On September 11, 2001 in New York City, history was changed forever. The best and worst parts of humanity were exposed that day, and with copious deaths came a surge of love and support. It is impossible to fathom what the 2,996 victims experienced in the moments before their deaths, but we do have some glimpses into the last seconds of these innocent people’s lives. Richard Drew’s image of the Falling Man is one of the few portals we have to the catastrophic day, and it needs to be shown. By exposing people to the pure torment the victims of 9/11 experienced, people will be much more inclined to work towards preventing a similar catastrophe. The fact that people chose to end their own lives by jumping out of the building instead of slowly
In 102 Minutes, Chapter 7, authors Dwyer and Flynn use ethos, logos, and pathos to appeal to the readers’ consciences, minds and hearts regarding what happened to the people inside the Twin Towers on 9/11. Of particular interest are the following uses of the three appeals.
Imagine walking up on the scene of that fateful day of 9/11 knowing absolutely nothing apart from the talk around you, seeing the black smoke accumulating around the World Trade Centers, hearing the blare of sirens as the police cars accelerate by. Thomas Beller knew what all those things felt like. He was a simple pedestrian riding his bike going about his everyday life when he saw the black smoke, heard the sirens, and felt the whip of the police cars speeding by. Beller had no clue what was going on when he approached the scene, but in his personal narrative “The Ashen Guy” he explains his recollection of what he experienced on that historical day. Beller uses tones such as chaotic, nervous, confused, and worry to illustrate a picture of what it was like for him to approach the World Trade Center.
9/11 was one of the most devastating events in American History. Four hijacked passenger airplanes killed almost three thousand people. 9/11 changed millions of lives forever. American Citizens didn’t feel safe. This attack was a wake-up call to American security. 9/11 forced the country to acknowledge its shortcomings and fix them, before any more harm could come upon the United States of America. 9/11, as all acts of terror do, promoted the growth of technology, in this case, security in the United States. 9/11 also brought about feelings of hatred to the country. The United States soon became known as one of the most intolerable nations on this planet. Lastly, 9/11 butchered the economy and forced it down a long road to recovery.
September 11, 2001 is known as the worst terrorist attack in United States history. On a clear Tuesday morning, there were four planes that were hijacked and flown into multiple buildings by a terrorist group named al Qaeda. This group, led by Osama bin Laden, killed nearly 3,000 people. Out of those 3,000 people more than 400 police and 343 firefighters were killed along with 10,000 people who were treated for severe injuries. Many lives were taken, and to this day, people still suffer from the attack. September 11th is the most influential event of the early twenty-first century because it made an increase in patriotism, it caused a rise in security throughout the nation, and it had a tremendous effect of thousands of lives.
George W. Bush’s “9/11 Address to the Nation” is a speech in which he talks about the catastrophic event on September eleventh, 2001. Two airplanes crash into the Twin Towers in New York City on this day, shocking the entire world. He addresses this speech to the people of America on the night of the disastrous event, to let the people of the United States know what is going on. This speech explains how the United States is a strong country, the motives behind the event, as well as to bring the United States together and stronger.
¨We shall never forget, We shall keep this day, We shall keep the events and the tears In our minds, our memory and our hearts and take them with us as we carry on.¨ by: Anonymous (Memorial Website). An epic turn in history all around the world, around 3000 people lost their lives, the two world trade center’s crashed into pieces, the pentagon was crashed… all of this occurred on September 11, 2001. This date till today causes people to tear, as they remember themselves watching the event occur in person, TV or websites. The entire world was watching while it occurred. This attack caused a great impact all around the world, no one could believe what was happening and how. As soon as people got the news they realized that in a blink of an eye one of the biggest tragedies in the history of the United States of America had hit. This date caused negative impact on all kind of industries especially the aviation industry, in this paper you will learn exactly how this industry was affected.
In 1986, John Boak created a painting that depicts the horrible event that took place in Cripple Creek, Colorado in the early morning hours of June 5, 1904. An explosion destroyed the Independence train depot in a matter of seconds, killing thirteen men and injuring twenty others. In Boak's work, that horrific moment is captured as if looking up at the patchy night sky as the debris and people seem to fall down to earth. While Boak's intention may have been to portray this event accurately and capture it in time, this intended message is lost in the aftermath of September eleventh. The image no longer represents the image of a small town explosion almost a millennium ago, but rather rekindles recent memories of the events that shook the country only one month ago.
