Reflection Paper On A Public Concert

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As artists and artistic supporters, we have grown accustomed to the best, or at least what is considered to be the best, music to be created by the most professional, preeminent, and incomparable of artists. The audience member with the most refined palate, seeks out performances and performers which they know will be moving and leave them with a sense of musical ecstasy. Are the greatest of these musical interpreters always adults? Does one have to live a fully emotionally realized existence in order to offer music with those same qualities? For the longest time I felt that very clear answer was always, yes. Little did I know that by attending a public concert would I challenge my own personal ideology of what makes quality music. Known, because of the grape the region is most known for, as the “Zinfandel Capital of the World,” Lodi, California can be found in the northern part of the Great Central Valley of California. As a wine growing region in California, Lodi remains, in some public and misinformed critical opinions and by no means wine quality, inferior to the growing regions such as Napa and Sonoma …show more content…

Much to my excitement I found a bevy of music by unexpected composers. This concert program featured piano, violin, ‘cello, and voice students ranging in age from 7 to 16. It was thrilling to see that people, this young, would be presenting works by Grieg, Schumann, Schubert, and Mendelssohn. It was wonderfully surprising to see students from a relatively rural community performing with such poise and professionalism. The two voice students sang one piece each. Both songs were from Robert Schumann’s Dichterliebe. The beauty and lyricism of Im wunderschönen Monat Mai and Ich Grolle Nicht were able to shine through, even from a young soprano and baritone singer, respectively. The ‘cellist offered the Allegro vivace from Mendelssohn’s Sonata in B-Flat Major, Op.

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