Experienced and ingenious storytellers know the value of throwing away the thesaurus and using one of language’s most intricate forms of expression: repetition. Repetition is a literary technique where words and phrases are reiterated to emphasize setting, highlight a character trait or to simply keep the readers interested. However, this can come across befuddling to the point that readers either grow jaded or begin to feel manipulated. In Kurt Vonnegut’s anti-war novel Slaughterhouse Five, the author uses many repetitive images to develop the story and to create effortless conditions for the readers to follow and to embrace. Throughout the book, in both war scenes and in the protagonist's travels back and forward in time, repetitive images …show more content…
Numerous episodes of the novel might seem chaotic and incoherent at first, however they are structured according to a well devised principle. In the genesis of the novel, Vonnegut expresses, "I drive my wife away with a breath like mustard gas and roses."(5) Furthermore, four chapters later, Billy thinks that he can smell somebody's breath as he states, "There was a drunk on the other end. Billy could almost smell his breath - mustard gas and roses." (93) Finally, this the sordid stench of the corpses at Dresden a couple days after the firebombing.” (273-4). All in all, this repetition of description serves to connect the "Billy Pilgrim" portion of the novel with the narrator's own personal memories and experiences. In addition, although these events are not related to each other, they all manage to provoke the memory of the same smell to Billy. The smell of the mustard gas and roses symbolizes horrors of the past. The odd combination of mustard gas, often used as a chemical weapon, and roses, a symbol of romance, highlights how deeply the war has affected Vonnegut’s …show more content…
This sardonic phrase consistently saturates every chapter of Slaughterhouse Five. The phrase “So it goes” follows every mention of death in the novel, equalizing all of them, whether they are natural, accidental, or intentional, and whether they occur on a substantial scale or on a very personal one. “When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in bad condition in that particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorian say about dead people, which is, so it goes” (32). The phrase is used arbitrarily without regards to the importance of the number involved in the death. When the author describes the death of Billy’s father (30), it merits no more attention than flat champagne (93). The death of the 135,000 citizens (240) calls for no more consideration than the death of a single hobo with whom Billy shares a train car with (80). The recurring term reminds oneself that no matter how important death is perceived, there have been countless billions deaths before. Consequently, this detached sentiment supports both Billy and the author in dealing with war’s inevitability, inescapabilty, and delusions. Moreover, the repetition of the phrase keeps a tally of the cumulative force of death throughout the novel, thus pointing out its
Kurt Vonnegut’s Voice, Cohesion, and Rhythm in Slaughterhouse-Five Kurt Vonnegut’s Slaughterhouse-five (1969) has been acclaimed by scholars for decades specifically for Vonnegut’s iconic, albeit unusual use of voice, cohesion, and rhythm. In Slaughterhouse-five Vonnegut uses a very unique voice that has come to define most of Vonnegut’s work, specifically his use of dark humor, meta-fiction, informality, disassociation; and the famous line, “So it goes” that appears 106 times in the novel. Vonnegut’s cohesion, or more accurately lack thereof, is unique to Slaughterhouse-five as the story is told in a nonlinear order that uses various flashbacks, time travel, and “sticking” in and out of time and space to tell the tale of the main character Billy Pilgrim. Shifting from first- to third-person point of view frequently, Vonnegut alters the rhythm of the novel. To provide apologies
The tone of the first chapter of Slaughterhouse Five by Kurt Vonnegut is a mixture of candid and matter of fact, with an underlying tone of indifference and detachment. This tone is displayed throughout the chapter with Vonnegut’s use of informal language and phrases, such as the first sentence “All this happened, more or less.” He conveys this tone not only through phrases such as “and so on” or “so it goes”, but with stylistic elements with his use of punctuation, spaces, repetition, and ellipses. He uses this tone in the first chapter to set the audience up for how the rest of the novel will be written, and to display to the audience his style of writing and how it may not always be reliable.