As if to mock the crumbling principles of a fallen era, “The Just Judges” preside over a solemn dumping ground of earthly hell. This flimsy legion of justice, like the omnipresent eyes of Dr. T.J. Eckleburg in F. Scott Fitzgerald’s The Great Gatsby, casts a shadow of pseudo-morality over a land spiraling towards pathos. But Albert Camus’s The Fall unfolds amidst the seedy Amsterdam underground--a larger, more sinister prison than the Valley of Ashes, whose center is Mexico City, a neighborhood bar and Mecca for the world’s refuse. The narrator and self-proclaimed judge-penitent, Jean-Baptiste Clamence, presides over his subjects every night to “offer his services,” although partially dissembled and highly suspect, to any who will listen. More artfully than a black widow preying on her unsuspecting mate, he traps us in his confessional monologue, weaving a web so intricate and complete that no one can escape its clutches.
Ralph Ellison’s Invisible Man depicts a realistic society where white people act as if black people are less than human. Ellison uses papers and letters to show the narrator’s poor position in this society.
Do we live in an imperfect world or just a world full of human flaws? In The Fall, by Noble Prize Winner Albert Camus, it gives readers a glimpse into how citizens have the desire to discover the meaning of life. Camus asserts existentialism in the book and asks the question of do you have a purpose in life. Camus expresses the philosophy of the absurd, which means that all men are guilty of something, whether it is by our actions or inactions. The crimes we fail to stop, are just as bad as committing the crimes ourselves. The book draws attention to a point in your life where you have an understanding that you are a person with flaws, faced with your personal responsibility from your actions and significantly too,
Upon first glance, Into the Wild looks as if it were about another idealistic man turning insane, by simply separating himself from the rest of humanity. However, upon further inspection, the novel is truly an intricately-woven metaphor symbolizing the inescapable order of the world and the possibility to choose one’s path in life, so long as one is determined enough to make that happen (Krakauer, 146). Furthermore, the film The Falling Man, directed by Henry Singer, explores a very similar concept: How can one control the final moments of their life? Singer uses 9/11, an infamous terrorist attack on the World Trade Center Towers in New York, as a medium to express himself and his desire to discover and delve into the amount of control humans
The non-philosophical stimulus chosen is the somewhat infamous picture of The Falling Man. Taken on the morning of September 11th, 2001 following the terrorist attacks on the United States, The Falling Man captures the headlong fall of one of the individuals trapped at the top of the World Trade Centre after he chose to, rather than await being burnt alive by the flames, take his own life by jumping from the top of one of the towers. Similar actions were taken by as many as two hundred other people. Upon seeing the photograph, nothing else to date has so sharply recalled the concept which Jean-Paul Sartre calls ‘Radical Freedom’ to my mind. The action captured is the epitome of man’s ability to exercise his free will and calls into question other existentialist concepts. The fear and despondency of man. The despair of man in face of abandonment. The anguish felt when we realise we are the only one’s responsible for ourselves and our actions. All of these concepts are raised by the stimulus, the expression of freedom conveyed by the falling man’s choice, and it will be examined to what extent it is fair to call the photograph a visual encapsulation of existentialist thought.
Finally, on that rainy April morning, we made our way down to Ground Zero. As we entered the church, the smell of stale books and soggy clothing filled our noses. It was that smell of just coming out of a fresh rain, wet hair and wet faces surrounded us. Booths displaying medical stations, sleeping areas, and food stations were set up. They were frozen statues, the ghosts of the events that took place on September 11th and the weeks after. We shuffled through the pews and lined ourselves up at the front of the church.
In Ralph Ellison’s Invisible Man, Ellison uses description of decorations such as mirrors, portraits and signs to reflect and foreshadow Invisible Man’s struggle in defining himself, especially during the stages of rebirth and perception.
In the short story “The Man Who Was Almost a Man,” Richard Wright describes how a seventeen-year-old African American boy named Dave struggles to become a man. Dave desires to be viewed as an adult, but is perceived as a boy by his family and community. He foolishly believes that he can prove he is a powerful and mature adult by owning a gun, and as a result, purchases one. However, the route Dave takes to prove he is a man reinforces everyone’s belief that he is still an adolescent. Many critics regard this piece of literature as a representation of the confinement that racial oppression created for African Americans during this time. Through this story, Wright is arguing his primary claim that the oppression Dave and other African Americans