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Essay on Camus the stranger
Essay on Camus the stranger
Camus as an existentialist writer
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Philosophy in Albert Camus' Two Novels, The Stranger and The Fall
One of the most noted proponents of early French existentialism, Albert Camus, composed nearly a dozen superb literary works dealing with this philosophy. His first novel, The Stranger, and a later book, The Fall, are recognized as two masterpieces of philosophical literature, not only in the context of Camus’ own work, but in the broad scope of philosophy as well.
Both novels deal with the struggle of an individual to identify himself in a world of absurdities; published more than a decade apart, however, they draw startlingly different conclusions on the subject. Therefore, an examination of the main characters of each novel and a contrast of their individual thoughts and actions will reveal the transformation that overtook Albert Camus as a result of his experiences over the course of this ten years.
Begun in 1942, while Camus was working as an editor for Le Combat, the underground resistance paper, The Stranger is the story of one Monsieur Meursault, a resident of French Algeria cursed with a brutal and unabashed honesty. This trait, being the only truth that he can accept, is therefore the basis of his life. Holding no belief in speaking of the “benign indifference” of the world around him, Meursault is caught in a plethora of social absurdities for which no understanding nor need. For instance, in speaking of the his mother, whose death opens the novel, he states: “I loved her as much as anyone loves their mother,” and, when criticized for his decision to place her in the Home for Aging Persons, notes that “for years she had nothing to say to me.. .she was moping around with no one to talk to.” It is this sort of behavior, honest, ultimately pragm...
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...ury’s most unconventional philosophers.
Works Consulted
Camus, Albert. The Stranger. New York: Random House, Inc., 1988.
-- The Fall Translated by Justin O'Brien New York: A Vintage Book, 1986.
Akeroyd, Richard H. The Spiritual Quest of Albert Camus. Alabama: Portals Press, 1976.
Cruickshank, John. “Albert Camus: Sainthood Without God.” In Mansions of the Spirit. Ed. George A. Panichas. New York: Hawthorn Books, Inc. Publishers, 1967. 313-324.
Hanna, Thomas L. “The Philosophy of Albert Camus.” In Camus: A Collection of Critical Essays. edited by Germaine Bree. New Jersey: Prentice-Hall, 1962. 48-64.
Peyre, Henri. “Camus the Pagan.” In Camus: A Collection of Critical Essays. edited by Germaine Bree. New Jersey: Prentice-Hall, 1962. 65-70.
Sprintzen, David. Camus: A Critical Examination. Philadelphia: Temple University Press, 1988.
Through psychological realism in Equus and The Stranger, Peter Shaffer and Albert Camus alienate both characters to show the power of religion through their perceived personal realities.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Essential Question #12: What is the relevance of political philosophies, religious dogma, and societal beliefs to my existence? Camus, Albert. A. The Stranger. New York: Vintage International, 1989.
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
Camus starts the beginning of his novel by stating the death of the narrator’s mother through a first person point of view. Meursault, the protagonist and narrator of the novel, begins by contemplating the day of his mother’s death and is unable t...
The Chicago Public School District is the third largest school district in the United States educating around 400,000 students. Back in 1987 CPS was named “the worst in the nation”(). Moving its way up to the top, since then, CPS had completely rebuilt its structure, appointing leaders and reformed ideas. Now, with a deficit projected to be around $1 billion CPS is headed back in a downwards path, money being the biggest issue. The United States Federal Government already has financial issues of its own, which makes dealing with a CPS budget a problem within a problem. CPS, with a $6.6 billion FY2013 budget, is now taking a new strategy based upon a flawed “Student-Based Budgeting System”. The Board of Education is also struggling to solve the debt they have reached, and with their FY2014 plans this year’s budget book is argued to be “one of the most poorly written budgets”(). The way CPS is handling their budget is not benefiting the lives and education of students and is leaving CPS at a loss with giant financial issues.
Marcus, Lauren, Ph. D., and Amanda Baron, M.S.W. "Childhood Obesity: A Growing Problem." Www.aboutourkids.org. NYU Child Study Center, May 2004. Web. 27 Oct. 2013.
Finding Enlightenment in the Dark: An analysis of light in Camus’s The Stranger. In The Stranger, the protagonist Mersault becomes ostracized from his society due to his emotional separation and unwillingness to play by societal rules. His continual apathy and expression that everything “didn’t matter” eventually led to his death sentence (8). Mersault focuses on his physical surroundings, commenting on the light and the heat around him. He perceives the world through his senses, not through his emotions.
Several philosophers have made differing viewpoints regarding the outlook of life. Richard Taylor and Albert Camus are notably known for presenting their thoughts on whether life is meaningless or not through the use of the Greek myth of Sisyphus. The two philosopher’s underlying statement on the meaning of life is understood through the myth. The myth discusses the eternal punishment of Sisyphus who was condemned by the Gods to take a large boulder up a hill, only to have it roll back down, forcing him to repeat this task endlessly. Each conceive the myth in their own way and ultimately end with a conclusion that differs from each other. Taylor’s ideals and his take on the meaning of life contrast with what Camus presents in his argument. While Taylor suggests that there is a subjective meaning to life, Camus states that life is ultimately meaningless.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In many works of literature, a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediments, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him, giving him a type of feeling even if Meursault doesn’t care. Meursault is a victim of emotional indifference between his friends and social indifference. This essay will be about the character’s struggle that contributes to the meaning of the work as a whole.
The thought of Albert Camus creating a character like Meursault is absurd because ‘The Outsider’ was published in 1942, midway through the Second World War. Also with economies falling and poverty reigning, people turned to God for hope and it took everything they had to hold onto that faith. Amidst thi...
The year is 2200. The world is going through a fossil fuel shortage. Oil reserves are almost completely consumed and it is becoming impossible to find new fossil fuel sources. Not prepared for this event to occur, The United States, has no alternative options. As a result of the oil shortage, the standard of living deteriorates. Heat in homes, supermarkets full of food, and transportation, all basic necessities taken for granted, will be depleted because fossil fuels are used to power almost everything. The key to the prevention of this future is renewable energy. Unfortunately the support for the use of renewable energy is weak and ineffective. Unless the US puts forth effort to research and promote the use of renewable energy to consumers, conversion from fossil fuels to renewable energy will no longer be an option.
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.