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Literary theme in the yellow wallpaper
The conflict of the yellow wallpaper
Literary analysis of the yellow wallpaper
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Because writing is inherently romantic in nature, throughout the history of literature, we see many authors' insights into the enigmatic and often ambiguous subject of love and relationships. Three short stories penned by three separate American writers deal with such matter: Charlotte Perkins Gillman in "The Yellow Wallpaper", Kate Chopin in "The Storm", and Nathaniel Hawthorne in "Young Goodman Brown." Though the relationships presented in each of these stories are unique in their own persuasion, the same underlying theme runs true in all. At first glance all of these relationships may appear healthy in their existence; however, further introspection uncovers specific maladies which I believe elicit much of the discord which arises within each of these writings. All of the husbands in the aforementioned short stories evoke, though some more subtly than others, varying degrees of conflict.
Gillman's "The Yellow Wallpaper" is a story pertaining to, and narrated by, a women suffering from depression after the recent birth of a child. Although the name of the women in the story is never revealed, many believe this is short story is an excerpt from the author's life. Much of the setting of the story takes place in an aging mansion recently inhabited by the narrator and John, the narrator's husband. Due to her affliction and under strict instruction of her husband John, who is also a physician, the narrator is sentenced to bed rest in one of the upper rooms of the house. The walls of the room in which the narrator is forced to occupy, are enveloped with decrepit yellow wallpaper displaying an irksome pattern which, coupled with the ennui of doing nothing, works in a maleficent manner on the mental sanctity of the narrator. The ...
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...horne suggests in his writing that Brown fell victim to the latter. "Often, awakening suddenly at midnight,", Hawthorne says of Goodman Brown, "he shrank from the bosom of Faith; and at morning or eventide, when the family knelt down at prayer, he scowled and muttered to himself, and gazed sternly at his wife, and turned a Many, I am sure, could interpret or acquisition other sources of conflict for each of the three given stories, as could I. However, I have shown that the ultimate inception of discord must be attributed to the husbands in these stories. Though with varying degrees of distinctness, John's inability to truly understand his wife's needs in "The Yellow Wallpaper", Bobinot's apathy towards Calixta in "The Storm", and Brown's want of faith in "Young Goodman Brown", each act as the kindling used to incite the flame of conflict within these writings.
Kassin, Saul, and Lawrence Wrightsman (Eds.). The Psychology of Evidence and Trial Procedure. Chapter 3. Beverly Hills: Sage Publications, 1985. Print.
Clara Barton was born on December 25, 1821 (Cobb, 2014). Her full name is Clarissa Harlowe Barton and she grew up in North Oxford, Massachusetts (Cobb, 2014). When she was young she was constantly found helping and taking care of others, whether it be her brothers and sisters or neighbors according to the article Barton, Clara. She was taught to read by her sisters and taught mat by her brother (Cobb, 2014). Clara also for a time was a teacher. She taught in a town called Bordentown, New Jersey and raised enrollment from six students to six hundred students by offering to teach for free so that parents did not have to pay in order to send their children to school. She probably would have continued to teach except for the fact that when the town chose a principal they passed over her and chose a male. She then resign from the school (“Clara Barton Biography,” 2014). She then for a time worked the as a clerk in Washington, D.C. in the Patent Office until harassment and new presidency left her without a job ("Blood facts and,”).
“The Yellow Wallpaper” is a story about an anonymous female narrator and her husband John who is a physician who has rented a colonial manner in the summer. Living in that house, the narrator felt odd living there. Her husband, john who is a physician and also a doctor to his wife felt that the narrator is under nervous depression. He further mentions that when a person is under depression, every feeling is an odd feeling. Therefore, the narrator was not given permission by John to work but just to take medication and get well fast. This made the narrator to become so fixated with the yellow wallpaper in the former nursery in which she located. She was depressed for a long time and became even more depressed. This ha...
In 1835, Nathaniel Hawthorne published the tale of “Young Goodman Brown,” a tale that illustrates many configurations of symbolism used to leave the reader planting the pieces together through his characteristics of detail and imagery. Hawthorne’s prime analogy expressed throughout this tale is the loss of vulnerability and pureness when reaching maturity.
