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One of the last plays by William Shakespeare was a play that moved beyond tragedy, but voices Shakespeare’s self reflection while he leaves the field of theatre. The Tempest by Shakespeare tells a story about a duke, Prospero who is exiled with his daughter to an island where there are few inhabitants. Prospero finds opportunity to still rule over these select few on the island by developing magical powers with the help of his slave, Ariel. Although Prospero has magical abilities, he also uses other tactics to get what he wants from people. In Shakespeare’s The Tempest, Prospero uses his tactic and power of manipulation to control other characters, like Miranda, Caliban and Ariel to gain their loyalty. Each of these characters are manipulated …show more content…
Miranda is perceived as “what’s dearest to the world” and “the top of admiration” making her seem flawless (3.1.47-49). But, everything that Miranda knows was taught to her by her father; she has no personal reality or opinions rather than what Prospero has told her. In John Hunt’s work, “Prospero’s Empty Grasp” Miranda is pointed out to be “laid asleep by his [Prospero] magic” when she asks to many questions that Prospero does not want to answer. Hunt goes into discussing how putting her to sleep was a way to stop her curiosity because Prospero may not trust her with his secrets and his high knowledge (Hunt 290, 295). Miranda has full trust and loyalty in Prospero, even when he does not have full trust in her and lies to her. Prospero lies to Miranda about what really happened to get him exiled from Milan to make him seem like a better leader than he was. Prospero defenses his side by stating to Miranda: “So dear the love my people bore me, nor set/A mark so bloody on the business, but/With colors fairer painted their foul ends…” (1.2.168-170). In these lines, Prospero tells Miranda how much the people loved him and how great he was until his brother overthrew him even though that is not true, but she still believes him. Miranda has no other reason not to believe Prospero about what happened, even though the real story is that Prospero neglected his kingdom. As …show more content…
Once Prospero is mean to Ariel, he soon becomes nice and sweet talks Ariel into doing more favors; this is a tactic of manipulation. Ariel is one of the most loyal to Prospero than anyone else on the island and genuinely cares for Prospero. Karol Berger explains how “Ariel, the performer of magic, appear in his true form… only to Prospero; to all others either he is invisible” or in the form the Prospero wanted (Berger 217-218). This shows how Ariel is loyal to Prospero because only Prospero can see him in his true form. Ariel goes to great lengths for Prospero’s appreciation, like causing a shipwreck and controlling the seas (1.2.246-253). In addition, Ariel sees Prospero as a hero and this “great being”; Ariel performs “his orders faithfully as the medium through which Prospero transmit the influences to the person whom he acts” then Prospero is shown to have magic (Berger 215). In reality, Ariel is the only one that has true magic, but he is manipulated by Prospero and makes it seem like Prospero controls the magic and Ariel is a helper. So on, Ariel not only takes orders from Prospero, but reminds Prospero of worries and things that Prospero still has to do. For example, when Prospero forgets about Stephano, Caliban, and Trinculo are plotting against Prospero, Ariel reminds Prospero about it, so they do not rob him (4.1.202-205). On another note, Ariel is still promised
kindness and innocence portray heart" (line 8/9) and this contrasts. to her father who is not as concerned as she is "Tell your piteous heart there's no harm done" (line 14). Prospero's power and control over Miranda is something that really stands out, "obey and be attentive" (line 38) and it is clear that she. respects him, "my dearest father" (line 1.) At first one may presume that Prospero is an evil man for causing the tempest, but I feel that He loves Miranda very much and would do anything to protect her.
Through the play, The Tempest, Shakespeare showcases Prospero’s intellectual discovery of his limitations as a mortal and the consequential rediscovery of his human morals. Prospero showcases his initial hatred towards the royal crew, rooted from past betrayals, as he says “They now are in my power. And in these fits, I leave them”. The truncated sentence emphasises Prospero’s cruel and revengeful mindset, depicting his firm belief in “power” being the tool for vengeance. However, a dramatic change in Prospero’s attitude can be seen, as he makes an unexpected discovery of human mortality following Ariel’s monologue. He says,“We are such stuff as dreams are made on; and our little life is rounded with a sleep,”, the “sleep” symbolising death, and the metaphor of “dream” highlighting Prospero’s intellectual discovery of life’s fragility, where one’s memories and earthly possessions are temporary. Through the alliterative “such sleep” and “little life”, Prospero emphasises the insignificance of human life, and with it, the insignificance of his art. As he discovers the futility of his power in the face of mortality, Prospero rediscovers his humanity and gains a renewed understanding of the futility of vengeance. He says, “My charms I’ll break….They shall be themselves”, juxtaposing to his initial cruelty and will to revenge and hence portraying the change in his perception. Therefore, the renewal of
But with Prospero informing Miranda of this at such a late stage in her life is this Prospero as a control freak only allowing his daughter Miranda to know the truth when he feels it is time or is it Prospero being caring keeping this information from Miranda until she is of an age when she can fully understand who she is and where she came from?, again it is not clear to see if Prospero's intentions are for his own good or the good of his daughter.
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
Prospero’s Abuse of Power in The Tempest. In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires.
