Religious Confusion in Bless Me, Ultima
Only a few books dare to discuss the confusion surrounded by a religious awakening. In Bless Me, Ultima, Rudolfo Anaya, challenges standard religion and brings in differnet ideas through the perspective of a young and confused boy. At the end of his struggle to understand, the boy reaches the peace of mind he was seeking.
Antonio, the young boy, wants answers to the questions that have been nagging at him since he was introduced to religious ideology. He does not understand why Ultima, a close elderly friend and a healer, can save his dying uncle from the curses of evil while the priest from El Puerto with his holy water and the power of God can not lift the curse from him. He wonders whether God really exists or if the “Cico's” story of the golden carp is true. Bless Me, Ultima, is a compelling story that deals with Antonio's family, beliefs, and dreams.
Throughout the book Antonio is introduced to many new ideas. The first is the experiences he has with Ultima. Ultima is a healer who learned her techniques from an old wise man on the prairie. She is sometimes called a witch. This confuses Antonio because in his heart he knows Ultima represents good and not the evil she is sometimes blamed for. Antonio learns some of the ways of Ultima and begins to understand his surroundings. He knows the name of almost every plant and what medicinal uses each has.
The next exposure for Antonio is the myth of the golden carp. Antonio...
Anaya’s novel fits in the category of a bildungsroman. A bildungsroman is a story that deals with a person’s spiritual education, such as Tony’s education in school on how to be a preacher. An expectation of a reader of a bildungsroman should be to almost feel as if you were there with the character, going through the same spiritual experience with them. The reader should also see a growth in the character whether it be mental or spiritual. The character should share his or her thoughts and feelings. Bless Me, Ultima fulfils these expectations in easy to see and understand ways.
Life drives us to inevitable places, places where we must cross the metamorphic bridge towards the inescapable. We are not fixed individuals. We hit upon experiences for the sole purpose of change, hence, the “metamorphic bridge”. However, there are certain conditions that all living breeds are destined to encounter overtime, while abiding to a divine plan that many claim was arranged from the moment of birth. Those conditions can be considered fixed; we cannot avoid their occurrences. The ultimate one is death, and the certainty of it provokes religious ambivalence. The crossing of that bridge symbolizes various climactic points in which one results
Rudolfo Anaya’s Bless Me, Ultima is a magical-realism novel about Antonio, a young boy at the mere age of six turning seven, realizing the many cruelties the world has to offer. As he matures, Antonio is conflicted while trying to choose between the career expectations from his two divergent families and attempting to figure out a true religion. Anaya depicts hidden messages to help the reader comprehend a perceptive insight of Antonio’s inner schism through symbolism.
After reading the book, Bless Me Ultima, I realized the integral importance of religion and need for religion and answers to life’s questions. At first, while reading this book, I thought it was just about relationships and the meaning in them but as the plot progressed I realized the book, is more than that, it questions the structures that decide the rules, morals and values that society is composed of. There were three types of religion that I identified in the book that young Anthony chose to pursue. The first was the paganistic rituals of Ultima. Ultima came into the life of Tony at a very young age and had great influence n the child. Ultima saved the life of Lucas through Tony’s strength. Physical pain was brought unto Anthony because of Ultima's ritual, showing actual validity of the rituals themselves, that they were had tangibility. She brought torment on the Tenorio’s family (he was the antagonist in the book-the bad guy) saving Lucas though using ritualistic dolls and chants. This showed her magic was not only good but bad as well. Ultima guided Anthony through all of the mental and social torment during his early years of grade school. So in away Ultima was a guide for Tony through his early years to make sense of all of the storms in his early life, but also was an instrument of religion to base his life on. But in the end of the book Ultima ultimately dies and the strength he once found in her is destroyed. She is ...
In the novel, Bless Me Ultima, written by Rudolfo Anaya, two different religions are introduced. The religion of Catholicism is the religion originally practiced by the novel’s main character, Antonio. Throughout the novel, the religion of the Golden Carp is introduced and causes a crisis of faith for Antonio. Antonio must learn to choose between the conventional values of the Church and the modern beliefs of the Golden Carp by comparing and contrasting the two religions.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
The story uses many motifs, symbols and themes. First the motif is Antonio’s dreams. In the beginning of the book his dreams are about what he will become when he grows up; the choice between priest or a vaquero. Later on his dreams change to more important matters, such as family questions and his duty in life. The second motif regards Antonio’s family. He has many family members such
Although he is always trying to understand new beliefs, the Goddess, the Virgin Mary, remains in the most special part of Antonio’s heart. She represents Meeting the Goddess, as Antonio is now seeing her through mature eyes: “I fastened my eyes on the statue of the Virgin until I thought that I was looking at a real person, the mother of God, the last relief of all sinners” (Anaya 47). As he begins to discover the meaning in both his old and new beliefs, he begins to accept his spiritual questions. By understanding the fact that they cannot always be simply answered, he enters his Apotheosis and ascends as he achieves wisdom and self-acceptance.
In the book “Bless Me Ultima”, by Rudolpho Anaya, there were two families represented, the Marez family and the Lunas family. These two families were very different, but were brought together by the marriage of Gabriel Marez and Maria Lunas. Through the eyes of their son Antonio one may see the comparison of the two. The differentiation of these two families is very clearly noticeable, such as in their personalities, the expression of their religion, and their everyday ways of life.
In Rodolfo Anaya's novel, Bless Me, Ultima the author uses different settings in order to develop Antonio's sense of good and evil.
I will now examine what it means to be religious with a critical enquiry into Buddhism, Hinduism and
In essence, Antonio shows that he is unsure if he truly believes in his religion because of his acceptance of other beliefs, the new ideas that he learns, and the deaths of Narciso and Lupito. Antonio’s experiences lead him to believe that he is in charge of his destiny and he has the ability to choose what he wants, not what his parents want. In the end, Antonio determines his religious values based on what he believes in, so he tells himself to “[t]ake the Ilano and the river valley, the moon and the sea, God and the golden carp and make something new” (247). Antonio’s encounters with religion represent those who follow their religion but are not content with it. All in all, the story suggests that sometimes people want to learn other ideas to discover what fits them best.
Antonio lives in a magical world that is full deaths and sadness in his life. His dreams represented his inner interpretations of those experiences. The story of the child in Bless Me, Ultima is much more than just an ordinary child living at the time in Santa Rosa. He sees parts of the future, but doesn’t want it to happen. This boy has a grown soul that lives in a child’s body.
Smart, Ninian. "Blackboard, Religion 100." 6 March 2014. Seven Dimensions of Religion. Electronic Document. 6 March 2014.
God performs his divine acts in many ways. Jesus could perform miracles of healing and create food from nothing. These are the more conventional ways we see divine intervention at work. Almighty God, however, does not prefer these standard methods. Instead, he prefers to act in ways we humans can only begin to understand. This is very much true for the short story “A Very Old Man With Enormous Wings” by Gabriel Garcia Marquez. Within the story, a winged man falls from the sky with no meaning or purpose. The man is shrouded in mystery. Nameless and unable to communicate with the native villagers, he lives among them. His intentions are never truly known to either the reader or to the villagers. However, the biblical parallels throughout the story help us unravel the mysteries behind this strange old man. By analyzing the significance of these allegories, we can better understand the old man’s purpose while, at the same time, learning more about hidden moral teachings and criticisms in the story.