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The essay of Great Depression poverty
The essay of Great Depression poverty
Migrant Mother photo Analysis essay
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The picture titled “Migrant Mother” by Dorothea Lange is one of the most influential pictures throughout American history. The photograph exhibits the Florence Thompson’s face who is seen “with a furrowed forehead, and her two children who are shyly hiding their faces into the shoulders of Thompson” (Lanster, 2017). There are many aspects about why the photograph became one of the most iconic pictures in America. In many ways the pictures depict the effects in which the Great Depression had on parents who were struggling to persevere through the adversities of trying to keep a job and providing for their kids. The photograph was a symbolic figure for many Americans, however, to some it became quite controversial because of the way the photo …show more content…
Photo manipulation is quite common in photographs to bring more sentiment towards those that are viewing the photograph. For instance, the iconic photograph, “Migrant Mother” was actually altered by Lange in two blatant ways. The first way is in the way Lange excludes a part of Thompson’s hand and a thumb which is a holding a tent flap. The second way Lange was able to manipulate the photo was by staging the photo into what she believed would bring compassion and the overall image of what the Great Depression brought to families across America. Lange’s most famous photograph “Migrant Mother” became a symbolic picture. It brought prosperity and an emotional impact to those that saw the photo. It may seem as though the image was taken on a whim, however, it took Lange six shots to find the perfect image. Yet, even with that last photo it took some photo manipulation to bring the image to what is known today as one of the most influential images. The two manipulation Lange used were stage managing and photo alteration. Firstly, it is important to note that Lange was known for her constant use stage managing. Stage managing is the …show more content…
As a result, many photographers take pictures to keep society updated on the events that are happening around the world. However, many turn to the idea of manipulating images to garner awareness of the current events. Although there are many instances where many don’t realize that a photo has been altered, it brings into question, the concept of ethics. Personally when I look at a photograph I assume that the photo is a clear distinction of the event that had happened at the moment. However, when the photos becomes manipulated I feel as though the truth has been distorted. The reason being is because they I look at the image I start to create a pseudo reality of what might have taken place and I try to understand the symbolism and emotions of the photo. Once you distort these images it then brings into question about whether it is ethically okay to distort the image. Although some photo manipulations is considered okay by some, others disapprove on the idea because it deceives the public. Some examples in photos are manipulated is when people are trying to making someone or a product look more appealing. However, when a picture is being used for journalistic purposes and propaganda I definitely don’t approve of it. This reason is that you are deceiving the public from the truth. Furthermore, it brings into question the intentions of the photographer, is the photo that is being manipulated being made so to garner more attention to the
During the early 20th century in the U.S, most children of the lower and middle class were workers. These children worked long dangerous shifts that even an adult would find tiresome. On July 22, 1905, at a convention of the National Woman Suffrage Association in Philadelphia, Florence Kelley gave a famous speech regarding the extraneous child labor of the time. Kelley’s argument was to add laws to help the workers or abolish the practice completely. Kelley uses pathos to highlight the need for change and diction get her point across to the audience.
The artist known as Dorothea Lange is renowned as one of the most influential photographers of the Great Depression. This unit of study is focused on the in-depth history of Lange, her art collection as a whole, her aesthetic appeal to the public, and how to apply her work to a production lesson for 4th or 5th grade.
What is interesting is that the photograph is not in full color, but in black and white in contrast to the “Blind Beggars” painting, which has vibrant colors. Both Lange and Lawrence's artworks reflect on the theme of poverty and unfortunate circumstances. Lawrence uses organic shapes in this painting.
I glance amusedly at the photo placed before me. The bright and smiling faces of my family stare back me, their expressions depicting complete happiness. My mind drifted back to the events of the day that the photo was taken. It was Memorial Day and so, in the spirit of tradition my large extended family had gathered at the grave of my great grandparents. The day was hot and I had begged my mother to let me join my friends at the pool. However, my mother had refused. Inconsolable, I spent most of the day moping about sulkily. The time came for a group picture and so my grandmother arranged us all just so and then turned to me saying, "You'd better smile Emma or you'll look back at this and never forgive yourself." Eager to please and knowing she would never let it go if I didn't, I plastered on a dazzling smile. One might say a picture is worth a thousand words. However, who is to say they are the accurate or right words? During the 1930s, photographers were hired by the FSA to photograph the events of the Great Depression. These photographers used their images, posed or accurate, to sway public opinion concerning the era. Their work displayed an attempt to fulfill the need to document what was taking place and the desire to influence what needed to be done.
I will write about two different type of photographs which considered describe, compare and contrast each one of them. The first photograph is Dorothea Lange’s Migrant Mother, Nipomo, California and Margaret Bourke and the White’s at the time of the Louisville flood. Also, this paper will include several things such as describe how each artist’s and composition emphasizes her message, focus on the similarities and focus on the compare and contrast two depression era
Photographers had begum to document and publicize the issues of the race problem and the struggle for equal rights in the United States in the early 1900s. Early photographs documented protests against lynching, Jim Crow laws, and captured protest...
... lived in New York tenements. In Riis’s book, How the Other Half Lives: Studies Among the Tenements of New York, he uses prolific prose coupled with emotionally powerful illustrations that paint a vivid picture of immigrant families living in tenements in the late 1800s. Throughout Riss’s book, exposes how immigrant children were forced to work in factories and sweatshops. As a result, Riss successfully achieves his goal of educating the middle class regarding the challenges that urban immigrants faced. Lastly, although Riss tact regarding racial epithets of the immigrants he wrote on and photographed are offensive, the importance of Riss’s photographs outweighs the racial insults because his pictures lie not only in their power to enlighten but also to move his readers regarding how immigrant families were forced into making their children work.
