of film and theatre courses at Villanova University in Pennsylvania, writes an article for Film Quarterly, a notable film journal created by the University of California, about the characters of Apocalypse Now and how they change as the movie progresses. While mainly discussing Willard and Kurtz, he also makes a point of mentioning the other characters as well. He discusses how the emotions that Chef displays throughout the film, and this scene in particular, represent Coppola’s mission for the movie, which is “to deal solely with the psychology of the archetypal warrior in a time of cultural flux” (Sharrett 35). Willard and Chef head out into the jungle at night to gather mangoes, as Chef craves for some. The two begin to talk while making their way through the dense vegetation, and climbing over the thick tree trunks. A longer shot of the jungle is given while they are passing a clearing; light, white smoke is visible above them, as well. As Willard and Chef re-enter the jungle, Willard senses something is amiss, and Chef stops talking, carefully following after him. Leaves sudden rustle, and the two hear a loud roar, followed by a tiger racing out of the leaves. The two quickly run away back to the boat, where Chef experiences a nervous breakdown, and the remainder of the crew opens fire in the jungle,

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