Emely Gonzalez
Bless Me Ultima by Rudolfo Anaya
AP Literature Pd.3
Topic 4
Gonzalez- Page 1
4. Explore how the three deaths witnessed by Antonio foster his religious ambivalence. Life drives us to inevitable places, places where we must cross the metamorphic bridge towards the inescapable. We are not fixed individuals. We hit upon experiences for the sole purpose of change, hence, the “metamorphic bridge”. However, there are certain conditions that all living breeds are destined to encounter overtime, while abiding to a divine plan that many claim was arranged from the moment of birth. Those conditions can be considered fixed; we cannot avoid their occurrences. The ultimate one is death, and the certainty of it provokes religious ambivalence. The crossing of that bridge symbolizes various climactic points in which one results
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Why does He allow evil to triumph the good in the world? Why does He let good people die? Tony pondered these thoughts following the witness of Narciso’s death, an unforeseen event. Narciso was the town’s drunk, but not necessarily a bad person. He acquired distinctive characteristics that was blind to the captiously critical. He was a man of the Earth, cultivating organic and virtuous substances from authentic soil. In doing so, Narciso was building his own treasure in a world filled with suffering. The night of Narciso’s death painted his true colors. He was selfless, a man with good intentions. He was willingly putting his life at risk, while protecting the flesh and blood of an esteemed elder, Ultima. “I wanted to cry out into the storm that it was not fair that Narciso die for doing good, that it was not fair for a mere boy to be at the dying of a man,” (Anaya 170). One must not disregard the fact that Tony was a child, enraged with curiosity and confusion. He questioned the level of fairness within God’s disposition. However, everything happens for
Anaya’s novel fits in the category of a bildungsroman. A bildungsroman is a story that deals with a person’s spiritual education, such as Tony’s education in school on how to be a preacher. An expectation of a reader of a bildungsroman should be to almost feel as if you were there with the character, going through the same spiritual experience with them. The reader should also see a growth in the character whether it be mental or spiritual. The character should share his or her thoughts and feelings. Bless Me, Ultima fulfils these expectations in easy to see and understand ways.
Many people in the world are pressured into a job or marriage that they don't long to be in, and don’t know how to cope or choose what to do. In Bless Me, Ultima Antonio experiences the same concept with his parents; his mother has her heart set on him being a priest, but his dad longs for him to be a cowboy, and Antonio doesn't know what to do. But, Antonio shouldn't be pressured to choose between the occupations or his fate , he should discover what he desires to do and figure out himself. One of the main themes of Bless Me, Ultima is the value of Independence, and Anaya uses juxtaposition to reinforce it.
After reading the book, Bless Me Ultima, I realized the integral importance of religion and need for religion and answers to life’s questions. At first, while reading this book, I thought it was just about relationships and the meaning in them but as the plot progressed I realized the book, is more than that, it questions the structures that decide the rules, morals and values that society is composed of. There were three types of religion that I identified in the book that young Anthony chose to pursue. The first was the paganistic rituals of Ultima. Ultima came into the life of Tony at a very young age and had great influence n the child. Ultima saved the life of Lucas through Tony’s strength. Physical pain was brought unto Anthony because of Ultima's ritual, showing actual validity of the rituals themselves, that they were had tangibility. She brought torment on the Tenorio’s family (he was the antagonist in the book-the bad guy) saving Lucas though using ritualistic dolls and chants. This showed her magic was not only good but bad as well. Ultima guided Anthony through all of the mental and social torment during his early years of grade school. So in away Ultima was a guide for Tony through his early years to make sense of all of the storms in his early life, but also was an instrument of religion to base his life on. But in the end of the book Ultima ultimately dies and the strength he once found in her is destroyed. She is ...
In Bless Me Ultima, Tony embarks on a rocky journey to discover who he is and what he believes. Tony must make the transition from a naïve six year old boy to a mature man. His experiences continually call his basic beliefs into question, and chip away at his innocence. For example, when he witnesses the brutal death of Lupito, he starts to question many ideas; sin, good and evil, punishment, and his faith. He begins to see the world of man as violent and sometimes ruthless, not the friendly, loving world where he had previously resided. He even becomes concerned about his own father's salvation because of Gabrielle's involvement in Lupito's death and begins to see his father as less than perfect. Death continues to haunt him when Narciso, a good man, is killed defending Ultima, while Tenorio, an apparently evil man, is spared. These outcomes are not what he believes should have occurred and yet again, a piece of his innocence is stripped away as he sees life is not always fair. He is beginning to realize that he must define his own beliefs.