The mass media carries with it unparalleled opportunities to impart information, but also opportunities to deceive the public, by misrepresenting an event. While usually thought of as falsifying or stretching facts and figures, manipulation can just as easily be done in the use of photography and images. These manipulations may be even more serious – and subtle – than written manipulations, since they may not be discovered for years, if ever, and can have an indelible and lasting impact on the viewer, as it is often said, “a picture is worth a thousand words”. One of the most significant images of Twentieth Century America was the photograph of a migrant mother holding her child. The photograph was taken during the Great Depression by photographer Dorothea Lange, and has remained an enduring symbol of the hardship and struggle faced by many families during the Depression Era. This image was also an example of the manipulation of photography, however, for it used two major forms of manipulation that remain a problem in journalistic photography.
Frida Kahlo and Barbara Kruger’s issues faced throughout their lifetime can be connected to our course. Frida Kahlo’s artwork could be discussed in the Guerrilla Girls book that we have read early in the semester. The Guerrilla Girls portrayed different artists, and their battles faced as women. Frida Kahlo’s art was overshadowed by her artistic husband, Diego Rivera, similarly to many other women artists in the Guerilla Girls. Most women were not credited for their artwork, and were not portrayed in guilds unless they were married or came from a wealthy family. Barbara Kruger’s photography portrayed many feminist prints. Throughout this course, we have discussed the meaning of being a feminist and the issues feminist face
The key messages of an author, a poet, an artist, a photographer, or a politician can transport to an audience is the need for human compassion or empathy to inspire action or to make a difference that brings the hope of understanding and a higher expectation for humanity. Word choice and sensory details guide the reader’s to the deepest emotion, but an astonishing picture, documentaries, and an artwork of an artist can also change people’s opinion. Through a text or a broadcast can raise public awareness to people who really don’t understand the meaning behind it and photography can too. The sample of a fiction story, “Marigolds” By Eugenia Collier, and the excerpt from the informational portrait, “Migrant Mother” taken by Dorothea Lange, both notify the theme of poverty. Illustrate the story of a young girl who lived in a countryside Maryland during the Great Depression, that introduces the theme of poverty and empathy, and the photographs artist of Dorothea Lange and artist like her provide the main insights into the terrible living conditions of the migrant workers.
The saying, “a picture is worth a thousand words,” cannot be demonstrated more thoroughly than during The Great Depression, a time when there were not a lot of words to be said. The photograph of the “Migrant Mother,” taken in this time period, The Great Depression, has inspired me want to dig deeper into Dorothea Lange’s experience during that time period. When I first saw the photograph of the “Migrant Mother,” I could not get the image out of my head because it tugged at my heart and it is something I have wanted to learn more about since we discussed Dorothea Lange in class.
The Civil War was the first major conflict to be documented by photography. At the time of the Civil War, it was vital to have public support on both the North and the South side of the dispute. It is also said that if war efforts do not have complete support of its’ citizens that it will not result to any benefits. Photography was one way that was almost guaranteeing support of citizens on the homefront. Photographers had power within their photographs, toying with the pathos of the civilians, and causing them to feel whatever the photographers wanted them to. This power was abused at time by manipulating people’s opinions towards the war. There were pictures coming back from the warfront one after the other which made it impossible for people to feel an emotional connection to the soldiers at war. These photographs allowed events happening miles away to feel like they were closer to home causing people to support the war efforts more heavily. Instead of people having their own opinions during the war, photographers used manipulative
Photoshop can be used to depict opponents in undesirable situations or to depict events which haven’t actually happened. There have been numerous political scandals where one candidate doctors a photograph of their opponent. In 2012 Wil Cardon, a Republican candidate for the senate, launched a campaign against U.S. Representative Jeff Flake by using doctored photos of Flake to imply that he opposed SB 1070. The pictures had been doctored to feature Flake standing with Obama (McCombs, "Flake: Doctored Photos 'Dishonest '."). Here the doctored photograph was meant to deceive voters into believing an opponent had a certain viewpoint. The pictures depicted a scenario which never happened and may not display the full truth. In this case the doctored photograph crossed the fine moral line. The article Is it Real, Or Is It Photoshoped? discusses the increasing concern of doctored before and after pictures presented to clients by physicians (Anthem Media Group). In this case the photograph is purposely trying to deceive a perspective client into believe that the procedure will be more effective than it actually is. The picture does not present the truth in a scenario where it is unethical not to present the truth. Doctored photographs are not only unethical when they are used deceptively for one’s gain, but also when they are used to destroy another’s
In the 1960s, a wave of Cuban immigrants moved into the United States to escape their ruthless dictator, Fidel Castro. Aleida Rodriguez and her siblings were some of those immigrants. In her reflection, she looks at photographs of her childhood while she reflects upon the impact of emigration within her family during the sixties. In the excerpt from “my Mother in Two Photographs, Among Other Things,” author Aleida Rodriguez reveals the cultural rifts caused by relocation.
This impactful photograph is the result of an emphasis placed upon the appearance, situation, and story of a young girl. The Carolina Cotton Mill tells the tale of hardships faced by child laborers. Sadie Pfeiffer became a representative for all children who were forced to mature sooner than should have been expected of them. In the final analysis, Hine provided the world with an illustration that spoke of the challenges faced by America’s children and prompted awareness of the inhumanity that was child