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Two ways that the media influences stereotypes
Two ways that the media influences stereotypes
Concepts of stereotypes
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Racial and Ethnic Stereotypes
People being generalized based on limited and inaccurate information by sources as television, cartoons or even comic books (Tripod). This is a definition that seems to go against many public standards. The above words are the exact definition of stereotypes. Stereotypes as understood from the definition, goes mostly hand in hand with media -- only not the regular meaning of the innocent media we know. Media propaganda is the other form of media that is rather described as media manipulation. In this paper, the following will be discussed: first, how stereotypes of ethnic groups function in propaganda, why does it function so well, and finally, the consequences of these stereotypes on the life of Egyptians in particular in society. A fair examination will be conducted on this example of stereotypes through clarification examples and research results from researches conducted from reliable sources. The real association between Egyptians’ stereotypes and propaganda discussed in this paper shall magnify the association of stereotypes and propaganda in general.
It seems necessary for this paper to start with some clarification of the terms associated with propaganda. Propaganda can be thought of as a foster parent for stereotypes. Propaganda is known to be the intentional manipulation of public opinion through hidden messages in advertisements and other media functions. Thus, propaganda uses many techniques to be able to deliver theses hidden messages to the public and influence their opinion. Fear, brainwashing, name calling, glittering generality, misinformation and much more are some of the techniques that propaganda uses to influence and manipulate the opinions of the majority. Propaganda finds the usefulness of stereotypes in the fact that it’s easy, fast and straight to the public. In the case of stereotypes about ethnic groups, Egyptians in this case are being portrayed as uneducated, unethical, ignorant, desert animal raisers, terrorists and uncivilized ethnic group. These name calling and misinformation techniques are what propagandists use to manoeuvre the society to portray Egyptians as humans of the underworld and Egypt as a deserted country that hunger and illness are its residents. The previous are all stereotypes that are propagandas of the media to convert such generality into truth and facts.
Racial stereotypes specifically function mostly through propaganda of the media, due to the unlikelihood of every man travelling to every country, using the technique of ‘misinformation’ through movies, shows, and news reports. Egyptians have been stereotyped as desert residents for many years regardless of the reality and actual state of Egypt as a country.
the deities and attempt to explain the psychological necessity of these rituals. An examination will be made of the typical forms of rituals, and cite their effects,
This study examines stereotyping of Arab Muslims in the New York Times for the past forty years. Theorists suggest that stereotyping of a minority group effects the public's opinion of that group. Other communication media theorists say that only under extreme conditions will the negative stereotypes reflect the publics' opinions of the portrayed minority group. The parallel theory between propaganda and stereotyping by the mass media is examined. Theorists including Thomson, (1977) & Myers, (1992), related to mass media effects strongly agree claiming that repetitive and non-contradictive images in the media are an effective form of propaganda. The research samples are random article reviews of the New York Times for the past forty years. Using every fifth year and 2 random numbers ranging from 1 to 12 is used to select an article search date. Islam was the search term. The Gudykunst & Kim( ? ) method of analyzing a stereotype is used to evaluate the 8 New York Times articles. The results indicate 95% of the articles were "vague," labeling entire group rather than individual. Out of the total 100%, 70% of the article used unfavorable trait characteristic labeling.
Furthermore, in this same passage, Joseph Conrad describes this whole ordeal as actually being a rather unselfish idea. He says that the men doing all of this in Africa are actually making some sort of sacrifice. Also, in the passage it says that this is something others will “bow down before” and worship. What the Europeans were doing in Africa should in no way be worshipped or seen as a sacrifice. They did not sacrifice themselves; if anyone were sacrificed in this situation, it would be each and every one of the innocent Africans. This idea that Conrad presents could definitely be seen as racist, because what those men did was not right by any means, and they should definitely not be worshipped for it (page 8).
For many years, racial and ethnic stereotypes have been portrayed on multiple television programs. These stereotypes are still illustrated on a day-to-day basis even though times have changed. Racial or ethnic stereotypes should not be perpetuated on certain television programs. These stereotypes provide false information about groups, do not account for every person, allow older generations to influence younger generations, create tension between groups, and affect people in many ways.
The next stop on this exploration of this book is chapters seven through nine which reviewer Geoffrey Sutton says “seems to be the center point in his book” (372). These three chapters go into in depth analysis of the Old Testament, New Testament, and Koran, respectively.