Bless Me, Ultima is a story about the maturation of a young Mexican-American boy, Antonio M’arez, struggling with many questions about his destiny, life and death, and good and evil. Ultima who comes to live with Antonio becomes his caretaker and his teacher. Antonio learns there are powers in the world that differ from his beliefs in the Catholic faith. Ultima teaches Antonio “that the tragic consequences of life can be overcome by the magical strength that resides in the human heart”. Ultima shows Antonio how to experience the magic of life with his heart and not with his eyes. For the first time, he sees the river not as something to be feared but as a source of life, “I had been afraid of the awful presence of the river, which was the soul of the river, but through her I learned that my spirit shared in the spirit of all things”. The river is both creative and destructive in nature. It is this new magical way of seeing the river that will help Antonio understand many of the events that occur in the novel.
Not only is human connection vital to live a happy and joyful life, but it is necessary to create a legacy, and thus live on through others. But in order to do this, one must first overcome their ego and their sense of self. Once all of the “I” thoughts are gone, one can relate, but fully understand, the higher powers as well as other human beings around us. However, it is important to accept that we may never fully understand the driving force of this universe. While it can be experienced, and we can briefly get an idea of what it is, it is impossible to define these concepts in words, because we don’t have a language that transcends what we can understand. And though many recognize that these concepts could never be fully understood by the human brain, determined minds continue to ask questions that will never have an answer, “pushing their minds to the limits of what we can know” (Armstrong,
...vels, "my principal design was to inform you, and not to amuse you,". The book is designed for the reader to understand that the negative consequences in the search for ultimate power and control which far outweigh the gains. Immortality and divine control may comfort the instinctual and primal fear of death, but it will do far greater harm than good. By trying to defy nature, nature will inevitably regain control; everything is temporary and nothing was meant to outlast time and space itself.
"A work of literature must provide more than factual accuracy or vivid physical reality... it must tell us more than we already know." - E. M. Forster
One’s worldview is usually dependant on how the particular individual interprets life and its occurrences. Additionally, if one believes something to be so, it will be so to them. It’s all a matter of perception. However, which perspective is truly accurate: Agnosticism, Theism, or Deism? These three worldviews have been the subject of countless debates throughout history and that have yet to be concluded. The purpose of this philosophical essay is to suggest that theism is likely to be considered the correct worldview.
In Bless Me, Ultima, Rudolfo Anaya defends the assertion, “for in much wisdom there is much grief, and increase of knowledge is increase of sorrow,” from Ecclesiastes. Tony endures many trials throughout the novel, therefore increasing his knowledge of life but also increasing his grief and sorrow. After witnessing Lupito’s death, Tony realizes that people are not always what they appear to be. Tony also begins to question his religion because of trials in the novel, some of which include Lucas’ cure and the sighting of the golden carp. In his trek during the blizzard, Tony learns of his brother’s sinful doings and he witnesses the death of a good man. Tony gains much knowledge in these scenes, but, unfortunately, with this knowledge comes grief.
Smith, Andrew. "Chapter Nine: Life After Death." 2014. A Secular View of God. 12 May 2014 .
People face many different challenges everyday. But there is one obstacle we will all face, something we can not run from; death. Even back in the biblical days, humans found a way to make death more appealing. Reincarnation and incarnation are just two of the hundreds of beliefs about the afterlife. Morrie Schwartz found his own comfort with death, as does the rest of the world. Established on Jewish belief and Morrie’s conclusion on reincarnation, we can resolve that death can not just close doors of opportunity for us, but rather open other doors too.
On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which story he or she thinks is true, but rather what story he or she thinks is the better story. In real life, this applies in a very similar way to common belief systems and religion. Whether or not God is real or a religion is true is not exactly the point, but rather whether someone chooses to believe so because it adds meaning and fulfillment to his or her life. Life of Pi is relevant to life in its demonstration of storytelling as a means of experiencing life through “the better story.”
...ed in it's course is fixed by the nature of the being's life. For the human being's life, what is inevitable, inescapable, and predetermined in its course is that for one's own life to exist it must be sustained and generated by itself.
ABSTRACT: Curiously, in the late twentieth century, even agnostic cosmologists like Stephen Hawking—who is often compared with Einstein—pose metascientific questions concerning a Creator and the cosmos, which science per se is unable to answer. Modern science of the brain, e.g. Roger Penrose's Shadows of the Mind (1994), is only beginning to explore the relationship between the brain and the mind-the physiological and the epistemic. Galileo thought that God's two books-Nature and the Word-cannot be in conflict, since both have a common author: God. This entails, inter alia, that science and faith are to two roads to the Creator-God. David Granby recalls that once upon a time, science and religion were perceived as complementary enterprises, with each scientific advance confirming the grandeur of a Superior Intelligence-God. Are we then at the threshold of a new era of fruitful dialogue between science and religion, one that is mediated by philosophy in the classical sense? In this paper I explore this question in greater detail.