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Music is a very powerful tool that people use throughout life. One of its most important attributes is how it allows people to show their emotion. History is abundant with different myths and legends about such music. The legend of Orpheus and Eurydice is one that strives to show the emotion of the music and melodies performed by a man who is separated from his lover by different worlds. Both Orpheus and Eurydice by Czeslaw Milosz, and Orpheus and Eurydice by John Godfrey Saxe, are great examples of separate depictions that show different emotions from Orpheus's music. Both of these poems show how powerful and compelling music can be, while still keeping the author's originality by showing the emotions in different ways. It may be that music, while having many forms, almost always has the ability to express emotions in a way that affects everyone.
Music can be considered to be like an onion. For one to truly understand it, we must look at all aspects of the person’s life. The foundation of a person's life can be just as important as the outcome of their music. In both poems, Orpheus's love for Eurydice is the foundation for his music. In Saxe's poem, Orpheus was living a joyous life before his wife was tragically taken from his world. After losing Eurydice, the poem says that Orpheus would not "marry another" (Saxe 37). After not being able to forget Eurydice, Orpheus travels to a place called Hades to rescue Eurydice. Milosz forgoes the beautiful love story that occurred before Eurydice's tragic death and brings us straight to Orpheus’s emotions at the gates of Hades. He writes "Only her love warmed him" (Milosz 13). Whether his love for Eurydice is the begging of his quest or the motivation that keeps him going, it is clear t...
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...representation of our lives, then it must have many aspects too. In both of these depictions, Orpheus used the music of his life to affect change. He had a goal and sought to achieve it using music. Even when he missed his goal, he used his music to memorialize his beloved Eurydice. Many may call his melodies sad and depressing, but I believe they are beautiful because they show the depth of his love for Eurydice. In the end, both of these depictions show that rather than keep his emotions bottled inside, Orpheus choose to share them with everyone around him through his music.
Works Cited
Milosz, Czeslaw. “Orpheus and Eurydice.” The New Yorker 17 May 2014: 82-83. Print.
Saxe, John Godfrey. “Orpheus and Eurydice.” Yale Book of American Verse. Ed. Thomas R. Lounsbury. New Haven: Yale University Press, 1912; Bartleby.com, 1999. www.bartleby.com/102/. [3 Feb. 2014].
Throughout literature authors have written to express a message to their intended audience. This is no exception for the plays, Oedipus Rex and Darker Face of the Earth, written by Sophocles and Rita Dove, respectively. The similarities in plot, characters, and motifs are not the sole concurrencies between both plays; the overall message to the audiences in both plays is one in the same, one cannot escape their fate. Sophocles and Dove both illuminate this message through their use of the chorus. While Sophocles uses a single chorus of Theban elders, Dove illustrates the grimness of fate through several minor characters: the chorus, the prayers and the players, the rebels, and three female slaves. Dove’s usage of Phebe, Diana, and Psyche further accentuate the battle between free will and fate, as well as the role of women, a concept absent in Sophocles’ play.
There are many meanings inside stories; “Gregory” by Panos Ioannides is a heart-wrenching short story that follows the protagonist through the execution of his friend. E.M. Forster explains a want to keep friendships strong even at the expense of one’s relation to one’s country. The main character in “Gregory”' has multiple thoughts showing a tie to what Foster explained, as well as the internal fight that happens when one has two forces pulling at one. The Narrator wants to follow his gut and skirt tragedy, but in the end he wants to save himself from his superiors.
...he realisation of an aberrant knowledge, a painful truth. The closely relative journeys of Santiago and Orpheus are equally linked in abject failure, however are far more closely bound by the fact that both of them were enriched from loss. They both received a victory from defeat.
The roles of the characters are particularly useful when comparing and contrasting Oedipus to Darker Face. Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all..." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
Robinson, Edward Arlington. "Richard Cory." The Pocket Book of Modern Verse. New York: Washington Square Press, 1954. 153.