Many people returned from World War II with disturbing images forever stuck in their heads. Others returned and went crazy due to the many hardships and terrors faced. The protagonist in Slaughter-House Five, Billy Pilgrim, has to deal with some of these things along with many other complications in his life. Slaughter House Five (1968), by Kurt Vonnegut, Jr., is an anti-war novel about a man’s life before, after and during the time he spent fighting in World War II. While Billy is trying to escape from behind enemy lines, he is captured and imprisoned in a German slaughterhouse. The author tells of Billy’s terrible experiences there. After the war, Billy marries and goes to school to become an optometrist. During his schooling, he is put in a mental institution. As it is later explained in the novel, Billy was abducted by aliens and lived on their planet in their zoo for a period of time. Throughout this novel, Billy’s life doesn’t occur in a series of events. He also doesn’t have flashbacks of certain points in his life. Instead, he lives his life through time travel. His life jumps from many points in time including his experiences in the war, before the war, after the war and also on the planet of Tralfamadore. Throughout this novel, Billy Pilgrim’s and other humans’ views on war are simple: in essence, it’s one of the most destructive things that there is, but to the aliens on the planet of Tralfamadore, war is unimportant in the long run and should not be dwelled on.
Known today as two of the most prominent American satirists, Joseph Heller and Kurt Vonnegut both served time as soldiers during World War II, Heller serving as a bombardier in Italy (Scoggins) and Vonnegut as a soldier and prisoner of war in Germany (Parr). Not coincidentally, both Heller’s 1961 novel Catch-22 and Vonnegut’s 1969 novel Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death follow the journeys of young men in combat during the Second World War – Captain John Yossarian of the US Army Air Forces and soldier Billy Pilgrim, respectively. While it is evident that these fictional novels are both set during the World War II era and convey bleak images of war, closer inspection of both texts brings to light the common
However, the books present response to war in a contrasting way. The incorporation of repetition, balance, and the idea of little control of one’s fate display parallelism between Billy Pilgrim and the soldiers of The Things They Carried while still distinguishing the existing psychological and internal contrast between them. When Billy is leading a parade in front of the Dresdeners prior to the bombing, Vonnegut
War in itself can affect many people in many different ways, wives take on twice the responsibility, and mothers mourn the loss of their child’s innocence. At the time of this novel there had been no research on what happens when you return from war. Kurt Vonnegut in Slaughterhouse-Five touches on how it is to deal with this mental illness before it was diagnosed as post-traumatic stress disorder. The author uses science fiction’s raw intensity to alter Billy Pilgrim’s imagination after he returns from the war. As he is a victim of this undiagnosed mental illness, he uses science fiction’s effect on him as a coping mechanism. Through the experiences of Billy Pilgrim, Kurt Vonnegut explores the powerful impact science fiction had on a vulnerable
This is said after every death, no matter who it is or what happened. "When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in bad condition in the particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is 'So it goes, '" (Vonnegut 27). Even Pilgrim’s own father past from a hunting accident, but Pilgrim states “so it goes” afterwards. Pilgrim nullifies the effects and sorrow of death by making it seem like a regular occurrence and feeling no remorse for it any longer. This helps him cope due to the fact that there were so many deaths that happened in the bombing of Dresden and making it seem, to him, not bad at all. If death still had an effect on Pilgrim, he’d be in tremendous pain due to his war experience. He was caught behind enemy lines, became a POW, saw his friend get executed for stealing a tea-pot, survived the severe bombing of Dresden, and after all this trauma, he is supposed to go back to his normal life of an average American working 9-5 and supporting a family of 4. No I don’t think that it is quite possible, which is why Pilgrim goes to such extreme measures to cope with his
The author, Kurt Vonnegut, saw much battle in his days of combat. He begins, not as Billy Pilgrim, but as Kurt Vonnegut, explaining his personal war experiences. He writes in first person to give the reader a primary source of what it was like to be a soldier at war. He experiences the horrific bombings at Dresden, “of which 135,000 people died—more people, Vonnegut tells us, than died in Hiroshima or Nagasaki” (Cacicedo). Vonnegut, who becomes a Prisoner Of War, is extremely traumatized due to what he saw during World War Two. Vonnegut, as well as being a POW, was forced to shovel out the dead corpses of his fellow soldiers. Vonnegut thinks back to his time on the front lines as well as his post-war life, thus creating his seminal alter ego, Billy Pilgrim who is used to escape Vonnegut’s reality. “He constantly relives his war experiences...” (Williams) through Billy. He uses this source of fiction to escape his emotions relating to this evil timespan of war. Exceedingly, Vonnegut explains in further detail the horrors of war, “his escapism and fatalistic philosophy do not protect him from the memories of the horrors” (Williams). Due to all of Vonnegut’s hardships it was not easy for him to write all of his thoughts down on paper. ...
