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Analysis of Heart of Darkness by Joseph Conrad
Main Charater And Their Characterisation Of The Novel Heart Of Darkness By Joseph Conrad
Colonialism in the heart of darkness
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Recommended: Analysis of Heart of Darkness by Joseph Conrad
Over ten million Africans were killed in the Congo during the European imperialism invasion that in 1850. In Heart of Darkness, Joseph Conrad uses the setting to show the detrimental effects of European imperialism has on the mind, Africa, and those who would became intricate pawns in the capitalist greed of European companies. During the book Africa can be seen as a character that is fighting against the invaders.
While the characters in the book stay in Africa they find that their psyche becomes severely damaged. In the very beginning, Marlow discovers that Fresleven, “...was the gentles, quietest creature...Therefore...he whacked the the old nigger mercilessly...” (Conrad 8). As Fresleven interacted with Africa he starts to go mad. The great contrast between the person that Fresleven was and became indicates that Africa twists the mind. This gentle man turns into a killer because of working in Africa. But the incident that causes Fresleven's death dealt with money. The affects of imperialism in Africa kills him. Leaving him only bones in the ground.
Greed becomes a major motivation in the book that kills. Marlow's fascination with Kurtz never truly ends yet Kurtz greed clearly ruins him during his escapade in Africa. This once “...'universal genius'...” (Conrad 32), now just a delirious man. His greed drives him into insanity, “The word “ivory” rang in the air, was whispered, was sighed. You would think they were praying for it” (Conrad 24). Kurtz murders and pillages for ivory, long after he gets sick. It becomes a desperate race for him, trying to collect all of the ivory in Africa; even after he succumbs to the sickness that Africa provides.
All of the characters in the book become sick because of the effects of imperia...
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... make it harder for them to move through the wilderness. This comes from the fact that Africa mostly just wants the agents to leave. Marlow also recognizes that the forest is impenetrable (Conrad 40). Thus, Africa efficaciously protects most of the inner ends of itself against the agents.
Conrad takes a strong stance against European imperialism in Heart of Darkness. He persuasively shows not only the damage that imperialism has on Africa but also on the young men who are sent into Africa to plunder it for ivory to make money for the companies. He creates Africa as a character by allowing the setting to directly affect and interact with the other characters in the story, through the fog, the river, disease, and vegetation. By creating a metaphor of host and parasite he shows the dehumanization that occurs to the agents and the human qualities that happens to Africa.
Chinua Achebe, a well known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe," (Achebe, p.251) while he also "projects the image of Africa as the other world,' the antithesis of Europe and therefore of civilizations" (Achebe, p.252). By his own interpretations of the text, Achebe shows that Conrad eliminates "The African as a human factor," thereby "reducing Africa to the role of props" (Achebe, p.257).
The novel merely portrays a fictional account of British imperialism in the African jungle, where fiction offers maximum entertainment it lacks in focus. The novel is not a critique of European colonialism and imperialism, but rather a presentation of colonialism and the theme of darkness throughout the novel sheds a negative light on the selfishness of humanity and the system that was taking advantage of the native peoples. In Joseph Conrad’s novel, Heart of Darkness, Conrad presents a criticism of British imperial colonization not for the purpose of taking sides, but with aims of bettering the system that was in place during Conrad’s experience in the African Congo. Conrad uses the character of Marlow and his original justification of imperialism so long as it was efficient and unselfish that was later transformed when the reality of colonialism displayed the selfishness of man, to show that colonialism throughout history displaces the needs of the mother country over the colonized peoples and is thus always selfish. Understanding the ideology, practices, and repercussions of imperialism is paramount to interpreting Conrad’s’ viewpoint of imperialism and the colonial experience.... ...