Prospero has an interesting relationship with his daughter. Prospero talks and Miranda listens unwillingly. She does not pay attention and Prospero always seems to inform her. "Dost Thou attend me?" (1.2. 77).
The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.
The illusions of justice and freedom, and what they truly are, has been a reoccurring theme throughout the works. The definitions of justice and freedom have become so construed throughout the times. In William Shakespeare’s The Tempest, Prospero tries to enthrall his audience in his narrative of social justice. The idea of justice the play portrays represents one individual who controls the fate of all others. Their freedom is controlled by the interference of those around them. Although he spends most of the play righting the wrongs done to him, he is misdirecting so to hide his true motive. Prospero misconstrues the definitions of justice and freedom by enslaving Ariel and Caliban, using magic for his own good, and creating a false happy
This book consisted of a variety of William Shakespeare’s plays. The Tempest was the main focus for the presentation. The play demonstrated a love story, some tragedy and magic consisting of many characters such as Prospero, Ariel, Miranda, Caliban, Ferdinand, Trinculo and Stephano. Prospero made a love match with his daughter Miranda and the Prince of Naples, Ferdinand, through his magical powers and the help of his spiritual servant Ariel. Prospero’s used his magical powers to create a shipwreck leading the men from Naples including the Prince stranded on a disserted island. As they embark the disserted island, Caliban who is Prospero’s
The reader may also see the qualities of a Renaissance man that allow him to control people and situations using his physical and social skills. Physically, Prospero is nigh omnipotent and his servants, Ariel and Caliban, fear him. However, this fear is not just due to his physical attributes, but also due to his competence as a magician. The dealings that Prospero has with Alonso and Antonio, both of whom had conspired against him, best portrays his social faculty. When Prospero comes across Gonzalo, Antonio, and Sebastian, he sends out a warning to Antonio and Sebastian, who want to kill Alonso, by threatening to turn them in as traitors, but stating he will not for now (V. I. 129-131). This text illustrates that Prospero has control over both Antonio and Sebastian with this mere warning and can bend them to his will. Following this encounter, Prospero meets Alonso. As they are talking about the future, Prospero says that in the morning, he will take his ship and sail to Naples, where he hopes to see his daughter married to Ferdinand (V. I. 323-325). Prospero has every right to hold a grudge against Antonio and Alonso, considering that both of them wronged him, yet he chooses not to take revenge. Instead, he takes control of the situation by declaring that he wishes his daughter to be married to the Prince of Naples. The strategy that Prospero employs allows him achieve a beneficial outcome
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.
Shakespeare’s play, The Tempest is set on a mysterious island surrounded by the ocean. Here the magician Prospero is ruler of the isle with his two servants Caliban and Ariel. Caliban is the abrasive, foul-mouthed son of the evil witch Sycorax. When Prospero was shipwrecked on the island Prospero treated him kindly but their relationship changed when Caliban tried to rape Prospero's daughter, Miranda. Caliban then became Prospero's unwilling servant. Caliban serves his master out of fear Prospero's wrath. Prospero's other servant Ariel is a graceful spirit who has courtesy and charm. Ariel has put her services at Prospero's disposal out of gratitude for his kind actions towards her. Prospero saved Ariel from the confinement of Sycorax who held her prisoner.
Throughout The Tempest, Shakespeare depicts Prospero as the ultimate puppet master, pulling each individual’s string towards his master plan. Along with his bossy and controlling attitude, Prospero claims “it was mine art/ that/… let thee out” (I.ii.351) to force Ariel into obedience. Hence with Prospero’s demands, Ariel sets up the encounter between Miranda and Ferdinand, causing them to fall in love, resulting in Prospero “rejoicing/ at nothing can be more” (III.ii.114-115). Considering the amount of power he possesses, Prospero wants to try to maintain the power. In order to keep the power, Shakespeare makes Prospero’s attitude demanding to explain the effects of having excessive amounts of power. Presenting Prospero as the bitter tyrant, Shakespeare expands on how power corrupts a person. Not satisfied with their current status, he addresses the issue of these people constantly craving
As Prospero is so invested in his plot to seek vengeance as well as carry out the marriage between Ferdinand and Miranda, the thought of Caliban’s, his slave’s, plot to murder him has escaped his memory. He then launches into a speech about the ceremony he’s holding for Miranda and Ferdinand, but more specifically how the ceremony is as meaningless as their roles on the island. For instance, Prospero elaborates that “These our actors, As I foretold you, were all spirits and Are melted into air, into thin air; And like the baseless fabric of this vision…” (IV.i.165-168). These few lines reveal much on Prospero’s mindset regarding the events transpiring, beginning with “These our actors, As I foretold you”. By calling everyone “actors,” he is demeaning life into a mere play. But it’s not a simple play; it’s a play he is directing. Evident in “As I foretold you,” Prospero admits that he is the one narrating the play, but more so that everyone is a puppet to his play -- and he holds the strings. He continues to debase the play by calling it “baseless” and of “this vision”, and it is important to note that “this” refers to Prospero’s vision, which again demonstrates his role as a playwright and, therefore,