Nathaniel Hawthorne’s “Young Goodman Brown” captivates the reader through a glimpse of the Puritan church. The story also shows the struggle of good versus evil in the main character Goodman Brown. The role of the Puritan church is crucial in shaping Goodman Brown’s personality and helping the reader understand why he was reluctant to continue his journey.
The Yellow Wallpaper is a popular book when discussing psychology in the late nineteenth century. The author, Charlotte Gilman, wrote her experience of mental illness through her narrator. Gilman suffered with depression after giving birth and she never fully recovered from it. (Gilman 95). The narrator is depicted as a woman who has been diagnosed with what was called a nervous disorder. Her husband, a psychologist, gave her several different tonics and other substances that are supposed to make her better. She was also put on bed rest meaning that she was not able to work or do anything that would tire her out. She is told to go and rest several times during the story and it is evident that her ‘psychosis’ gets worse when she is forced to stay in her room and rest for the majority of her days and all night. She begins to see women in the pattern of her wallpaper and she becomes obsessed with it. The narrator becomes very protective of her wallpaper and gets almost jealous when she sees her sister-in-law looking at it and touching it. She even says “no person touches this pa...
Food. It is essential for survival. Without it, people die. However, oddly enough, many struggle to live without it to accomplish the standards that our culture has created for us. We are taught that being thin is perfection and will lead to a happier life. However, lurking are the health risks that one pays for obtaining the “perfect body”. Still, along with a distorted body image, others struggle with keeping weight down and fall into the diet fads that the world parades. From movies, magazines, and television, the media also sends us messages that being fat is bad and unhealthy while being thin and beautiful is acceptable. The impact of such influences has increased eating disorders in America. These disorders do not discriminate. Anyone regardless of age, sex, race, or background can develop one and without help it can lead to death.
In scene III of Dr. Faustus written by Christopher Marlowe, Marlowe uses powerful diction and shifting syntax to portray Faustus’ attitude toward his own self-image. This pattern of powerful diction and syntax changes suggests that Faustus’ attitude transitions from a powerful attitude, to an impotent attitude and back.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In “The Yellow Wall-paper by Charlotte Perkins Gilman, the unnamed female protagonist is going through a rough time in her life. (For now on, this paper will refer to this unnamed character as the “the narrator in ‘Wall-paper,’” short for “The Yellow Wall-paper. The narrator is confined to room to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two heroines of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters.
Laukkonen, Jeremy, and Allegra J. Lingo. WiseGeek. Conjecture, 26 Dec. 2013. Web. 14 Jan. 2014.
Marlowe, Christopher, The Tragical History of the Life and Death of Doctor Faustus. Revised Edition Signet Classics New York, 2001. Print.
The Tragic History of Doctor Faustus is Marlowe's misreading of the drama of the morality tradition, the Faust legend, and, ironically, his own Tamburlaine plays. In the development of the character of Doctor Faustus, we find one of the supreme artistic achievements of English dramatic literature, a milestone of artistic creativity and originality. The force of Marlowe's dramatic poetry resonates with lyrical intensity in its dialectic between world and will. Not only is Faustus the first true dramatic character of any psychological, moral, and philosophical depth in English literature of the modern period, but in his creation of this unique character we see Marlowe on the verge of Shakespearean characterization, that supreme artistic achievement that Harold Bloom calls the invention of the human personality.
Marlowe's dramatic activity comprises six brief years, from 1587 to 1593. Yet those six years produced six splendid plays. As the writer of genuine tragedy, all his works illustrated his individualistic conception of tragedy. The classical Greek conception modified by the Renaissance spirit, the conception which portrays `the struggle between the overweening soul, typically Renaissance in its insatiable ambition, and the limitations which it seeks to overcome'. Doctor Faustus was probably written in 1592, although the exact date of its composition is uncertain. The idea of an individual selling his or her soul to the devil for knowledge is an old motif attached to the historical persona of Johannes Faustus. The immediate source of Marlowe's play seems to be the anonymous German work Historia von D. Iohan Fausten of 1587, which was translated into English in 1592, and from which Marlowe lifted the bulk of the plot for his drama.