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Beethoven primary essay
Analysis of Beethoven 5th symphony
Beethoven primary essay
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Symphony No. 6 in F major, Op.68, also known as the Pastoral Symphony was composed by Beethoven in 1808. Beethoven’s inspiration for this symphony came from his love for nature. The Pastoral Symphony is the only one of Beethoven’s symphonies that has five movements, the rest have four movements. Beethoven’s orchestra differed from that of earlier ensembles because he expanded his orchestras to include trombones, piccolos, and contrabassoons, although none of those three instruments appear in the first movement of the Pastoral Symphony (Yudkin, 2013).
The first movement of the Pastoral Symphony is in sonata form and is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, and strings. It has a tempo of “Allegro ma non troppo” which
“You gotta play this piece like an English military band would,” said Jules during band one day while rehearsing the first movement of Gustav Holst’s Second Suite in F. “1. March” begins with four notes played by the low brass which is then echoed by the upper woodwinds. The trumpets have a noble melody which broadens when the entire ensemble joins in. Next, the piece lightens up with an upper woodwind melody. Later on there is a euphonium solo, and following that is a grand theme with an extremely distinguished style. After, there is a change in style and time signature. One simple theme repeats with different dynamics and instrumentations every repetition. The Wind Ensemble played this piece at the Winter Band Concert on December 11, 2013. This work, though easy looking at first glance, was genuinely difficult to put together. It had few layers, so mistakes or intonation problems were extremely noticeable. Furthermore, the style of the piece was extremely intricate and hard to master. Therefore, “1. March” had positives and negatives regarding intonation, balance and blend, articulation, style, and dynamics throughout the entire ensemble and the low instrument section.
Mozart is one of the few composers who wrote music for the clarinet during the classical period. His clarinet concerto, is extremely popular which is still widely performed nowadays. Yet, there is much confusion about the interpretation of the music. Therefore, in this essay, the issue of tempo and ornamentations are going to be discussed.
Ludwig Van, Beethoven. Symphony no. 5, op. 67, in C minor.. New York: E.F. Kalmus Orchestra Scores, 1932. Print. .
The first thing that the listener notices upon the beginning of the song is the aura of tension that is displayed. The beginning starts off slowly and crescendos until the feeling is resolved. Immediately after violins start to sound erratically. The aesthetic of “Winter” paints the aesthetic of a man leaving the safety of his home and searching for firewood in the harsh winter. The turbulent violin runs represent the fierceness of the storm and the struggle to survive it. The constant sounding of low strings represent the stamping of feet, and the dissonant sounds represent the chattering of teeth due to the cold. This constant sound, which could musically be referred to as an ostinato, is what the different violin solos return to.
In Beethoven’s early quartets, he takes great inspiration from both Mozart and his tutor, Joseph Haydn. Before Beethoven wrote his first quartet he had already written several different compositions for he wanted to really establish his own style of writing first. Op. 18, No. 1 in F, was first written in 1799 but still remains close to the Haydnesque and Mozartian quartet writing style, but the young Beethoven begins to place in his own ideas. This can be seen in the very first movement (see example 1).
Premiering in 1931, Still’s Symphony No. 1 was the first African-American composed symphony. The tone poem expresses the African-American experience from slavery to triumph. The first movement, Moderato assai (“Longing”), is in A-flat and features a classic blues twelve-bar pattern. The second movement, Adagio (“Sorrow”) in F major, sounds more spiritual, but continues the blues theme. The third movement, Animato (“Humor”) in A-flat, has two themes and two variations. In this scherzo movement we hear similarities to “I’ve Got Rhythm”. The final movement, Lento con risoluzione (“Aspiration”) in F minor, creates the idea of African-American triumph and pride by utilizing the entire orchestra, which includes, horns, woodwinds, strings, and percussions.
Music has been important in my life. At St. Francis, I would like to continue my musical experience by participating in extracurricular activities such as choir and guitar. Through music I have found personal enjoyment, sharing with singers and musicians, and providing entertainment for others.