As a group, we believe that popular culture does in fact perpetuates stereotypes. Television is a main source of information of popular culture. Television has forever changed how humans have interacted with another and introduce a world of diversity and knowledge. But with this profit, television has also harbored negative aspects. As a group, we studied how racial stereotypes are portrayed in television. In the history of television, different racial and ethnic groups have been widely underrepresented and television itself has been overwhelming represented by white figures. And when racial groups are presented on TV, the characters are often played in limited roles based on stereotypes. A stereotype isn’t necessarily untrue, but it is an assumption based on an incomplete and complex ideas that are oversimplified into something that isn’t what it meant to be, and it’s usually negative. For example, African Americans are often depicted as violent or involved in some kind of criminal activity. Their characters often portrays a person who is always sassy and angry or that isn’t intelligent and won’t succeed in life and inferior to whites in some manner. Asian characters are
Rituals: A ritual is a prescribed or formalized action that dramatizes religious symbols. The main ritual I noted was prayer. Rituals are repeated in order to attain or sustain an individual’s contact with ultimate relevance and to consolidate the cohesion of the community. The origins of rituals are often explained in myths. Many rituals are reenactments of myths. The performance of rituals usually involves the use of symbols.
In India there are many religious rituals. Some are the same as in the United States of America. They have Muslim and Christian rituals. Some of these rituals the Muslim and Christians of the United States of America participate in. Religious rituals make a huge impact on India’s culture. India’s culture would not be the same without these religious rituals. (“Indian Culture”)
In many circles of the world, various groups of people distinguish themselves from one another through religion, language, culture, and sometimes gender. People also develop stereotypes about a particular group of people in order to identify them. However, most of the time, these stereotypes hold true for only some members of a group. Sometimes, these stereotypes are just plain misconceptions that do not even apply to the group they claim to be. Stereotypes are placed on people because it is a way to easily identify what type of person or ethnicity an individual is.
In essence, everything we do is a ritual. Rituals are tradition, a way of gathering people together to celebrate; to mourn; to live. They are also a way of conforming; religious rituals may make people feel better because the known is better than the ‘unknown’. From mundane things such as shopping to important ones like remembrance services for those who died in wars. It is my objective in this essay to try to explain in what ways that rituals affirm communities (if they do) and what role they take. To do this I will use three historical periods to outline my argument that rituals overall help to unite communities most of the time. Through the use of repetitive actions the community is positively bolstered by connecting with the pas, and potentially increases the level of belonging and attached one feels to a location.. The periods are: Renaissance Italy, Colonial India and Contemporary Western Europe. Using these three time periods as an overall starting point, rituals in communities shall come to light, and their importance and role shall be discovered. Ritual actions are different from ‘every day’ actions. A ritual is formalised, collective, institutionalised and kind of a repetitive action. Rituals function as rules of conduct which guide the behaviour of men and women in the presence of the sacred and can appear as the legitimation of secular authority, but there are also ‘rituals of rebellion’ which will be explained later. Ritual is a word derived from the word ‘Rite’ and refers to the liturgical practices of the church. The invention of an idea of ‘ritual’ as a distinct form of activity came from the Protestant reformation. The Protestants condemned this idea; they saw the word ritual as something to describe the disrepu...
Stereotypes In the Media Stereotypes play an important role in today's society and particularly in propaganda. According to the Webster's Dictionary, stereotyping is defined as a fixed conventional notion or conception of an individual or group of people, held by a number of people. Stereotypes can be basic or complex generalizations which people apply to individuals or groups based on their appearance, behaviour and beliefs. Stereotypes are found everywhere in the world. Though our world seems to be improving in many ways, it seems almost impossible to liberate it from stereotypes.
Stereotypes are a fixed image of all members of a culture, group, or race, usually based on limited and inaccurate information resulting from the minimal contact with these stereotyped groups. Stereotypes have many forms: people are stereotyped according to their religion, race, ethnicity, age, gender, color, or national origins. This kind of intolerance is focused on the easily observable characteristics of groups of people. In general, stereotypes reduce individuals to a rigid and inflexible image that doesn't account for the multi-dimensional nature of human beings. One example of stereotypes is the categorization of the Jews in the Elizabethan era.
I agree with that fact that his use of offensive terms for the African, definitely shows, at least a more modern day reader, that the narrative is racist. I also agree with his view that the presence of what should be the main subject of the novella is very absent in many parts of the novella, the Africans. As Achebe states on page 346 of the Norton critical edition, “But more importantly by far is the abundant testimony about Conrad’s savages which we could gather if we were so inclined from other sources and which might lead us to think that these people must have had other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow and his dispirited band”. Even with all this said I would not completely condemn this book as Achebe does because I don’t believe Conrad really intended it to be racist. It might be a very racist novella as Achebe states but, much of that racism can be contributed to the time period, and the novella it gives an interesting view in other aspects such as its depiction of
In his essay "An Image of Africa: Racism in Conrad’s Heart of Darkness" Chinua Achebe argues that Joseph Conrad 's novel Heart of Darkness is a racist piece of art. Achebe believes that Africa and Africans are represented in the novel through Conrad 's eyes, not the way they really are, which gives the reader the wrong impression about the continent and the people as a whole. He also assures that the racism found in the novel is because Conrad 's own racist ideas and beliefs. Conrad 's intentions, whether he is a racist or not, are not clear, as the novel is written from the perspective of a foreign white man in a strange country. Conrad does not intend to be a racist, but his novel Heart of Darkness may look like to be one.