Aeschylus’ tragic trilogy, the only play to survive from Ancient Greece, repeatedly calls our attention upon a central concept of justice: justice as revenge. This is a relatively simple concept, with a powerful emotional appeal, linking vengeance to the family and their feelings for each other and for their collective honor. However, one must look past this superficial theme in order to fully appreciate and understand the depth and beauty of Aeschylus’ work, and regard it as a philosophical investigation into the concepts of justice rather than a great artistic fiction or a poetic exploration. The former approach is unfortunate because the Oresteia is not a rational argument. It is, on the other hand, an artistic exploration of abstract and theoretical issues. What matters in this case is the complexity of the feeling that emerges from the characters, the imagery, the actions, and the ideas in the story. In other words, the writer is dealing with a case of how human bei...
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
In the story of Orpheus and Eurydice, the two get married but Eurydice quickly perishes. Overcome with grief Orpheus convinces Hades to let him bring back Eurydice to the world of the living. He agrees but on one condition; Eurydice has to walk behind Orpheus and he cannot look back to see if she's following. Orpheus agrees, but when the couple are just about to leave Erebus, Orpheus looks back to see his lover. With a final "Farewell" Eurydice
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
Briefly speaking, the Hymn to Demeter is similar in playing out the theme of separation and isolation by depicting Persephone picking flowers in and isolated space. In Ovid's version, the empowerment of women plays an important role by the story being told by a woman, Venus being the mastermind, and Ceres being a strong confident woman and taking swift action. Also, the roles of the gods are switched with the nymphs, and the symbolist use of the environment is seen in the abduction of Proserpine.
When comparing and contrasting “Ozymandias”, written by Percy Bysshe Shelley and “Viva La Vida” by Coldplay, there is a strong contrast between the two. Ozymandias is a poem about a long-forgotten king who once had mighty power over his people, where as “Viva La Vida” is about a king who was overthrown. However, the similarities between the song and poem are astonishing. “Ozymandias” is similar to “Viva La Vida”because both texts mention a rockpile built upon sand for a king; because both texts show that the citizens are enemies of the king; and because they are both about a king who has lost his power.
ABSTRACT: Humanity requires for its satisfaction Beauty and Good, that is, love, wisdom, and courage. Put differently, the necessity of order, equilibrium, and harmony. These values ground one of the most elevated planes of the spiritual life: music. Its moral force in the education of the mind, soul, and behavior of the human person has been emphasized by the ancient Greek philosophers. This important message exists as a pattern crossing the centuries. I will try to reveal the unity ¡¥ethics¡¦/ethike - ¡¥music¡¦/melos by using the semiotic organon.
The time period of Greek theater’s popularity was a very influential time in our world’s history. Without knowing what Greek theater was all about, how can someone expect to truly understand a tragic play and the history it comes with? The history behind the character of Oedipus, in the play Oedipus the King, is very complicated. His intricate past dealing with prophecies, family members, and murder is the main focus of the story. There are many characteristics that complete Aristotle’s definition of a tragic hero; these being the presence of hamartia and peripeteia, a sense of self-awareness, the audience’s pity for the character, and the hero is of noble birth.
The Chorus, in this play, guides the audience. In the end, it is up to the individual as to what reaction they have to the play, but the Chorus is there to, in a way makes this reaction more complicated. One could leave the play totally condemning Medea, but the Chorus display’s Medea in a way that makes the audience sympathise with her, and so the moral conclusions that need to be come to side, become more complex. The audience has to base their reaction to Medea on what crimes they have seen her commit, and on what they have heard of her through the Chorus. Their integral part in the play acts in many ways, to follow, revise, and extend the plot of the play, and to influence the opinions and sympathies of the audience. It is a literary, and dramatic device that Euripedes uses, and uses well, to help portray a tragedy, and also a moralistic play, in which the Chorus is the voice that provides the morals.
Sophocles’ tragic play, “Oedipus the King”, or “Oedipus Rex” as it’s known by its Latin name, is the Athenian drama that revolves around the events which lead to the demise of Oedipus Rex. The King Oedipus is forced down a preordained path that throws his entire world into a spiral of tragic providence, in this trilogy of a Theban play. Sophocles assigns the tragic hero to a downfall with the impossibility of changing the written fate; perhaps the views of today’s society would feel sympathy for the predicament that Oedipus is forced into, however, the publics of ancient Greece would accept that the path laid before them was a creation of the Gods. “Oedipus the King” reflects the ancient Greek credence in the belief that a person can do nothing to avoid their destiny, an idea that contrasts with what society believes today.