The very first part of number two shows a theme that reoccurs throughout the entire movement. After following such a strict rhythmic pattern, the piece gradually works its way into more of a Baroque-style dance song. There are multiple, short cadenzas (solo passages) strung together to make for an upbeat dancing beat. This portion of the piece is played around mezzo-forte. The third movement of Suite No. 1 is the most somber of all. The tempo slows to adagio, and the volume is around mezzo-piano. There are multiple ritardandos, with the music temporarily pulling back, or slowing down. There are also three quick moments of silence which adds to the dramatic feel of this movement. The beginning of the fifth movement sounds very similar to how the fourth movement sounded, but gradually works its way up to something more. Starting out slow and emotional, the prelude of movement five is played in mezzo-piano and at a speed near adagio. The volume crescendos into mezzo-forte; as the volume increases, so does the complexity of the instrument. The ending is extremely fast and powerful and finally pulls all of the slower moving portions together in a grand finale. The true
Symphony No. 6 is one of Beethoven's few programmatic works and describes a county scene. It is titled "Recollections of country life". It has 5 movements, unusual for a classical symphony. The first movement is in sonata form and is titled "Awakening of cheerful feelings upon arrival in the country". It has two beautiful rustic themes. The second movement is titled "Scene at the brook" and depicts a bubbling stream on a calm day. It is also in sonata form with two flowing themes. The third movement is a scherzo and depicts a country dance being titled "Happy gathering of country folk". It is an unusual scherzo with the scherzo section played only once before continuing to the trio. After the trio, instead of returning to the scherzo, a short section in 2/4 time interrupts. Then the scherzo is played followed by the trio again. The 2/4 section appears a second time, followed by the scherzo one last time. The dancing in the third movement is interrupted by raindrops ushering in the fourth movement, titled "Thunderstorm".
A sinfonia (Italian for symphony) broadly refers to a number of instrumental works from the Baroque period, including symphonies, sonatas, canzonas, concerti, and Italian opera overtures. Even J.S. Bach titles his “three-part” inventions for harpsichord “Sinfonia”. Torelli’s Sinfonia in D (G.8) is a four-movement “concerto” for trumpet, strings and harpsichord continuo. Unlike a concerto grosso, where a main theme is presented and then reappears in fragments, the main themes of Sinfonia in D are developed rather freely. The second movement (Adagio) is a very short, slow, interlude without trumpet that introduces the third movement (Allegro). Hence, the program shows these two movements as “adagio-allegro” joined together.
The Music from classical era had a meaning that so many wants to hear the sound of the piece. Most Composer had a harsh life then, other era. In addition the classical era had more melody and texture to the piece. The music piece I chose was symphony No. 5. The reason I chose it, was because I loved how the song was dark, then to light. I’m going to talk about what the did, what was the music like. The mood the composer had when making this piece, a few reasons why. and the style about it.
In Haydn’s symphony no. 8, “Le Soir”, the final movement is often found to be called ‘the storm’. Like many symphonies of the time, the storm was a common topic to compose and Haydn, like many others, achieved great programmatic stature by combining many instruments and compositional techniques together.
The piece opens with an allegro, minor melody with cymbal crashes and timpani rolls. There is a short pause then a major trill. Harp glissandos then accompany a legato oboe melody, which is repeated with a pizzicato string bass. The melody is then repeated by the whole orchestra. There is a crescendo with the tim...
The night started with Joseph Haydn’s Symphony No.90 in C Major, a piece in sonata form composed for one flute, timpani, viola, cello, bass and two oboes, bassoons, horns, trumpets and violins. The first movement –the Adagio- introduces, the listener to the piece by a sharp contrast between forte and an eight descending notes in piano. We are then presented –in a piano violin- the essential element of the first theme. Then, the music picks up a faster pace and energy until it reaches a dialogue between the oboes and the ba...
...chestral introduction with an imperfect cadence. A strong rhythmic ¾ allegro passage, with sequences and descending scales is played by the orchestra, with timpani and cymbals. The music modulates, and a short, quiet woodwind passage is then alternated with an orchestral passage with dotted rhythms, creating a `terraced dynamics' effect. Part B begins with a major clarinet melody accompanied by pizzicato strings. A minor flute sequence follows, and is followed by a repetition of the oboe melody. A string sequence is then played, imitated by the oboe. There is a crescendo, then the rhythmic orchestral melody returns, alternated with a short flute passage. There are suspensions, descending scales and a crescendo, followed by a strong rhythmic passage with the timpani playing on the beat. Imperfect cadences are played, before the piece finishes with a perfect cadence.