When Roald Dahl used repetition to add to the scare factor in his short story, “Lamb to Slaughter”. Throughout the story he used repetition to emphasize things. Like when he repeats “They always treated her kindly.” and “The two detectives were exceptionally nice to her.” It was to emphasize that they treated her as the victim rather than a suspect. The repetition used made me curious when reading the story. Whenever I saw something repeated, I asked myself ‘Why would they do that?’ I became intrigued and wanted to read more and find out. By repeating, Roald created suspense and anticipation for the reader to get to the climax, prompting the reader to keep reading. In conclusion, repetition definitely made the story scarier.
In conclusion, Slaughterhouse-Five is an anti-war novel because Vonnegut, the character, says it is in the first chapter, the terrible damage it left on Billy, and how it exposes war's horrifying practices. Knowing these elements, one might wonder why people still have wars. Although these anti-war novels cannot completely stop wars, they are important. The role that such novels play is one of raising awareness of war's actions and wrongdoings. Since the role of the novels is important, authors should continue to write them to keep people informed and educated about a problem of such a huge magnitude.
This independent reading assignment is dedicated to Slaughterhouse-Five, written by Kurt Vonnegut. Vonnegut experienced many hardships during and as a result of his time in the military, including World War II, which he portrays through the protagonist of Slaughterhouse-Five, Billy Pilgrim. Slaughterhouse-Five, however, not only introduces these military experiences and the internal conflicts that follow, but also alters the chronological sequence in which they occur. Billy is an optometry student that gets drafted into the military and sent to Luxembourg to fight in the Battle of Bulge against Germany. Though he remains unscathed, he is now mentally unstable and becomes “unstuck in time” (Vonnegut 30). This means that he is able to perceive
Slaughterhouse Five, written by Kurt Vonnegut is an anti war novel told by the narrator who is a minor character in the story. Slaughterhouse-Five is the story of Billy Pilgrim, a man who has come "unstuck in time. "The bombing of Dresden is what destroyed Billy. Dresden’s destruction shows the destruction of people who fought in the war: the all the people who died. Some people, like the main character, Billy Pilgrim, are not able to function normally like before because of what they saw, because of their experience. Throughout the book, Billy starts hallucinating about his experiences with the Tralfamadorians: he wants to escape the world which was destroyed by war, a war that he does not and cannot understand. Vonnegut uses the technique of repetition.. The main repetition is “so it goes” which is told after anything related to death, he also uses other repetitions throughout the book. The major theme of the story is the Destructiveness of War. Vonnegut uses repetition to reinforce the theme of the story.
War veterans wrote Slaughterhouse-Five and The Things They Carried. Some parts of the book are made for readers to believe and the other parts give realistic examples of war. The authors introduce their plots as truth-based on purpose. In the chapter “Notes”, O’Brien admits: “that part of the story is my own.” (O’Brien 151). In the first chapter of Slaughterhouse-Five, Kurt Vonnegut begins with: “All this happened, more or less.” (Vonnegut 1). The authors create a picture for the reader on their past experiences to make their stories real. Even the parts that are fiction are not lies, because the writers have the knowledge to be able to generalize, shorten, and produce events in the book. O’Brien writes: “story-truth is truer sometimes than happening-truth.” (O’Brien 172). It seemed as if Vonnegut and O’Brien used fiction to make the story more exciting. They write abo...
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
“Slaughterhouse-Five” is an anti-war novel. It describes a flesh-and-blood world. Main character is Billy Pilgrim, he is a time traveler in this book, his first name Billy is from the greatest novelist in the USA in 19 century’s novel “Billy Budd” ; and his last name is from “The Pilgrim’s Progress” by John Bunyan. Differently, the main character in “The Pilgrim’s Progress” ’s traveling has meaning and discovering, Billy Pilgrim’s traveling just has violence and escape. In the novel “Slaughterhouse-Five” by Kurt Vonnegut ’s main character, Billy Pilgrim is sane and his time travel is half in his mind half is real. He is looked so innocent and weakness, there is a sentence which is spoken by Billy Pilgrim “So it goes.” (2) This quotation shows that a poignant sense of helplessness.