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
First of all, The Congo was a case that had imperialism dwelling in the roots of the culture. King Leopold II was a monarch from Belgium who decided to bring his regime to the Congo where he would make the natives work as slaves for his labor. In The Heart of Darkness, Marlow was the main character was provided a chance to visit the Congo and gladly accepted due to his thirst of exploration. Although, when he arrived he realized the natives there were essentially being used as pawns and replied with the following remark “They were dying slowly—it was very clear. They were not enemies, they were not criminals, they were nothing earthly now, - nothing but black shadows of disease
Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was apparent of colonization. The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the reader have to interpret for themselves what they thought the writer meant. Conrad experiments with this style, leaving some sentences without ending: "not a sentimental pretense but an idea;…something you can set up…and offer a sacrifice to…." (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone. Conrad skips about from talking of the "two women knitted black wool feverishly" at the gate of the city (of hell), to his aunt which he feels women are "out of touch with truth," to how the British are as "weak-eyed devil(s) of a rapacious and pitiless folly" (Conrad, Longman pp. 2198, 2199, & 2202). Conrad's mind moves about as ours do along a large duration of literary monologue to convey to the reader the author's ideas, as interpreted by the reader.
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
...ation of Central Africa.” [pg.6] Achebe states that Conrad’s image of Africa is not of his own, but of the Western imagination and that Conrad is simply showing the norm.
In the same way that England's motives changed, so does the motives of many of the individuals who enter the dark continent. Kurtz starts out being the best agent the Ivory Company sends to Africa. He comes there with good intentions, not only to do his job for the company, but also he wants to help the natives. As Kurtz himself states, "Each station should be like a beacon on the road towards better things, a centre for trade of course, but also for humanizing, improving, instructing." (p.104). Obsessed with meeting Kurtz, Marlow finally realizes the man he is seeking has become evil and is exploiting the same people that he initially wanted to help.
In “An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe takes notes the ways that Conrad degrades Africans by reducing their religious practices to misconception, belittling their complex geography to just a single mass of jungle, telling them to remain in their place, and taking away their capability of speaking. Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. Achebe also sensibly labels these stereotypes and shows that Africa is in fact a rich land full of intelligent people who are, in fact, very human.
Though honest, Marlow is a prejudiced man; he is the epitome of colonialism. Going into the Congo, Marlow views the natives as prehistoric evils in desperate need of white influence and civilization. Throughout the physical journey, Marlow is confronted with the natives time and time again, seeing them chained as slaves, living in a village and attacking his own steam boat.
Educated people reading Conrad's novel should understand the differences between the past and the present, and be forgiving of his language. The deeper the expedition progressed into the center of the continent, the more isolation was felt by the crew. In a sense, Central Africa IS the antithesis of Western Europe -- it lacks not only the hectic urban structures but also the Social Darwinist attitudes of the time. It is in this remote environment that man must face his true self without any illusions, and the darkness of the human soul is apparent. The uncivilized environment may mock western civilization's refinement, but this is not derogatory towards the jungle, but rather an eye-opener to the European audience.
Heart of Darkness by Joseph Conrad is very clearly critical of imperialism. This is abundantly evident from the first pages, to the last, and everywhere in between. Marlow’s begins the journey as naive as the rest of Europe in his time, but is shocked by the horrors of colonialism. Conrad gives the reader a very negative view of imperialism through the setting, and actions of his characters. However, he is not entirely sympathetic of the African people, as he tends to dehumanize them throughout the novella.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).
Throughout Heart of Darkness by Joseph Conrad, a sense of imperialism is present. Imperialism is defined as “acquiring and holding colonies and dependencies”. Through the novel, many of the travels Marlow encounters contain imperialist ideas. The whole continent is used as a symbol for this theme. So therefore you can tell that imperialism is just as bad as the disease that many people get from the Congo, they become infected.
Joseph Conrad's novel Heart of Darkness portrays an image of Africa that is dark and inhuman. Not only does he describe the actual, physical continent of Africa as "so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness" (Conrad 94), as though the continent could neither breed nor support any true human life, but he also manages to depict Africans as though they are not worthy of the respect commonly due to the white man. At one point the main character, Marlow, describes one of the paths he follows: "Can't say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet-hole in the forehead, upon which I absolutely stumbled three miles farther on, may be considered as a permanent improvement" (48). Conrad's description of Africa and Africans served to misinform the Western world, and went uncontested for many years.